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Bots
Momenteel onderzoek ik de mogelijkheden om (chat)bots als poëtisch gereedschap in te zetten. Dit onderzoek wordt ondersteund door het Nederlands Letterenfonds en valt onder de regeling Digitale Literatuur. In 2017 organiseerde ik als onderdeel hiervan in Perdu een tweedaagse workshop in samenwerking met collectief Hackers&Designers en Botsquad.
Mijn eerste bevindingen en experimenten werden gepubliceerd in het “Vintage-nummer” van DWB, 2018-1. Daarnaast kruipen momenteel verschillende chatbotjes rond op deze site. Deze botjes bevinden zich in hun peuterpuberteit, er gaat nog wel eens iets mis. Naar aanleiding van de gesprekken die ze voeren, probeer ik ze te verbeteren. Spreek ze gerust aan, wellicht vindt u uw woorden nog eens terug in de poëzie.
David Peeters - 10.05.2021 - 10:44
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(Re)Mediating Alphabetic Language: Alexander Melville Bell’s Visible Speech and the Conception and Use of Humans as Writing Instruments
(Re)Mediating Alphabetic Language: Alexander Melville Bell’s Visible Speech and the Conception and Use of Humans as Writing Instruments
Johannah Rodgers - 29.05.2021 - 20:00
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Grappling With the Actual: Writing on the Periphery of the Real
This essay considers literary realism in relation to two of my own recent works of digital literature: This is a Picture of Wind: A Weather Poem for Phones, and The Pleasure of the Coast: A Hydro-graphic Novel. Both of these web-based works grapple with the actual world we live in: a post-digital world, in which invisible layers of data inform our daily thoughts and actions; a post-human world, of vast oceans and ceaseless winds. These works use the affordances of the internet to call attention to the historical, colonial, elemental, and material substrate of the internet; both attempt to represent the reality of the vast corpus of non-human writing which lurks beneath the mere appearance of the screen. Methodologically, this essay grapples with the material and contextual actualities of these works by turning its attention to earlier analogous moments in the intertwined histories of technology, science, and writing. In particular, this essay is concerned with the technology of the ship, the science of measurement, and the writing of the vast non-human systems of coastlines and winds.
J. R. Carpenter - 27.08.2021 - 12:54
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Data-Realism: Reading and Writing Datafied Text
Pold and Erslev explore third-wave electronic literature -- a practice situated in ¨social media networks, apps, mobile and touchscreen devices, and Web API services” (Flores). At the next conceptual level, however, literary practices of this kind unavoidably take part in representing and reconstructing the metainterface - a space of data collection, standardization, commodification and redistribution that, for better or worse, is our context for a contemporary data realism.
Malthe Stavning Erslev - 12.11.2021 - 10:32
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"These Waves …:" Writing New Bodies for Applied E-literature Studies
N. Katherine Hayles introduced the Electronic Literature concept of second generation hypermedia, characterized by their distinctive, multimodal, en enable by newly evolving, browser-based editing and network technologies vis-a-vis stand-alone, first generation, pre-web hypertext works, which were largely monomodal-verbal and followed a somewhat booking aesthetic.
All the electronic literature generations are overlapping, the co-exist, respond to and feed off one another - similar to, and perhaps as contested as, the so-called waves of feminism.Given the sheer explosion of technological developments, is important that all reach beyond their own disciplinary boundaries and into non-academic communities.
It is focused on the particular case of young woman’s body image, or, more precisely and inclusively, on body image in young, women-identified and gender non-conforming individuals, sawing how girls at six already express body dissatisfaction, provoking high risk for developing eating and body related distresses (Watson, Veale and Saewyc).
María Fernández García - 28.09.2022 - 19:34
