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1. Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

   Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature

   Eric Dean Rasmussen - 31.01.2011 - 15:39

2. Katja Kwastek

   Dr. Katja Kwastek is an art historian and coordinator of research at the school of arts at Ludwig Maximilian University in Munich. She served as vice-director of the Ludwig Boltzmann Institute Media.Art.Research. in Linz (Austria), where she directed the research projects on interactive art until 2009. Prior to this, she worked as assistant professor at the art history department of the Ludwig Maximilian University in Munich and was a Visiting Scholar at the Rhode Island School of Design (Providence, RI). Her research focuses on contemporary and new media art, media theory and aesthetics. She has curated exhibition projects, lectured widely and published many books and essays, including Ohne Schnur. Art and Wireless Communication, Frankfurt (2004). She recently finished a book manuscript on the aesthetics of interaction in digital art.

   (Soruce: Transmediale.de)

   Eric Dean Rasmussen - 31.01.2011 - 15:42

3. Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb

   Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb

   Eric Dean Rasmussen - 31.01.2011 - 15:44

4. Alice Bell

   My research interests are digital literature, narrative theory and stylistics. My monograph, The Possible Worlds of Hypertext Fiction, develops and supplements Possible Worlds Theory for its application to hypertext fiction. The text includes analyses of four canonical hypertext fiction works and also offers a theoretical evaluation of Possible Worlds Theory. In my current work, I am developing a number of other narratological and literary linguistic frameworks for the analysis of digital fiction including cognitive poetic and unnatural narratological approaches. I am the principal investigator of the Digital Fiction International Network (funded by The Leverhulme Trust Jan 2009 - Jan 2010). The network provides an arena for a new generation of scholars to collaborate on integral theoretical and analytical issues within digital fiction research.

   Eric Dean Rasmussen - 01.02.2011 - 10:31

5. Palgrave Macmillan

   Palgrave Macmillan

   Eric Dean Rasmussen - 01.02.2011 - 11:35

6. The Possible Worlds of Hypertext Fiction

   Publisher's blurb: Written in hypertext and read from a computer, hypertext novels exist as a collection of textual fragments, which must be pieced together by the reader.The Possible Worlds of Hypertext Fiction offers a new critical theory tailored specifically for this burgeoning genre, providing a much needed body of criticism in a key area of new media fiction.

   Table of Contents: The Universe of Hypertext Fiction
   Hypertext Fiction and the Importance of Worlds
   Contradictions, World Views and the Nature of Truth in Michael Joyce's (1987) afternoon--a story
   Going, Going, Gone: the Slippery Worlds of Stuart Moulthrop's (1995) Victory Garden
   Is there a Mary/Shelley in this World? Parody and Counterparts in Shelley Jackson's (1997) Patchwork Girl
   The Colourful Worlds of Richard Holeton's (2001) Figurski at Findhorn on Acid
   Bibliography
   Index

   Eric Dean Rasmussen - 01.02.2011 - 11:43

7. Samuel Szoniecky

   Universite Paris-8, France

   Eric Dean Rasmussen - 01.02.2011 - 13:09

8. Emilia Branny-Jankowska

   Wrote her PhD on cybertext in the Theory of Literature Department at Cracow University.

   Eric Dean Rasmussen - 02.02.2011 - 12:19

9. Richard Holeton

   Richard Holeton is a writer, education consultant, and Assistant Vice Provost for Learning Environments, Emeritus, at Stanford University, following a 30-year career as an educator and academic technology leader. Previously he was Senior Director of Learning Environments, Office of the Vice Provost for Teaching and Learning; Director of Academic Computing Services, Stanford Libraries; and a Lecturer for 12 years in Stanford's English Department and writing program, helping pioneer digital and networked pedagogies and the design of technology-rich learning spaces. His scholarship includes articles, book chapters, and innovative college textbooks such as Composing Cyberspace: Identity, Community, and Knowledge in the Electronic Age (McGraw-Hill). Co-creator of the Learning Space Rating System (EDUCAUSE), he served six years as co-leader of the EDUCAUSE Learning Space Design Constituent Group and four years on the Board of Directors for the NMC (New Media Consortium). His creative work includes the critically-recognized hypertext novel Figurski at Findhorn on Acid (Eastgate Systems), widely exhibited electronic literature, and award-winning short stories.

   Eric Dean Rasmussen - 02.02.2011 - 14:20

10. Figurski at Findhorn on Acid

    Richard Holeton's Figurski at Findhorn on Acid is a hypertext novel released for Storyspace by Eastgate publishers in 2001. The story follows the main character Frank Figurski’s quest to acquire a legendary mechanical pig. As Alice Bell points out, this was one of the last major hypertext works created using Storyspace, as authors began to move to web-based tools and CD-ROM based platform became outmoded (150).

    Background:

    Holeton's hypertext work originated as an award-winning short story “Streleski on Findhorn on Acid" published in 1996 (Grigar et al). That same year, he took part in Robert Kendell's online writing class "Hypertext Poetry and Fiction" at the The New School for Social Research, where he reworked the print story into an electronic text. He produced a novel-length draft for his masters thesis at San Francisco State University; it was the first electronic thesis approved by SFU (Grigar et al). The "canonical" version of Figurski at Findhorn on Acid was released on CD-ROM by Eastgate publishers in 2001.

    Eric Dean Rasmussen - 02.02.2011 - 14:30

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