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1. E-Learning und Literatur: Informatiksysteme im Literaturunterricht

   Diese Ausgabe der Reihe "MuK - Massenmedien und Kommunikation" dokumentiert die Beiträge zum Workshop "E-Learning und Literatur", der am 17. September 2007 im Rahmen der "DeLFI 2007 - Die 5. e-Learning Fachtagung Informatik" der Gesellschaft für Informatik e.V. (17. bis 20. September 2007) an der Universität Siegen stattgefunden hat.

   Diese Veranstaltung wurde gemeinsam von den Teilprojekten "Literatur in Netzen/Netzliteratur" und "Informatikunterricht und E-Learning zur aktiven Mitwirkung am digitalen Medienumbruch" des Kulturwissenschaftlichen Forschungskollegs "Medienumbrüche" der Universität Siegen durchgeführt.

   Source: Editorial

   Jörgen Schäfer - 28.06.2011 - 13:50

2. Digitale Literatur und Kunst: Blended Learning zu ästhetischen Prozessen in und mit Informatiksystemen

   Im Artikel wird eine Forschungskooperation zwischen Literaturwissenschaft und Informatik vorgestellt, die Blended Learning zum Thema „Digitale Literatur und Kunst“ für Studierende an Hochschulen plant, durchführt und evaluiert. Die Studierenden erwerben neben den fachlichen Kompetenzen zusätzliche Medien- und Sozialkompetenzen. Die Beschreibung der Rahmenbedingungen runden den Beitrag ab.

   Jörgen Schäfer - 28.06.2011 - 13:53

3. "Hypertext Poetry and Fiction": Beobachtungen zu einem Online-Seminar der New School

   Kreatives Schreiben als Seminarveranstaltung im Rahmen eines „Master of Fine Arts“-Studiengangs folgt an amerikanischen Präsenzuniversitäten einer langen Tradition. Die New Yorker Online-Universität New School bietet seit 1994 virtuelle kreative Schreibseminare
   an. Inwiefern aber ist virtuelle Lehre in diesem Studienbereich von Vorteil? Wie werden Literatur und Technologie in Einklang gebracht? Kann E-Learning didaktische Konzepte kreativer Schreibseminare unterstützen? Welche Lernumgebungen und Werkzeuge sind erforderlich, um die Lernziele der Studierenden zu realisieren? Vor dem Hintergrund dieser Fragen wird das Seminar „Hypertext Poetry and Fiction“ – ein besonderer Bereich des rechnergestützten kreativen Schreibens – vorgestellt und diskutiert.

   Jörgen Schäfer - 28.06.2011 - 13:54

4. Gutenberg Galaxy Revis(it)ed: A Brief History of Combinatory, Hypertextual and Collaborative Literature from the Baroque Period to the Present

   "Gutenberg Galaxy Revis(it)ed: A Brief History of Combinatory, Hypertextual and Collaborative Literature from the Baroque Period to the Present"

   Literature in computer-based media cannot be contemplated without a long literary tradition.
   This article aims at substantiating this assumption with numerous examples of combinatory,
   hypertextual and collaborative texts from German literary history since baroque
   times. Therewith it provides us with a historical basis in order to work out the common
   features and differences that with computers have entered literary texts.

   Source: author's abstract in book publication

   Jörgen Schäfer - 28.06.2011 - 14:58

5. Aesthetics of Surface, Ephemeral and Re-Enchantment in Digital Literature: How Authors and Readers Deal with the Lability of the Electronic Device

   Whenever the program of a work, created by an artist, is run by a computer, the digital device necessarily plays a role in its updating process: because of the operating systems, the software and the ever changing speed of computers, the digital device may sometimes affect the author’s artistic project, or even make it unreadable on screen. Thus, readers do not know what they should consider as part of the artist’s intentionality, and what they should ascribe to the unexpected changes made by the reading device of their personal computer. Critics who are in keeping with a hermeneutic approach may ascribe certain processes, actually caused by the machine, to the artist’s creativity. What is more, authors lose control over the evolution of their work and the many updates it undergoes. Thus, the “digital” artist is given four options when dealing with the lability of the electronic device, which will be described in this article by close readings of The Dreamlife of letters by Brian Kim Stefans, Revenances by Gregory Chatonsky and La Série des U by Philippe Bootz.

   Alexandra Saemmer - 03.07.2011 - 16:03

6. The Grotesque Corpus

   Beginning by discussing his experience of reading the hypertexts in WOE (the Words on the Edge collection), Harpold uses bodily and fleshy comparisons to analyse hypertext: "My goal in this essay is to draw upon the entanglements of hypertext anatomy to outline a stylistics of hypertext informed by its contours. The practice of hypertext as a way of writing and reading is determined by its formal traits as a way of conversation. Medium as meat, reading as peristalsis."

   Jill Walker Rettberg - 27.07.2011 - 23:01

7. Navigating the Borders—Edges and Interfaces

   Commentary on the panel "Navigating the Borders—Edges and Interfaces" at the 2002 Electronic Literature Symposium: State of the Arts, organized by the Electronic Literature Organization and hosted by the University of California at Los Angeles (UCLA). Stuart Moulthrop moderated the panel, which featured Lev Manovich, Raine Koskimaa, Kate Pullinger, and Diana Slattery. 

   Patricia Tomaszek - 25.08.2011 - 15:23

8. Finding a Third Space for Electronic Literature: Creative Community, Authorship, Publishing, and Institutional Environments

   The article addresses topics including creativity as a social ontology, reformulations of the idea of authorship in digital environments, the economics of electronic literature publishing, and the institutional challenges involved in developing academic environments for the teaching of digital writing.
   (Source: Author's abstract)

   Eric Dean Rasmussen - 01.09.2011 - 11:17

9. Following Paths of Electronic Literature

   Easy manipulation, playfulness, creative and active participation in the progress of society and culture by the development of various (art) projects are essential for the ideal of contemporary culture and society. The aim of the article is to look at the phenomena that play an important role in the field of electronic literature – interaction, materiality, performativity and the dynamics of hic et nunc, playfulness, ludification and the innovative use of platforms. The article follows contemporary trends in the field of electronic literature and simultaneously tries to outline some possible directions that electronic literature could take in the near future. (Source: author's abstract)

   Eric Dean Rasmussen - 01.09.2011 - 11:24

10. electropoetics

    Initiated on March 15, 1997, ebr's electropoetics "thread" is devoted to discussions and debates about digital poetics and writing in electronic environments. Most, but not all, of the articles published in ebr about electronic literature and digital literary art appear in this thread. The first editor of electropoetics was Joel Felix, who edited a special issue by that title. David Ciccoricco (2002-2005) and Lori Emerson later served as electropoetics thread editors.

    Eric Dean Rasmussen - 01.09.2011 - 12:47

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