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R, Adieu
A harrowing alphabetical excursion into the world of the rolled r. Milutis tracks—and, through sounds and videos, shows—the primal violence and utopian trill of 'the most rrresilient of locutions' in sound poetry, regional dialects, and televisual affects, from Kurt Schwitters to Georges Perec to Rodgers and Hart to Charles Bernstein.
Joe Milutis - 22.01.2012 - 21:15
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_:terror(aw)ed patches:_
_:terror(aw)ed patches:_ is a “collaborative fiction that utilizes through live concurrent editing in Google Wave that results in expressive output[s]”
(Source: SpringGun Press, v. 2)
In _:terror(aw)ed patches:_(2009), Shane + Mez create a new method of collaborative “fiction” through _live concurrent editing_ in Google Wave.
Meri Alexandra Raita - 28.01.2012 - 13:48
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dbCinema
dbCinema is a langu(im)age processor in that you type stuff into it and that language is processed into a set of images somehow related to what you type in.
(Source: Artist Statement)
Two series of work have been generated with dbCinema including The Interactive Series and The Slidvid Series.
The work comes along with reviews and links to older and newer versions.
Patricia Tomaszek - 03.02.2012 - 11:28
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No Country For Old Men
No Country For Old Men is my attempt to create an interactive reading of well-known literary text
using a .zlorb file and can be played in Gargoyle or Spatterlight. These interactive fiction files were
created during the Spring 2010 semester.(Source: Description from the Electronic Literature Exhibition catalogue)
Note: This work was featured in the 2012 Electronic Literature Exhibition on the computer station featuring Future Writers--Electronic Literature by Undergraduates from U.S. Universities--Works on Desktop
Meri Alexandra Raita - 03.02.2012 - 15:40
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Битница: A Translation
A homolexic translation of Evgeny Evtushenko's "Bohemian Girl."
Joe Milutis - 12.02.2012 - 18:58
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Poemedia
Poemedia is a “digital poetry on paper” installation and live performance by Aaron Angello (sound) and Erin Costello (video). As the audience enters the space, they see 150 8.5” x 11” sheets of card stock suspended from 1-8 feet above the ground hanging from the ceiling. Four video projectors display a live (or recorded) video performance onto the cards.
This installation challenges the already uncertain definitions of digital poetry.
It calls into question the definition of the screen.
It asks: what is the role of poetry, page poetry specifically, in a digitized, information saturated world? Some video output is found images from various media sources and some video is original video from the artists. It is presented as a montage/collage/remix style performance with cinematic elements.
Taken from Drunken Boat (https://d7.drunkenboat.com/db13/4art/poe/poe1.php)
Meri Alexandra Raita - 19.02.2012 - 15:43
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Gorge
A gorge is a steep-sided canyon, a passage, a gullet. To gorge is to stuff with food, to devour greedily. Gorge is a poetry generator, a never-ending tract spewing verse approximations, poetic paroxysms on food, consumption, decadence and desire.
The source code for Gorge is a hack of Montfort’s elegant poetry generator Taroko Gorge.
Meri Alexandra Raita - 23.02.2012 - 14:13
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Sydney's Siberia
Sydney's Siberia is a zoomable poem.
It is not technology making our wires, nodes and swimming data streams, our ever growing networks, beautiful. Instead it is the stories/poetics, the forever coalescing narratives that form the inter/intranet into a vitally compelling mosaic To explore, simply mouse-over/navigate to an appealing square, click and click, read, contemplate connections and repeat. Sydney’s Siberia recreates how networks build exploratory story-scapes through an interactive zooming, clicking interface. Using 121 poetic/story image tiles, the artwork dynamically generates mosaics, infinitely recombining to build new connections/collections based on the users movements.
Meri Alexandra Raita - 03.03.2012 - 18:49
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Requiem
Requiem is an augmented reality poem in which digital imagery and sound is superimposed on a physical object -- in this case the card with the black and white marker. Simply hold the marker up to the webcam to begin experiencing the piece. Click the 'next scene' button to move through the poem.
The architecture for Requiem was created by Andrew Roth, under the direction of Caitlin Fisher, as part of the ongoing work of the Augmented Reality Lab at York University. This work is based on the LGPL license of FLARManager and FLARtoolkit and the source is therefore made available to you under the GPLv3 license. Requiem is part of a larger, much more fragmented work by Caitlin Fisher, "Cardamom of the Dead", a novel in fragments built using a tabletop augmented reality storytelling machine (custom software created in the lab called SnapDragon). Cardamom is a wide-ranging spatial piece about collections, hoarding and the things we save when people die, including this poem written by my father.
(Source: Author's description)
Meri Alexandra Raita - 03.03.2012 - 19:21
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Thank you...
Thank you...
Eric Dean Rasmussen - 20.03.2012 - 13:05
