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Genre: The New Critical Idiom |
John Frow
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Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era |
Eric Dean Rasmussen
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Przemówienia / Speeches |
Marek Pampuch
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Re:Cycle III |
Jim Bizzocchi
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Subvirtiendo signos: la estrategia de la apropiación en la cultura contemporánea |
Belén Gache
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Massive Comprehension Machine |
Lot Ameros
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Towards Cinematic Hypertext : A theoretical and Empirical Investigation |
Clara Mancini
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Field Notes From The Secret War Between Value and Meaning in Digital Culture |
Francisco J. Ricardo
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Interactive Fiction: The Computer Storygame 'Adventure' |
Mary Ann Buckles
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E-literature and the Un-coded Model of Meaning: Towards an Ordinary Digital Philosophy |
Mauro Carassai
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Digital Rhetoric and Poetics: Signifying Strategies in Electronic Literature |
Talan Memmott
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Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser |
Chris Funkhouser
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Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning. |
David Jhave Johnston
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changeEverything |
Serge Bouchardon, Vincent Volckaert, Hervé Zénouda
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Responsive Environments |
Myron Krueger
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Gamely Interstitial: Narrative, Excess, and Artifactual Interstanding |
Stuart Moulthrop
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From Papyrus to Hypertext: Toward the Universal Digital Library |
Christian Vandendorpe
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Accidental Meaning |
María Mencía
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E-literature |
Joseph Tabbi
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Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations |
Roberto Simanowski
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