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Memory
This cleverly conceptualized poem engages the social media meme as an canvas, cultural construct, and writing constraint. Using a meme generating service to write the texts on the memes and publish them as images, arranging them in the page. As co-author of the webcomic The World According to Geek, Valle Javier could’ve easily arranged the images as panels on a horizontal comic strip, but instead chose to do so vertically. This reinforces a poetic reading of this work as a whole, using each meme as a unit of meaning that is part of a textual flow.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 07.05.2013 - 16:03
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mooon
mooon (2015) is the fourth video made by Norwegian poet and artist Ottar Ormstad since 2009. Here again viewers encounter letter-carpets and a yellow y Ormstad identifies with and which he is known for. Different from the other videos, letter-carpets are not projected on still images, but for the first time on live video footage Ormstad shot on his Samsung S4 during travels in Denmark, Sweden, Norway, Iceland, Vilnius and Berlin in 2014. The video may be seen as a research for documenting water on the mooon. Like in his video natyr (2011) he's using a strong sound in the very start for creating a period of silence in the beginning of the work. Other references to his earlier works can also be found: The 'eau-poem' in the first part is closely related to his web-poem svevedikt (2006), and his first video LYMS (2009). Ormstad also continues his multi-lingual project using words from different languages intentionally without translation. It invites viewers for an individual experience of the video and visual poetry that is based upon the viewer's language background.
Ottar Ormstad - 25.06.2015 - 12:26
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A Revolution of Words
An interactive e-poem. Try our useful online tool to find new meaning in your life. Give it a spin and see which dictum, watchword, slogan, epigram, mantra, motto, pitch, patter or spiel fortune favours for you! A Revolution of Words invites the speculative reader to Spin the Revolution and thus a play on words becomes a game of chance where meaning is at stake. Concept and words by runran, UI design and codework by crissxross, graphics curated by runran. The last collaboration for R3M1XW0RX between its founder Randy Adams (aka runran) and Christine Wilks (aka crissxross). In memory of Randy Adams (1951-2014).
Christine Wilks - 17.06.2016 - 16:55
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Objects
poema digital que cria combinações aleatórias com os 27 nomes das mulheres assassinadas em Portugal em contexto de violência doméstica, durante 2015.
feito em Processing a partir do código Silly Poet de Abe Prazos.
(Source: http://cargocollective.com/lilianavasques/e-poetry)
Alvaro Seica - 04.05.2017 - 11:56
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PONTOS: uma recombinação textual intermedial e transpoética
"PONTOS” parte de uma tentativa (im)possível de aproximação entre margens por meio de visões que se entrecruzam. Um processo de alteridade entre perspectivas simetricamente opostas, numa tentativa gradual de (auto)reflexão, que dará lugar a uma transmutação contínua por parte de um público. De um lado, uma margem A, sempre mais bela vista de uma margem B; de outro lado, uma margem B, local privilegiado para contemplação do seu antípoda. Numa tentativa de construção de pontes, que não é mais do que uma ligação entre pontos, procura-se por meio da palavra ser-se um outro, na (im)possibilidade de sê-lo por completo.
"Que visão tem neste momento a pessoa que não vejo, mas que sei estar do outro lado?"
"Com que olhos descreveria eu a minha margem, de um lado que sinto não ser possível alcançar?"
Diogo Marques - 26.07.2017 - 17:34
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Młodość 1861 liter później
“Młodość 1861 liter później” (“Youth 1861 letters later”) is a work based on Adam Mickiewicz's poem „Oda do młodości” (“Ode to the Youth”) from 1820. After the user activates the process, the original poem disappears letter after letter and the title changes accordingly to the number of disappearing signs. On the entry page we could see the original work by Mickiewicz which in this case is entitled “Młodość zero liter później” (“Youth zero letters later”) and user by clicking the top right corner of the page or the Esc button activates the process which is defined as “doczekiwanie starości” (“waiting for the senility”). The process of disappearing goes in one, inevitable direction and cannot be reversed, the only thing a user can do is to pause it or witness the terminal decay of the work into nothingness. After all letters are gone the title displayed is: “Młodość 1861 liter później” (“Youth 1861 letters later”).
Gabriela Korwin-Piotrowska - 20.08.2018 - 13:04
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Chi ha ucciso David Crane?
"Chi ha ucciso David Crane?" (2010) is a "possibility" story and it has a single page beginning of the story and a reduced number of end pages. The novel is narrated in the first person by the protagonist, who proposes to the reader from time to time the choices to continue reading of the single story. At the beginning of the story the reader finds himself in a dangerous situation for the protagonist, and immediately he is offered an important choice: continue the current story or remember the previous facts to understand, in a long flashback, the reason why the protagonist he is in that situation. The choice is important from the point of view of the narrative because, in the case you choose to live the current story, it will no longer be possible to go back to reading the flashback (unless you start the novel from the beginning). Vice versa, the choice to read the flashback will allow, at its end, to resume the events "current" and to read the story started on the first page.
Source: http://www.parolata.it/Letterarie/Iperromanzo/IperCrane.htm
Chiara Agostinelli - 17.11.2018 - 22:07
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White-Faced Bromeliads on 20 Hectares
White-Faced Bromeliads on 20 Hectares is a digital poem, which includes a mixture of primarily the English language with some instances of Spanish. In this work Glazier explores alternatives to our customary experiences, through the use of a generator which changes the text of the poems every 10 seconds, turning it from it’s traditional static state to one with movement and change. Furthermore, the evocation of traveling through the images and anecdotes, provides an exploration of a multilingual and multicultural experience. Additionally, the presences of the HTML code leads to a work with multiple possibilities, primarily on how the reader perceives and experiences the work due to the possible technical reading of the code and the multiple possible poetic readings.
Lyvette Martell - 29.11.2018 - 21:39
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Interspecies and Random/Electronic-Poetry. From “Black on Sheep” (Bovine poem) to “Robot-poem@s”
This presentation will explore random e-poetry and interspecies based on two electronic works: one that intersect humanity and insect-like robotics titled “Robot-poem@s”, and an eproject/poem based on a performance with sheep: “Negro en ovejas/Black on Sheep.” Robotpoem@s consist of insect-like robots (five quadrupeds and a bigger hexapod) whose legs and bodies are engraved with the seven parts of a poem written from the robot’s point of view in bilingual format (Spanish and English). Binary constructs such as creator/creature are questioned by these creatures purposely chosen from open-source models resembling insects and spiders, thus emphasizing anxiety and removal from humans while underlying the already problematic relation between humans and technology. The final segment of the poem, number VII, rephrases the biblical pronouncement on the creation of humans, as perceived by the robot: “According to your likeness / my Image.” With this statement, the notion of creation is reformulated and bent by the power of electronics, ultimately questioning its binary foundations.
Vian Rasheed - 18.11.2019 - 15:26
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The Wonders of Lost Trajectories
A collaboration with the Queensland State Archives, this is a collection of digital poems using archival material built into a physical space. Interactive elements cleverly repurpose old archive equipment such as card index drawers and microfiche machines. The poems draw on Brisbane’s past and recreate the experience of losing yourself in archival material.
(Source: QUT Digital Literature Award project description)
Hans Ivar Herland - 08.05.2020 - 17:33
