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about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek
about nothing, places, memories, and thoughts: robert creeley (1926-2005) and patricia tomaszek in a cut and mixed poem-dialogue
Patricia Tomaszek - 04.03.2011 - 22:24
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my Molly (departed)
my Molly (departed), formerly titled Twittering, is a textual instrument designed as a performance application. The pieces remixes text, image, audio, and video triggered through keyboard interaction. The work has been performed at the OpenPort Performance Festival (Chicago), ePoetry 2007 (Paris), The Codework Workshop (West Virginia University), The Electronic Literature in Europe Conference (Bergen Norway), and the Interrupt Festival (Brown University).
The piece coexists with a novel (Free Dogma Press) that was written simultaneous to the development of this work. Where the novel plays on aspects of time, and draws from sources such as Joyce, Strindberg, Beckett, Dante, among others; the hypermedia textual instrument combines these in a more immediate, collapsed manner.
Eric Dean Rasmussen - 09.03.2011 - 14:52
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Bust Down the Door Again! Gates of Hell-Victoria Version
A remix of the original "Bust Down the Doors!" (2000) and exhibited in the Rodin Gallery at the Samsung Museum of Art in Seoul."Consisting of stacked refrigerators with monitors affixed on them, this work is a parody of Auguste Rodin’s monumental sculpture of the same title that is permanently installed in the space." (Description from the website of Artist Pension Trust)
Meri Alexandra Raita - 05.09.2011 - 15:17
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remixthebook.com
In remixthebook, Mark Amerika develops a model of contemporary theoretical writing that mashes up the rhetorical styles of performance art, poetry, and the vernacular associated with 21st century social media and networking culture.
Amerika, along with co-curator and artist Rick Silva, has invited over 25 contributing international artists, poets, and critical theorists, all of them interdisciplinary in their own practice-based research, to sample from remixthebook and manipulate the selected source material through their own artistic and theoretical filters. The curators were especially excited about working with colleagues who formally experiment with digital video, audio remixes, critical text collage, computer imaging, social media, glitch, poetry, electracy, copyleft, and online performance.
(Source: Description from the project site)
Scott Rettberg - 22.09.2011 - 11:39
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MUPS
MUPS (MashUPs) is an online sonic mashup engine
built in 2012 in Flash (sorry iOS users) by Jhave
for the sheer pleasure of simultaneity.MUPS has been seeded with the following content:
PennSound MUPS
1260 audio poems
from the PennSound archives.These audio files are used with permission.
I gratefully acknowledge the generosity of Charles Bernstein
and the encouragement of Christopher Funkhouser.How does it work: MUPS can play multiple audio files (up to 32 streams) simultaneously. It can also WEAVE those files: by playing short segments of each voice until it encounters silence, then playing the next voice. MUPS offers users control over how the WEAVE occurs.
Issues: after extended use, MUPS can get confused.
Refresh your browser. Enjoy.Scott Rettberg - 01.01.2013 - 18:01
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Snow Queen
Snow Queen, a debut videopoem by Machine Libertine, is a combination of masculine poetry «Poison Tree» by William Blake contrasted to mechanic female MacOS voice and Sever group remix of Souzfilm animation «Snow Queen» (1957). The cubist imagery of the Snow Queen's realm evokes parallels with the realm of the digital that is as unstable as the icicles that Key composes the word "eternity" from.
Natalia Fedorova - 26.01.2013 - 15:08
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Descants
On the occasion of the ELO 2010 conference celebrating Robert Coover, I have devised a 24-channel sound installation/performance. Given the theme of the conference (Archive & Innovate), I chose to investigate the sonic literary archive, utilizing recordings of Robert Coover in the reading his own work as a framework for this composition. Through a computational process of spectral analysis, editing, and re-synthesis, solo speech is transformed into a chorus of diffused instrumental timbres. Time is stretched, allowing the ebb and flow of the original readings to be heard very slowly - creating an ambient, electro-acoustic arena.
Scott Rettberg - 11.04.2013 - 10:57
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Stéphane Mallarmé's The Conversation
Stéphane Mallarmé's “Demon of Analogy” is a prose poem about demonic nature of mishearing. Francis Ford Coppola's “The Conversation” is about the demonic technologies that allow us to hear all-too-well. Joe Milutis' “Stéphane Mallarmé's 'The Conversation,'” with little to no editing mashes up these classic texts, to suggest that one may be a mishearing (or spooky translation) of the other. In addition, the original text of the Mallarmé poem is translated by way of a number of bending techniques that, while getting back to the original sound and meaning of the French, bend, distort and remix the original. This project is part of a larger scholarly and creative exploration of experimental translation as an extension of remix and appropriation practices. A number of chapbooks, videos, lectures and performances have emerged from this project, including Monkey pOm!
Marius Ulvund - 05.02.2015 - 15:38
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Ouroboros and Jabberwock
This diptych or bi-fold work presents readers with two re-workings of Lewis Carroll’s “Jabberwocky:” on one hand, a fixed, cyclical hypertext in seven parts (Ouroboros), and on the other, an endless generative deformation that refigures the mock-epic as tennis game in Hell (Jabberwock). Both options are available at the start, but only in faint, translucent lettering. Letting the cursor dwell on one side or the other activates a sound track -- on the O side, a poetic voice whispering words of wisdom; on the J side, various monstrous re-mixes of Thursday, July 2017.This diptych or bi-fold work presents readers with two re-workings of Lewis Carroll’s “Jabberwocky:” on one hand, a fixed, cyclical hypertext in seven parts (Ouroboros), and on the other, an endless generative deformation that refigures the mock-epic as tennis game in Hell (Jabberwock). Both options are available at the start, but only in faint, translucent lettering. Letting the cursor dwell on one side or the other activates a sound track -- on the O side, a poetic voice whispering words of wisdom; on the J side, various monstrous re-mixes of those words.
Raoul Karimow - 11.09.2017 - 12:49
