Search
The search found 218 results in 0.014 seconds.
Search results
-
Station 51000
This bot draws from a NOAA (National Oceanic and Atmospheric Administration) buoy which gathers oceanic and atmospheric data and mashes it up with text from Moby Dick. The buoy became unmoored on March 10, 2013 and was set adrift—still transmitting data—in the Pacific Ocean until found on November 4, 2015. The result of combining snippets of live data from this floating bot with text from Moby Dick grounds its maritime language in a real and changing yet geographically distant and indeterminate present. Surf this bot’s poetic wanderings to explore real and imagined seas. (Source: Editorial Statement from the works collection site)
Sebastian Cortes - 18.10.2016 - 14:49
-
Automation | 自動化
Inspired by the endlessly repeated automated announcements in Tokyo train and subway stations, this is a generative poem called "自動化" in its Japanese version, and "Automation" in English.
It uses the syntax of the familiar announcement "１番線ドアが閉まります。ご注意ください。" ("The doors on platform 1 are closing. Please be careful"). Every 8 seconds, a script generates a new line by randomly selecting the platform number, subject, verb, and exhortation from a preset list. It displays the result on the screen and then generates a new line. Browsers capable of speech synthesis will also read the text aloud in either English or Japanese.
(Source: Author's statement, ELC vol. 3)Erik Aasen - 18.10.2016 - 15:02
-
Real Human Praise
This bot draws snippets of positive reviews from Rotten Tomatoes (a film and TV review aggregator), changes the director or producer’s name to a Fox News anchor or personality, and tweets it every two minutes. This Twitter account and bot were produced by The Colbert Report as a response to the news that Fox News publicists had thousands of fake social media accounts to try to spin any postings or comments against their news channel. By recontextualizing praise for film and television performances, narrative, and directorial style, as well as adding the #PraiseFOX hashtag, this overwhelmingly frequent, positive praise comes across as ironic and absurd. Its output also serves as a kind of subtweet because whenever anyone searches for one of the Fox News personalities on Twitter they’re likely to get many “Real Human Praise.” Following this bot may prove to be too much for readers because its frequent endless tweeting will certainly accelerate the current in your Twitter stream.
Eirik Tveit - 18.10.2016 - 15:18
-
Hey Gorgeous
"Hey Gorgeous" by Darius Kazemi is one, in a great number of remixes of the generative work "Taroko Gorge" by Scott Monfort. How Darius Kazemi remixes Monfort's work, is by changing the textstrings in the code, thereby changing the generated text which moves up the screen. "Hey Gorgeous" pictures a scene in a nightclub, with focus on men and boys, in relation with women, drugs, dancing etc.
Guro Prestegard - 18.10.2016 - 15:22
-
The Way Bot
The Way Bot scrapes Twitter for tweets that contain the phrase “I like it when.” After removing all the hashtags, special characters, and identifying material, the bot confirms that it has not encountered the expression before and then stores the statement in a database in order to tweet a fresh comment every few minutes. By removing specific markers of identity and filtering hateful or offensive language, what comes through is a more basic (and generally positive) expression of human feeling. The generative engine for The Way Bot was originally created to harvest a large amount of sentences starting with “the way that” and assemble them into the 99-page novel, The Way That I’m Crying so Hard I Have to Gasp For Air, by Eli Brody and 5,134 friends, a work submitted to NaNoGenMo (National Novel Generation Month) in 2013. Whereas reading the litany of statements out loud emphasizes The Way Bot's anaphoric poetics, embedding this account within a user's Twitter stream produces a lyrical refrain, a musical chorus that endlessly transmits a beacon of humanity’s collective unconscious.
Sebastian Cortes - 18.10.2016 - 15:31
-
TinyCrossword
Tiny Crossword is a daily game played publicly on Twitter. The bot posts a procedurally-generated three-word puzzle at noon PST. Players (any Twitter user) can @-reply with their proposed answer. After two hours, the bot posts the solution & credits the first player to have solved it. Twitter's constraints were designed for succinct handwritten messages, but bots explore what else can be expressed within those limits. The goal of this bot was to make a game that could fit into a tweet (117 characters with an image). Crediting the winner publicly also fits Twitter's form, where @-mentions can be a sign of admiration & prestige. Most bots generate content by taking a random walk through a large corpus. For Tiny Crossword, the corpus is Simple English Wikipedia; its brevity & plain language afford short puzzle clues. New puzzles are generated using up-to-date terms & concepts with no additional designer input.
Eirik Tveit - 18.10.2016 - 15:44
-
Garaż w Tokio
A poetry generator for the imaginary city. Tokyo Garage is a remix of Nick Montfort's "Taroko Gorge" -- a nature poem generator built in javascript. Rettberg modified the code and substituted all of the language of Montfort's work to create this poetry generator, which plays with received stereotypes of the Tokyo metropolis and of urbanity in general.
Guro Prestegard - 18.10.2016 - 15:52
-
Tiny Star Fields
Every three hours, this bot tweets a generated text field composed of blank spaces and unicode characters that can be interpreted as stars or other celestial bodies, particularly when conceptually framed by the account’s title. Its artistic output has become very popular, rapidly attracting over 70,000 followers and with each tweet being favorited and shared over 300 times. While this project would seem to be more of a visual art than literary bot, consider that it is not generating images, but sequences of characters, spaces, and carriage returns. It is using the materials of writing in the tradition of ascii art and its results are so evocative that it has even inspired a spinoff bot @tiny_astro_naut. Follow this bot to become to explore its tiny endless expanses. (Source: Editorial Statement from the works collection site)
Sebastian Cortes - 18.10.2016 - 15:58
-
Wikisext
Every hour, this bot draws language from wikiHow, repackages and recontextualizes it as a sexting message, and tweets it. Part of its process is to add pronouns “I,” “you,” or both to the instructions and actions described, in addition to prefacing each tweet with “sext.” Its output invites readers to interpret bland, utilitarian language metaphorically because it’s conceptually framed as sexting. The scenario of people sending sexually explicit messages back and forth, describing things they are doing to their bodies, contrasts sharply with the step-by-step instructions common to wikiHow, resulting in surprising and humorous results. Follow this bot on Twitter to learn many new euphemisms for sexual acts and the expressive potential of conceptual reframing. (Source: Editorial Statement from the works collection site)
Sebastian Cortes - 20.10.2016 - 15:58
-
Speeches
Przemówienia (Speeches is a program written in Amiga Basic which procedurally generates Communist propaganda. The rote repetitions and word salad satirize political speechmaking by pushing language to its automated extreme. First published in 1993, Przemówienia appeared in a special issue of Magazyn Amiga dedicated to "grafomania" – the compulsive impulse to endlessly write. Marek Pampuch, who was also the magazine’s editor-in-chief, presents a satirical method for winning the Nobel Prize with the help of an Amiga computer. Pampuch writes: "We know that the level of intelligence of our leading politicians only allows them to read out something already written by someone else".
With Przemówienia, Pampuch succeeds in effectively imitating the empty political rhetoric (or what translates from Polish as “grass talk”) by not only producing text which is pre-written and plentiful, but also devoid of any meaning or message beyond its performative utterance.
Aspasia Manara - 25.10.2016 - 15:48
