Search

Search content of the knowledge base.

The search found 16825 results in 0.007 seconds.

Search results

  1. The Uninvited

    The Uninvited was originally written and developed in the late 90s as an interactive hybrid narrative formatted for presentation on CD-ROM. It was never publicly shown. In 2003, it was reformatted as a stand alone video. The Uninvited was included in the traveling exhibition, Art AIDS America, curated by Jonathan Katz and Rock Hushca.

    (Source: Artist's Statement)

    One of the video experiments in Lemcke’s series Light F/X.

    Jill Walker Rettberg - 25.03.2011 - 15:20

  2. Literary Hypertext: The Passing of the Golden Age

    29 October 1999 Keynote Address, Digital Arts and Culture Atlanta, Georgia (This speech was also published in Feed in 2000.) Coover's DAC Keynote address discussed the transition from the "golden age" of narrative-driven, text-dominated hypertext fiction, mainly produced in Storyspace, to an era dominated by the practices and attention spans of the World Wide Web, and a new focus on the image.

    Scott Rettberg - 25.03.2011 - 16:18

  3. Digital Arts and Culture 1999 Conference

    The Second Annual Digital Arts and Culture Conference (DAC '99) will bring artists, media practitioners, scientists, theorists, and members of industry to Atlanta, Georgia to explore established and evolving forms of digital culture.

    Keynote speakers and performers at DAC '99 include: Robert Coover, Elliott Peter Earls, N. Katherine Hayles, and Michael Joyce.

    Participants in the DAC '99 program include more than 100 scholars, artists, and performers from nearly a dozen countries.

    Many of the presentations and performances during DAC '99 were audio- or videotaped for later "webcast" over the Internet (NOTE: files now offline).

    (Source: Conference website)

    Scott Rettberg - 25.03.2011 - 16:31

  4. Print Is Flat, Code Is Deep: Rethinking Signification in New Media

    Lulled into somnolence by five hundred years of print, literary analysis should awaken to the importance of media-specific analysis, a mode of critical attention which recognizes that all texts are instantiated and that the nature of the medium in which they are instantiated matters. Central to repositioning critical inquiry, so it can attend to the specificity of the medium, is a more robust notion of materiality. Materiality is reconceptualized as the interplay between a text's physical characteristics and its signifying strategies, a move that entwines instantiation and signification at the outset. This definition opens the possibility of considering texts as embodied entities while still maintaining a central focus on interpretation. It makes materiality an emergent property, so that it cannot be specified in advance, as if it were a pre-given entity. Rather, materiality is open to debate and interpretation, ensuring that discussions about the text's "meaning" will also take into account its physical specificity as well.

    Scott Rettberg - 25.03.2011 - 21:11

  5. Brown University Scholarly Technology Group

    Brown University Scholarly Technology Group

    Scott Rettberg - 25.03.2011 - 22:59

  6. Technology Platforms for 21st Century Literature

    A Three-Day Conference and Workshop for Writers, Publishers, and Technologists To Shape the Authoring, Publishing, and Reading Tools of the Next Century For Interactive Fiction, Poetry, and Creative Nonfiction.

    Scott Rettberg - 25.03.2011 - 23:02

  7. Ferris Wheels

    Ferris Wheels

    Scott Rettberg - 25.03.2011 - 23:16

  8. On the Birthday of a Stranger

    On the Birthday of a Stranger

    Scott Rettberg - 25.03.2011 - 23:22

  9. Evergreen Review

    Evergreen Review

    Scott Rettberg - 25.03.2011 - 23:27

  10. Charmin' Cleary

    Charmin' Cleary

    Scott Rettberg - 25.03.2011 - 23:32

Pages