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meaning

Displaying 1 - 20 of 22
Title Author
Genre: The New Critical Idiom John Frow
Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era Eric Dean Rasmussen
Przemówienia / Speeches Marek Pampuch
Re:Cycle III Jim Bizzocchi
Subvirtiendo signos: la estrategia de la apropiación en la cultura contemporánea Belén Gache
Massive Comprehension Machine Lot Ameros
Towards Cinematic Hypertext : A theoretical and Empirical Investigation Clara Mancini
Field Notes From The Secret War Between Value and Meaning in Digital Culture Francisco J. Ricardo
Interactive Fiction: The Computer Storygame 'Adventure' Mary Ann Buckles
E-literature and the Un-coded Model of Meaning: Towards an Ordinary Digital Philosophy Mauro Carassai
Digital Rhetoric and Poetics: Signifying Strategies in Electronic Literature Talan Memmott
Review of Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations, by Chris Funkhouser Chris Funkhouser
Extinction Elegies: a post-Fukushima interactive video-poem tht introduces mutations into the DNA of meaning. David Jhave Johnston
changeEverything Serge Bouchardon, Vincent Volckaert, Hervé Zénouda
Responsive Environments Myron Krueger
Gamely Interstitial: Narrative, Excess, and Artifactual Interstanding Stuart Moulthrop
From Papyrus to Hypertext: Toward the Universal Digital Library Christian Vandendorpe
Accidental Meaning María Mencía
E-literature Joseph Tabbi
Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations Roberto Simanowski
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HERA (Humanities in the European Research Area) NorStore CLARINO (Common Language Resources and Technology Infrastructure Norway) University of Bergen, Department of Linguistic, Literary and Aesthetic Studies Bergen Electronic Literature Research Group European Commission, European Research Area ELMCIP sponsors

This Work, ELMCIP, is licensed under a Creative Commons Attribution-ShareAlike license creative commons, although certain works referenced herein may be separately licensed.