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  1. “Dois palitos” (Two matchsticks)

    “Two matchsticks” (2008) is the title of an e-poem by short story writer, Samir Mesquita based on “Two matchsticks,” a popular saying in Brazil. The origins of this Brazilian folk expression are difficult to determine, but its significance indicates the rapid execution of a task. The matchbox is a Brazilian’s old friend. Even with the absence of musical instruments several sambas have been created accompanied only by the cadenced rhythm of these improvised little rattles. Today, in the Internet and microblogging age, the matchboxes inspires new literary genres.

    (Source: Luís Claudio Fajardo, I ♥ E-Poetry)

    Ian Rolon - 09.04.2014 - 21:18

  2. Útero portanto Cosmos (Uterus therefore Cosmos)

    According to its author, Agnus Valente, “Uterus therefore Cosmos” is a kind of work in progress developed during the years 2003 to 2007. In this project, several e-poems created by Valente and his twin brother, Nardo Germano, explores the expressive and conceptual potential of the World Wide Web. “Uterus therefore Cosmos” brings together in one digital environment, works by visual artists, poets and musicians from different eras. Valente proposes a dialogue between his poems authored with his brother and the work of brazilian poets and visual artists. ”Uterus therefore Cosmos” is metaphorically a project of astronomical dimensions. Conceived as a trilogy, the project presents in one website its three stages of creation: “Online Pregnancy” (2003), “Constellations” (2005) and “Expansions” (2007). A keyword to analyze this work is “hybridization”. In this context, the term refers to the ability of mixing signs, senses, media and languages and where all this mixing occurs is undoubtedly the digital medium. Based on the theoretical concepts of “intertextuality” and “Intersemiotic translation” Agnus Valente sets the DNA of his poetics. (Source: Luís Claudio Fajardo, I ♥ E-Poetry)

    Ian Rolon - 09.04.2014 - 21:29

  3. Psyco

    "Psyco" by Felix Rémirez is about the conversation between a psychiatrist and a patient who suffers from schizophrenia. In this hypermedia the hypertext appears automatically without the reader's intervention in the reading process, the images and hypertext change rapidly and in some sequences the reader does not have enough time to read the whole story. The only option the reader can choose is clicking on underline sentences which give the reader descriptions of medical terms and information about a woman the patient was in love with. The patient explains that he is scared of some people who are at the back of the psychiatrist, the latter tries to distract him asking him to talk about the period in which he studied music. There is an open ending and the reader does not know if the patient attacks the nurse, the psychiatrist or himself at the end.

    Maya Zalbidea - 07.07.2014 - 22:03

  4. Cuando enciendas los párpados

    Los vídeos multimedia de Oscar Martín Centeno forman parte de la sección visual de los recitales multimedia. No son videopoemas, es decir, no están pensados para ser visionados de forma autónoma, sino para formar parte de un espectáculo donde la música en directo, la presencia escéncia y la interacción son elementos fundamentales. Aún así, el autor pretende que puedan acercar a los usuarios a la simbiosis de lenguajes artísticos que este género poético propicia. Cuando enciendas los párpardos es un poema multimedia que incluye música, poesía animada por ordenador, imágenes y la voz del poeta recitando el poema. Los versos, la música y el vídeo han sido creados por el propio autor. En el poema las palabras se mueven en forma de espiral y aparecen luces en las esquinas, hay sobras de personas que parecen la audiencia que está viendo la instalación como en una acción performativa. El poema trata del amor, la esperanza y el mar, aparecen peces danzando en el agua cuando el poeta menciona el mar. Este poema pertenece al libro de poemas Je suis le diable-Las Cántigas punlicado por la editorial Ya lo dijo Casimiro Parker (Maya Zalbidea Paniagua 2014).

    Maya Zalbidea - 25.07.2014 - 13:36

  5. A Nordic Neurotic

    A Nordic Neurotic

    Alvaro Seica - 21.11.2014 - 01:17

  6. Nous n'avons pas compris Descartes

    Nous n'avons pas compris Descartes

    viniciuscarpe - 15.10.2020 - 18:13

  7. Hotel Minotauro

    This work started to be built in the year 2013, out of scripts, texts writing, musical composition, and a crime investigation (aside from the compilation of images from the web) that I carried out during previous years as if gathering pieces from a puzzle. “Hotel Minotaur” first was entitled “It`s Enough to Open a Hotel`s Doors” and I first started to visualize it when writer Fernando Marias, invited me to be part of his anthology “Solitude is the Home of the Monster” (Imagine Press, 2013), with a multimedia piece. To facilitate the reader`s turn from paper to the digital space a QR (Quick Response Code) in the book`s Codex was added.

    Andrés Pardo Rodriguez - 21.10.2020 - 11:13

  8. Zwei Tote? Ein digital-literarisches Rätsel

    German description from https://adel.uni-siegen.de/node/6112: 

    Mathias Vetti Olaussen - 23.09.2021 - 09:41

  9. Alarmingly These Are Not Lovesick Zombies

    alarmingly these are not lovesick zombies could be considered a near unplayable art-game. Each level is built to be both won and lost, where the player shoots strange enemy objects with increasingly absurd and broken guns, and wildly deviating scoring systems. Behind the experience are odd hand-made videos of toy play and between the levels are narrative clips told with old matchbooks from small towns of the prairie. With perhaps the best title ever given to a game or otherwise, ATANLZ is both disrupted art-game and experience in frenetic madness, an interactive collage engine born from the pixilated undead.

    (Source: Artist's Statement, The NEXT)

    Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 21:04

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