"No Preexistent World": On "Natural" and "Artificial" Forms of Poetry
Critical Writing
Publication Type:
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Year:
2010
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Pages:
365-390
License:
All Rights reserved
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Abstract (in English):
Peter Gendolla pursues a paradox accompanying the literary avant-garde from Romanticism to the most current electronic installations; namely, that they want to bring back the cold, dead culture into “natural” life and that they are doing this with the most advanced technological procedures. They become more and more “technical” with the impulse not only to dissolve the division of the genres but also to transfer art at least by way of literary means into “natural” forms of life; thus, they are continually developing new forms of aesthetic difference that have to be differentiated from either nature or culture.
Works referenced:
Title![]() |
Author | Year |
---|---|---|
Text Rain | Romy Achituv, Camille Utterback | 1999 |
text.curtain | Daniel C. Howe | 2005 |
The Distributed Legible City | Jeffrey Shaw | 1998 |
The Legible City | Jeffrey Shaw, Dirk Groeneveld | 1989 |
Teaching Resource using this Critical Writing:
Resource | Teaching Resource Type | Author | Year |
---|---|---|---|
Electronic Literature (DIKULT 203, Fall 2011) | Syllabus | Davin Heckman | 2011 |