The Marketization of Net Art

Critical Writing

Author:

Søren Bro Pold

Christian Ulrik Andersen

Publication Type:

Article in an online journal

Language:

Year:

2013

Publisher:

Digital Aesthetics Research Center

University:

University of Aarhus

URL:

A peer-reviewed Newspaper

Record Status:

Not yet reviewed

Works referenced:

Title	Author	Year
Cent mille milliards de poèmes	Raymond Queneau	1961
PÅVIRKET SOM KUN ET MENNESKE KAN VÆRE	Konrad Korabiewski	2010
Tilfældigvis er skærmen blevet blæk	Peter-Clement Woetmann	2012

Critical writing referenced:

Title	Author	Year
"How It Is in Common Tongues": an interview with John Cayley and Daniel Howe	Scott Rettberg, John Cayley, Daniel C. Howe	2012
Controlled Consumption Interfaces - When digital culture becomes software business	Christian Ulrik Andersen, Søren Bro Pold	2012
Cybertext: Perspectives on Ergodic Literature	Espen Aarseth	1997
Literature from Page to Interface: The Treatments of Text in Christophe Bruno's Iterature	Søren Bro Pold	2007
Orality and Literacy: The Technologizing of the Word	Walter Jackson Ong	1982
Post-digital Print: The Mutation of Publishing Since 1894	Alessandro Ludovico	2012
Speaking code : coding as aesthetic and political expression	Geoff Cox, Alex McLean	2013
The late age of print : everyday book culture from consumerism to control	Ted Striphas	2011
The Marketization of Net Art	Søren Bro Pold, Christian Ulrik Andersen	2013
The New Media Reader		2003
The Rustle of Language	Roland Barthes	1989
Writing Space: The Computer, Hypertext, and the History of Writing	Jay David Bolter	1991
You Say You Want a Revolution? Hypertext and the Laws of Media	Stuart Moulthrop	1991

Critical writing that references this:

Title	Author	Publisher	Year
The Marketization of Net Art	Søren Bro Pold, Christian Ulrik Andersen	Digital Aesthetics Research Center	2013

The permanent URL of this page:

https://elmcip.net/node/8793

Record posted by:

Fredrik Sten

This Work, ELMCIP, is licensed under a Attribution-ShareAlike 4.0 International license, although certain works referenced herein may be separately licensed.