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ELC3 Bot
This bot is a tool designed to help readers explore the Electronic Literature Collection, Volume 3. Created with Cheap Bots, Done Quick!, a free bot hosting service powered by Tracery, an intuitive JavaScript library developed by Kate Compton, PhD. The bot currently tweets a suggested work from the ELC3 every 3 hours, linking to the work and adding the #ELC3 hashtag. Its Twitter account also compiles two lists of bots: a complete list of its 11 bots and one without Real Human Praise, which posts too frequently to allow readers to appreciate the other bots. Future development of this bot will include random suggestions based on ELC3 metadata, such as keywords, language, location, year, and we may even add some interactivity so it can respond to queries. In the meantime, follow this bot to receive suggestions of works to explore in the ELC3.
Eirik Tveit - 18.10.2016 - 14:45
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Station 51000
This bot draws from a NOAA (National Oceanic and Atmospheric Administration) buoy which gathers oceanic and atmospheric data and mashes it up with text from Moby Dick. The buoy became unmoored on March 10, 2013 and was set adrift—still transmitting data—in the Pacific Ocean until found on November 4, 2015. The result of combining snippets of live data from this floating bot with text from Moby Dick grounds its maritime language in a real and changing yet geographically distant and indeterminate present. Surf this bot’s poetic wanderings to explore real and imagined seas. (Source: Editorial Statement from the works collection site)
Sebastian Cortes - 18.10.2016 - 14:49
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Real Human Praise
This bot draws snippets of positive reviews from Rotten Tomatoes (a film and TV review aggregator), changes the director or producer’s name to a Fox News anchor or personality, and tweets it every two minutes. This Twitter account and bot were produced by The Colbert Report as a response to the news that Fox News publicists had thousands of fake social media accounts to try to spin any postings or comments against their news channel. By recontextualizing praise for film and television performances, narrative, and directorial style, as well as adding the #PraiseFOX hashtag, this overwhelmingly frequent, positive praise comes across as ironic and absurd. Its output also serves as a kind of subtweet because whenever anyone searches for one of the Fox News personalities on Twitter they’re likely to get many “Real Human Praise.” Following this bot may prove to be too much for readers because its frequent endless tweeting will certainly accelerate the current in your Twitter stream.
Eirik Tveit - 18.10.2016 - 15:18
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The Way Bot
The Way Bot scrapes Twitter for tweets that contain the phrase “I like it when.” After removing all the hashtags, special characters, and identifying material, the bot confirms that it has not encountered the expression before and then stores the statement in a database in order to tweet a fresh comment every few minutes. By removing specific markers of identity and filtering hateful or offensive language, what comes through is a more basic (and generally positive) expression of human feeling. The generative engine for The Way Bot was originally created to harvest a large amount of sentences starting with “the way that” and assemble them into the 99-page novel, The Way That I’m Crying so Hard I Have to Gasp For Air, by Eli Brody and 5,134 friends, a work submitted to NaNoGenMo (National Novel Generation Month) in 2013. Whereas reading the litany of statements out loud emphasizes The Way Bot's anaphoric poetics, embedding this account within a user's Twitter stream produces a lyrical refrain, a musical chorus that endlessly transmits a beacon of humanity’s collective unconscious.
Sebastian Cortes - 18.10.2016 - 15:31
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TinyCrossword
Tiny Crossword is a daily game played publicly on Twitter. The bot posts a procedurally-generated three-word puzzle at noon PST. Players (any Twitter user) can @-reply with their proposed answer. After two hours, the bot posts the solution & credits the first player to have solved it. Twitter's constraints were designed for succinct handwritten messages, but bots explore what else can be expressed within those limits. The goal of this bot was to make a game that could fit into a tweet (117 characters with an image). Crediting the winner publicly also fits Twitter's form, where @-mentions can be a sign of admiration & prestige. Most bots generate content by taking a random walk through a large corpus. For Tiny Crossword, the corpus is Simple English Wikipedia; its brevity & plain language afford short puzzle clues. New puzzles are generated using up-to-date terms & concepts with no additional designer input.
Eirik Tveit - 18.10.2016 - 15:44
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Tiny Star Fields
Every three hours, this bot tweets a generated text field composed of blank spaces and unicode characters that can be interpreted as stars or other celestial bodies, particularly when conceptually framed by the account’s title. Its artistic output has become very popular, rapidly attracting over 70,000 followers and with each tweet being favorited and shared over 300 times. While this project would seem to be more of a visual art than literary bot, consider that it is not generating images, but sequences of characters, spaces, and carriage returns. It is using the materials of writing in the tradition of ascii art and its results are so evocative that it has even inspired a spinoff bot @tiny_astro_naut. Follow this bot to become to explore its tiny endless expanses. (Source: Editorial Statement from the works collection site)
Sebastian Cortes - 18.10.2016 - 15:58
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ROM_TXT
This bot explores a corpus of textual data from videogame ROM (Read Only Memory), selecting a random snippet, adding a hashtag for the source, mentioning the platform in parenthesis, and publishing the results every three hours. This textual data isn’t just text displayed by the games when they’re running, but also their programming code, which means that its text is sometimes gibberish (perhaps from obfuscated code), formatted using coding conventions, and strange enough to be poetic. This is a rewarding bot to follow from a Critical Code Studies perspective because it invites reflection on the choices made by programmers for variables, data, and language.
(Source: ELC Volume 3 Editorial Statement)
Magnus Knustad - 08.11.2016 - 17:57
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Poetry is Just Words in the Wrong Order
Poetry is Just Words in the Wrong Order (2015) proposes an unconventional way of creating and presenting poetry based on improvisation, language/sound experimentation, fragmentation and randomness. Poetry as a social practice is here developed in an anti-narrative manner. Built with custom code, a computer chooses random phrases from a predetermined Twitter hashtag (e.g. #Syria) and a database of verses which are selected by the two artists (e.g. verses from poems by Arab women writing in English). The phrases and the verses from the two sources are combined partly randomly and partly following a given pattern. At the same time, sound events are being produced by estimating the number of the letters of every incoming word as well as the total volume of the incoming data. When the project is presented live, the three artists build and improvise on the poem that is created by the computer. (Source: Adapted from authors’ text)
Alvaro Seica - 07.05.2017 - 11:47
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@bronxzooscobra
@bronxzooscobra is the Twitter account purportedly belonging to an Egyptian cobra from the Bronx Zoo. In 2011, a cobra had escaped from the zoo, and this Twitter account emerged to document her adventures, capturing popular fascination and widespread notoriety. The cobra was subsequently caught and returned to captivity, but continues to tweet.
Rob Wittig : "this project is, to me, the epitome of a single-voice netprov."
Davin Heckman - 27.04.2018 - 15:34
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Cenzobot
Cenzobot is a simple Twitter bot that tweets fragments from real historical censorship reviews of publications from the communist era, written by Polish censors between the 1940s and 1990s. Some of the censors were very skilled critics, often well educated, but other were people completely devoid of talent, especially the ones delegated to review books for children and young adults. Twitter, which today is one of the platforms most associated with digital censorship, was chosen as an appropriate tool to tweet censors’ voices. I came up with the idea to tweet fragments of censors’ reviews after the Twitter Bot Purge in February 2018. I expect that my cenzobot will also be purged by Twitter at some point. It is actually the goal of my work.
Nina Kolovic - 26.09.2018 - 14:41
