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The Vinaròs Prize for Electronic Literature
A report on the history of the Vinaròs Prize for Electronic Literature that provides an overview of the award-winning works, explains how the winning works were selected, and discusses how a small town in eastern Spain decided to host an international literary competition.
Eric Dean Rasmussen - 05.04.2011 - 11:53
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Reading Digital Cultural Objects
Editorial note to Dichtung Digital #40 introducing papers by Braxton Soderman, Davin Heckman, Eduardo Navas, John M. Vincler, Martina Pfeiler, Nele Lenze, Roberto Simanowski, and Scott Rettberg.
Patricia Tomaszek - 06.05.2011 - 13:54
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From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research
From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research
Scott Rettberg - 17.06.2011 - 12:04
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Electronic Literature Organization 2012: Electrifying Literature: Affordances and Constraints
The 2012 Electronic Literature Organization Conference will be held June 20-23, 2012 in Morgantown, WV, the site of West Virginia University. In conjunction with the three-day conference, there will be a juried Media Arts Show open to the public at the Monongalia Arts Center in Morgantown and running from June 18-30, 2012. An accompanying online exhibit will bring works from the ELO Conference to a wider audience.
Eric Dean Rasmussen - 19.08.2011 - 13:45
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ELMCIP E-Literature and New Media Art Seminar
This seminar seeks to broaden the conceptual space of media-shaped electronic literature through a ground-up conceptualisation that draws inspiration from various textual practices based on an experimental account with cyber-language at the intersection of various fields and disciplines. The seminar is structured as an event of peer-reviewed theory panels, demonstrations (including artistic performances by practitioners) and individual presentations.
A goal of the Ljubljana seminar will be to discuss the challenges posed by new media and to situate electronic literature within a history of new media. Topics that might be addressed include:
Eric Dean Rasmussen - 29.08.2011 - 13:17
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E-literature and the New Social Paradigms
In the opening section of this paper the author introduces the paradigm “literary text as a ride” in terms of metaphor and more because it relates to a sequential event that challenges all of human senses, and might be considered as a procedure of experiencing and perceiving of new media art and e-literary pieces. In “The Language of New Media” (2001), Lev Manovich draws upon the general trend in modern society toward presenting more and more information in the form of time-based audiovisual moving image sequences. Today we can go even a step further from this claim by arguing that such moving image sequences are just the first level in today’s arrangement of artistic and textual contents. The next crucial form of their most recent method of presentation and experience is a ride as a sequential event, which fits the basic condition of today’s individual living in the mixed and hybrid reality as a “pluriversum” of a given world and (virtual) ones.
Eric Dean Rasmussen - 30.08.2011 - 11:29
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On Reading 300 Works of Electronic Literature: Preliminary Reflections
Note: Tabbi's essay was posted on July 22, 2009, on the online forum On the Human, hosted by the National Humanities Center where it generated 35 additional posts. It was reprinted, along edited versions of these responses, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Transcript, 2010). These responses are archived separtedly in the ELMCIP Knowledge Base As "Responses to 'On Reading 300 Works of Electronic Literature: Preliminary Reflections.'"
Eric Dean Rasmussen - 31.08.2011 - 15:55
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Early Authors of E-Literature, Platforms of the Past
A detailed discussion of the exhibit “Early Authors of Electronic Literature: The Eastgate School, Voyager Artists, and Independent Productions” (now installed at the University of Washington). Grigar looks specifically at the major technological shifts in affordances and constraints provided by early computer interfaces and the ways in which e-literature writers from the mid-1980s to the mid-1990s worked with and against these interfaces. For example, she discusses the command-line interface of the Apple IIe – which was released in 1983 – as an example of an interface that exemplifies an ideology wholly different from the now dominant Graphic User Interface. Thus, the command-line interface also makes possible entirely different texts and entirely different modes of thinking/creating such as that exemplified by bp Nichols' “First Screening” from 1984.
Eric Dean Rasmussen - 05.10.2011 - 09:19
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Seven Types of Interface in the Electronic Literature Collection Volume Two
Seven Types of Interface in the Electronic Literature Collection Volume Two
Eric Dean Rasmussen - 05.10.2011 - 10:16
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Electronic Literature Reading at the Richard Hugo House
An evening of e-lit readings and performances at the Richard Hugo House in Seattle, Washington. The event was organized as part of the Electronic Literature Exhibition at the 2012 MLA Conference.
Note: The actual line-up at the event different slightly from both the online description of "Readings & Performances" and that in the PDF/printed catalog for the Electronic Literature Exhibition.
Content of 1st video: 1:50 Jason Nelson with PLAY with the last days of DRAG RACING PUPPETS, 8:11 John Cayley with Pentameters for the Disillusion of the Vectoralists, 19:30 Jim Andrews with Seattle Drift, 25:55 Erin Costello & Aaron Angello with Poemedia, 36:38 Ian Bogost with A Slow Year: Game Poems.
Content of 2nd video: 0:01 The Good Fortune Land, 10:45 Stephanie Strickland with The Ballad of Sand and Harry Soot, 19:58 Stephanie Strickland and Nick Montfort with Sea and Spar Between, 26:00 Nick Montfort with Taroko Gorge, 29:10 Mark Sample with Takei, George, 31:00 Flourish Klink with Fred & George.
Eric Dean Rasmussen - 23.11.2011 - 11:57
