A Cyborg Manifesto

Critical Writing
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Critical writing that references this:

Title Author Publisher Year
Command Lines: Aesthetics and Technique in Interactive Fiction and New Media Jeremy Douglass 2007
Creating Screen-Based Multiple State Environments: Investigating Systems of Confutation Donna Leishman 2004
Digital Literature: Theoretical and Aesthetic Reflections Luciana Gattass 2011
Digital Poesi. Æstetisk Analyse og det Mediales Rolle i Kunstværkers Kommunikation Mette-Marie Zacher Sørensen 2013
Digital Prohibition Piracy and Authorship in New Media Art Carolyn Guertin Continuum 2012
Engineering Cyborg Ideology N. Katherine Hayles Electronic Book Review (ebr)
Exploiting Kairos in Electronic Literature: A Rhetorical Analysis Cheri Crenshaw 2008
For This We Play: an Introduction to this Issue’s New Media Poems John Sparrow HOW2
I'll be a postfeminist in a postpatriarchy, or, Can We Really Imagine Life after Feminism? Lisa Yaszek Electronic Book Review (ebr) 2005
Next Generation Literary Machines: The “Dynamic Network Aesthetic” of Contemporary Poetry Generators Holly Dupej 2012
Postmodern, Posthuman, Post-Digital Laura Shackelford 2018
Reproductive Technologies, Fetal Icons, and Genetic Freaks: Shelley Jackson’s Patchwork Girl and the Limits and Possibilities of Donna Haraway’s Cyborg Heather Latimer MFS Modern Fiction Studies 2011
Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental Laura Shackelford Camera Obscura 2006
Techno-historical Limits of the Interface: The Performance of Interactive Narrative Experiences Andrew Hutchison 2009
The Disturbing Liveliness of Machines: Rethinking the Body in Hypertext Theory and Fiction Christopher Keep 1999
Towards Minor Literary Forms: Digital Literature and the Art of Failure Illya Szilak Electronic Book Review (ebr) 2015

Teaching Resource using this Critical Writing:

Resource Teaching Resource Type Author Year
Hypertext Syllabus Scott Rettberg 2004
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Scott Rettberg