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Techsty: Literatura i nowe media
Techsty to literacko - edukacyjny serwis internetowy po?wi?cony zwi?zkom literatury z cyfrowymi mediami. Tematy tutaj poruszane sytuuj? si? w miejscu przeci?cia si? literackiej praktyki i refleksji z praktyk? i refleksj? cyfrowych mediów: hipertekstu, Internetu i hipermediów.
Magazyn to periodyczna, prawdopodobnie najwa?niejsza, ods?ona Techstów . W tym internetowym nieregularniku znajduj? si? artyku?y, opowiadania, eseje, wywiady i recenzje. S? to zarówno przek?ady jak i oryginalne teksty polskich autorów eksploruj?cych nowe wymiary sztuki s?owa w elektronicznym ?rodowisku. Co najistotniejsze, magazyn to platforma prezentacji m?odej polskiej literatury elektronicznej. Promujemy w nim wszelkie warto?ciowe przejawy e-literatury: opowiadania hiertekstowe, utwory cyberpoetyckie, hipertekstowe eseje metaliterackie. (Source: Journal website)
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Jill Walker Rettberg - 25.02.2011 - 12:19
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New Philosophy for New Media
In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position—as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era. Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure—that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms.
Scott Rettberg - 26.02.2011 - 15:36
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Destination Unknown: Experiments in the Network Novel
PhD, University of Cincinnati, Arts & Sciences : English & Comparative Literature, 2003.
Advisor: Dr. Thomas LeClair
Scott Rettberg - 26.02.2011 - 16:15
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Twisty Little Passages: An Approach to Interactive Fiction
This monograph outlines the history of interactive fiction from its beginnings in the 1970s, through its commercial primetime in the 1980s, its community-based explosion in the 1990s and into the 21st century. Riddles are presented as the primary literary ancestor of interactive fictions, which allows Montfort too see IF as literary but as more than simply narrative. The book provides a vocabulary and approach for describing the genre and also presents new interpretations of selected games and summarises previous readings and discussions of works.
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A critical approach to interactive fiction, as literature and game.
Jill Walker Rettberg - 26.02.2011 - 21:45
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Writing Space: The Computer, Hypertext, and the History of Writing
From the publisher:
This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.
Original publication date: 1991, published by Laurence Erlbaum Associates, Hillsdale, New Jersey.
Patricia Tomaszek - 28.02.2011 - 11:48
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Jody Zellen
Jody Zellen is an artist living in Los Angeles, California. She works in many media simultaneously making photographs, installations, net art, public art, as well as artists' books that explore the subject of the urban environment. She employs media-generated representations of contemporary and historic cities as raw material for aesthetic and social investigations. Solo exhibitions include Paul Kopeikin Gallery (2007), LAXArt (2007); Pace University's Digital Gallery (2005); The Laguna Art Museum (2004-05); Susanne Vielmetter Los Angeles Projects (2002); Deep River, Los Angeles (2001).
Eric Dean Rasmussen - 28.02.2011 - 14:06
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Crowds and Power
Crowds and Power
Eric Dean Rasmussen - 28.02.2011 - 14:09
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In(ter)ventions: Literary practice at the Edge
In(ter)ventions — Literary Practice At The Edge: A Gathering is a conference unlike any held previously in Canada. Over the course of four days, thirty six forward-thinking literary artists will create a context for the demonstration and discussion of cutting-edge literary practice. In a mixture of panels, papers, readings, performances, and more, participants will explore digital literature, interactivity, collaboration, cross-disciplinary work, formal innovation, “uncreative” writing, new modes of dissemination, and literary pedagogy.
Within the rapidly changing landscape of literary practice and dissemination, technology has rocketed forward, putting more power into the hands of writers and other artists. New literary modes have appeared and continue to develop, and the ability to share information rapidly across disciplines has resulted in exciting and challenging cross-pollination. In(ter)ventions will explore the edges of literature, where technology, innovation, and literary practice meet.
J. R. Carpenter - 04.03.2011 - 19:39
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Electronic Poetry Center (EPC)
From the organization´s website:
The EPC was founed in 1995 and serves as a central gateway to resources in electronic poetry and poetics at the University at Buffalo, the University of Pennsylvania's PennSound PennSound, UBU web, and on the Web at large. Our aim is simple: to make available a wide range of resources centered on digital and contemporary formally innovative poetries, new media writing, and literary programming.Patricia Tomaszek - 04.03.2011 - 21:47
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Typing the Dancing Signifier: Jim Andrews' (Vis)Poetics
This study focuses on the work of Jim Andrews, whose electronic poems take advantage of a variety of media, authoring programs, programming languages, and file formats to create poetic experiences worthy of study. Much can be learned about electronic textuality and poetry by following the trajectory of a poet and programmer whose fascination with language in programmable media leads him to distinctive poetic explorations and collaborations. This study offers a detailed exploration of Andrews' poetry, motivations, inspirations, and poetics, while telling a piece of the story of the rise of electronic poetry from the mid 1980s until the present. Electronic poetry can be defined as first generation electronic objects that can only be read with a computer--they cannot be printed out nor read aloud without negating that which makes them "native" to the digital environment in which they were created, exist, and are experienced in. If translated to different media, they would lose the extra-textual elements that I describe in this study as behavior.
Jill Walker Rettberg - 04.03.2011 - 21:58
