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Złe słowa / Angry Words
Gra stanowi propozycję innej metodologii lektury: czytania jako niszczenia. Przy pomocy garści poręcznych wulgaryzmów czytelnik postawiony jest przed radosną koniecznością rozmontowywania monumentalnych tekstów kultury. Przeniesienie mechaniki Angry Birds do sfery tekstu jest drogą do nirwany. Projekt bezdyskusyjnie zwyciężył w konkursie na utwór nowomedialny ogłoszonym przez Korporację Ha!art w 2012 roku.
Piotr Marecki - 18.10.2013 - 11:56
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çacocophonie
Çacocophonie is built with Processing and was published at DOC(K)S homepage in July 2013. On September 23, 2013, during the first debate of the ELO 2013 conference "Chercher le Texte," Castellin presented at Le Centre Pompidou auditorium in Paris three different versions of the poem: a plain and static text version, written on a word processor, and two animated versions, both built with Processing, but having slow and quick juxtapositions of animated text.
Alvaro Seica - 20.10.2013 - 20:26
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Northern Venetians
Northern Venetians is an experiment in collaborative electronic literature. When viewing the website, it is best to use Internet Explorer or Firefox (on other browsers there can be a slight distortion of the moving text on the homepage).
Gerald Smith - 31.10.2013 - 14:35
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Tournament of la Poéstry a netprov
Tournament of la Poéstry is a netprov (networked improv narrative) that will be performed in multiple web and social media September 15 -27th 2013. We challenge the world to write complete(ment)ly bilingue(ual) poemes, intelligible dans.in both langue(age)s. The poemes will.vont communiquate par.by any moyeans necessaire. Recalling the chivalric jousts of the 12th century, when French was the court language of England,Tournament of la Poéstry is both a light-hearted poetry competition.festivale and a role-playing fiction in which those who so desire can take on larger-than-life personae as poéstry champions.
(Source: GalleryDDDL description)
Scott Rettberg - 14.11.2013 - 13:30
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A Modern Harvest
Drive a thousand miles from the left/right coasts and you reach the sporadically populated plains, the supposed heart of the United States. But this flatland organ is sick and leaking, the young are fleeing, and consumerism, the addiction to purchase, has replaced the pride of working the land, growing crops and communities. And exploring these small American towns, reaching into the houses and malls and streets, is a modern harvest. This interactive digital poem harvest those objects from the living room gardens, the acres of shopping centers, picks the gaudy attachments of our lived environments. Through five sections, the living room, the bedroom, the kitchen, the garage and the mall, readers can harvest these modern croplands, the trinkets and objects filling our surroundings. And in the heart of the US, “to purchase” replaces “to create”, a crippling harvest of plastic and ceramic. (Source: GalleryDDDL description)
Alex Belov - 18.11.2013 - 14:03
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11 Ways to Escape the Symbolic Field
11 Ways to escape the Symbolic Field is a hybrid work consisting of various Internet accessible pieces in which texts found on the Internet are combined with original digital art works. The texts are presented on the screen in different, mostly hermetic ways, to emphasize the eroding effects the internet has on the literacy of the ‘general audience’. The author intends to question the ‘authority’ of the found texts by deforming them and to render them illegible. Together with each – projected–piece is a sound track with recordings of spoken poetry in English and Dutch from the artist. The poems juxtapose each piece with political driven subjectivities. This series of work is building upon previously created works such as Semantic Disturbances (2005) and La Resocialista Internacional (2011) by the same author. (Source: GalleryDDDL description)
Alex Belov - 18.11.2013 - 15:12
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Tube Lines
Tube Lines is a set of overlapping multimedia narratives – personal and historical, passengers and staff – revealed through a reworking of the Central London underground map. Readers may choose to follow the linear love story by tracing a particular journey around the 78 stops and lines. Alternatively they may access the nodes randomly in a kind of dadaist reading of the tale ; or instead follow their own particular personal journey in the form of a digital labyrinth.
(Source: GalleryDDDL description)
Alex Belov - 18.11.2013 - 16:41
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Ascorbic Acid #2
Ascorbic Acid #2 showcases the molecular structures of ascorbic acid, but rendered in the braille code.
"We have the ability to delineate the structures of organic compounds, and we have the ability to manipulate elements to create the structures of synthetic compounds; however, we lack the technological ability to see each individual atom that creates these molecular compositions, which is why Ascorbic Acid #2 have been reconstructed in braille." — Eric Zboya
Rebecca Lundal - 18.11.2013 - 23:07
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DHA #2
DHA #2, showcases the molecular structures of docosahexaenoic acid, but rendered in the braille code.
"We have the ability to delineate the structures of organic compounds, and we have the ability to manipulate elements to create the structures of synthetic compounds; however, we lack the technological ability to see each individual atom that creates these molecular compositions, which is why "DHA #2" have been reconstructed in braille." — Eric Zboya
Rebecca Lundal - 18.11.2013 - 23:18
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Retinol Constellation
Retinol Constellation, showcase the molecular structures of retinol respectively, but rendered in the braille code. We have the ability to delineate the structures of organic compounds, and we have the ability to manipulate elements to create the structures of synthetic compounds; however, we lack the technological ability to see each individual atom that creates these molecular compositions, which is why "Retinol Constellation" have been reconstructed in braille.” (EZ)
Rebecca Lundal - 18.11.2013 - 23:27
