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Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work
Strickland and Lawson Jarmillo's slippingglimpse: Distributed Cognition at/in Work
Eric Dean Rasmussen - 31.01.2011 - 12:57
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slippingglimpse
In slippingglimpse, we model a ring in which the roles of initiator, responder, and mediator are taken by all elements in turn. Our mantra for this: water reads text, text reads technology, technology reads water, coming full circle. Reading then comes to mean something different at each stage of the poem, in all cases involving sampling. Ryan reads and captures the image of 'chreods' (dynamic attractors) in water. Strickland's poem text, by sampling, appropriating, and aggregating artists' descriptions of processes of capture, reads this process of capture. And the water reads, via Lawson Jaramillo's motion-capture coding, by imposing its own sampled pattern. A variety of reading experiences are enabled: reading images while watching text; reading in concert with non-human readers, computer and water; reading frame breaks (into scroll or background); or reading by intervening. For instance, reversibility and replay are available on the scroll, as are reading in the direction and speed you wish; while, in the water, regeneration of text is available, as are unpredictable jostling and overlays.
Eric Dean Rasmussen - 31.01.2011 - 13:07
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Stephanie Strickland
Stephanie Strickland’s 10 books of poetry include How the Universe Is Made: Poems New & Selected (2019) and Ringing the Changes (2020), a code-generated project for print based on the ancient art of tower bell-ringing. Other books include Dragon Logic and The Red Virgin: A Poem of Simone Weil.
Strickland’s 12 collaborative digital works include slippingglimpse, a poem that maps text to Atlantic wave patterns; the Vniverse app for iPad, interactive companion to the print V : WaveTercets / Losing L’una; Sea and Spar Between, a poem generator paired with Duels—Duets, a companion generator reflecting on Sea and Spar’s composition and paired also with cut to fit the toolspun course, the Sea and Spar code glossed.
Recent work includes Liberty Ring! (2020), interactive companion to Ringing the Changes; House of Trust, a generative poem in praise of free public libraries; and Hours of the Night, an MP4 PowerPoint poem probing age and sleep.
Eric Dean Rasmussen - 31.01.2011 - 13:12
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Cynthia Lawson Jaramillo
Also known as Cynthia Lawson.
"Cynthia Lawson Jaramillo is a digital artist, technologist and educator. She is particularly interested in reconfigurations and representations of time and space through media. Her artwork has been internationally exhibited and performed, including at Giacobetti Paul Gallery, Exit Art and HERE Arts (NYC), UCLA Hammer Museum (LA), Point Éphémère (Paris) and the Museums of Modern Art in Bogotá and Medellín (Colombia). She recently self-published “Of and In Cities,” an academically framed art book about five of her photographic projects, and “Cross Urban,” which documents the first two years of an ongoing collaboration with Klaus Fruchtnis. Cynthia has a B.S. in Electrical Engineering from Universidad de los Andes (Bogotá) and a Masters in Interactive Telecommunications (ITP) from New York University. She is currently Assistant Professor of Integrated Design in the School of Design Strategies at Parsons The New School for Design and an active member of Madarts, an arts collective in Brooklyn, NY" (www.cynthia.lawson.com(Eric Dean Rasmussen - 31.01.2011 - 13:17
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Camille Utterback
Camille Utterback
Eric Dean Rasmussen - 31.01.2011 - 13:19
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Romy Achituv
Romy Achituv is an experimental interdisciplinary artist whose work engages issues of representation, language, time, and memory. Underlying his practice is an ongoing interest in the language of visual representation and in dynamics of spectatorship and interaction. His projects often employ the language and formal attributes of his media to fabricate structural and visual metaphors. His work in new media has focused on digital expressions of time and space, experiments in nonlinear cinematic narrative, and the exploration of non‐linear linguistic structures. In recent years he has developed a particular interest in projects that explore the manifestation of digitally inspired paradigms in physical environments. Romy Achituv’s work has been widely exhibited and has been acquired by major international public and private collections. He is a member of the International Academy for Digital Arts and Sciences, and a founding member of ARTEAM Interdisciplinary Art, a non‐for‐profit art collective based in Israel.
Eric Dean Rasmussen - 31.01.2011 - 13:31
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Text Rain
"Text Rain is an interactive installation in which participants use the familiar instrument of their bodies, to do what seems magical—to lift and play with falling letters that do not really exist. In the Text Rain installation participants stand or move in front of a large projection screen. On the screen they see a mirrored video projection of themselves in black and white, combined with a color animation of falling letters. Like rain or snow, the letters appears to land on participants’ heads and arms. The letters respond to the participants’ motions and can be caught, lifted, and then let fall again. The falling text will ‘land’ on anything darker than a certain threshold, and ‘fall’ whenever that obstacle is removed. If a participant accumulates enough letters along their outstretched arms, or along the silhouette of any dark object, they can sometimes catch an entire word, or even a phrase. The falling letters are not random, but form lines of a poem about bodies and language. ‘Reading’ the phrases in the Text Rain installation becomes a physical as well as a cerebral endeavor."
Eric Dean Rasmussen - 31.01.2011 - 14:27
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Reading the Discursive Spaces of Text Rain, Transmodally
Reading the Discursive Spaces of Text Rain, Transmodally
Eric Dean Rasmussen - 31.01.2011 - 15:21
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Kissing the Steak: The Poetry of Text Generators
Syntext, developed by Pedro Barbosa and Abílio Cavalheiro in the early 90s (later partially re-versioned on the World Wide Web), is a collection of fifteen computer programs from the 70s, 80s, and 90s that automatically generate various styles of poetry in DOS. Though the texts made by each of the programs are thematically unrelated, through these pioneering works by Barbosa, Nanni Balestrini, Marcel Bénabou, and others, each of the predominant fundamental attributes of text-generators is clearly divulged. Syntext, despite being primitive on the surface, powerfully brings to light the expressive possibilities, versatility, and variation within permutation texts, and provides sufficient evidence upon which a typology of computer poems can be established.
(Source: abstract of conference presentation)
Eric Dean Rasmussen - 31.01.2011 - 15:28
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Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics
Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics
Eric Dean Rasmussen - 31.01.2011 - 15:35
