Search

Search content of the knowledge base.

The search found 47 results in 0.395 seconds.

Search results

  1. Postcard

    web based generative text artwork

    Simon Biggs - 21.09.2010 - 11:34

  2. This is Not a Hypertext

    Web based interactive generative language artwork

    Simon Biggs - 21.09.2010 - 11:40

  3. Hva sier trærne?

    English title (What are the trees saying?)

    Kan man tenke seg at vindens sus i trekronene er trærnes måte å kommunisere på? Og at dersom vi klarte å dekode denne lyden og oversette den til vårt språk, så ville vi få vite hva trærne sier? Marte Aas' fortelling om trærnes språk kombinerer direkte online overføring, databaser og sanntids generering til et svært poetisk verk.

    Lansert 11. oktober 2005
    © Marte Aas, BEK/PNEK, NRK Ulyd 2005

    Scott Rettberg - 19.10.2010 - 00:05

  4. AlletSator

    “Alletsator” is a hypermedia work that is best defined as a quantum opera, or perhaps in the final analysis a game – interactive, three-dimensional – where the present and the virtual intersect and mix. A hybrid hypermedia, therefore, in which the “spectactor” (immersed in an environment that is intended to be cosmic, magical, fantastic, dreamlike ...) is challenged to traverse the surface of a sequence of drawings. The work is a journey without ending. “Alletsator” is a computer generated narrative that allows an infinite potential of combinations. It is also an object of the new media art. It is a product and agent of the cyber culture that promises to revolutionize the world as we know it. The dramaturgy it needs is already anticipated in the metaphor that better explains the work itself: a spacecraft of dispersed paths, of multilinear unexpected pathways.

    Scott Rettberg - 30.01.2011 - 18:22

  5. Et null nynner

    Dette "cut up" diktet fortelles sakte, sakte i små hvite bokstaver på svart skjerm. Morten Skogly skriver selv at det er et "cut up" av dikt skrevet av ham, som "skriver seg selv (for den tålmodige)." Nesten som en skjermsparer kommer frasene fram, og skaper sammenhenger på skjermen som til tross for den tilfeldige sammensetningen nesten alltid gir mening. En stemme går igjen, en stemme som er engstelig: "Ikke forlat meg her", skriver den. Et null nynner er et eksempel på generativ poesi.

    Jill Walker Rettberg - 27.03.2011 - 13:13

  6. PAC - Poesia Assistida per Computadora

    PAC - Poesia Assistida per Computadora

    Sandra Hurtado - 06.12.2011 - 14:03

  7. Generador de poemes catalans

    Generador de poemes catalans

    Sandra Hurtado - 07.12.2011 - 17:54

  8. Erica T. Carter Project

    Text generator created by Jim Carpenter as part of his Electronic Text Composition (ETC) project which creates poetry under the pen name Erica T. Carter. The application is offline at the time this entry is written.

    Patricia Tomaszek - 03.02.2012 - 12:22

  9. Concatenation

    "Concatenation" is part of a three-work set that "provides three different and powerful combinations of text, sound, image, and exploded letters, all of which function to cut up and recombine language using code developed for Concatenation. In Concatenation, the machine of the text assembles poems that deal with the ability of language to enact violence; in When You Reach Kyoto, the text and images engage the city and computation; and in Semtexts, combinations work at the level of syllable and letter."

     

    Source: Electronic Literature Collection

    Meri Alexandra Raita - 03.03.2012 - 19:54

  10. Primal Affective Ground and Digital Poetry

    Since the first symbolic scripts emerged, language has always been visual. My own work explores how language's visual can be read both as art and as poetry; how affect is amplified by sound; how generative and combinatorial layouts of text-video-sound open art from linear readings into infinite variations perspectives.
    For ELO, I am interested in creating an artist talk that utilizes content derived from two essays on digital poetry written for my comprehensive exams in the summer of 2009. The original essays are entitled: "Affecting Language: interdisciplinary explorations of emotion (new media, neuroscience, phenomenology and poetry)" and "Defining Creative Conduits: mediations on writing in digital media". Since both essays (as take-home exams) were each written over a brief 72 hour span, I look fwd to the opportunity of synthesizing and refining their argument into a presentation format.
    (Source: Author proposal)

    Eric Dean Rasmussen - 20.03.2012 - 12:42

Pages