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Twisters
Twisters is a collection of thousands of short stories written for and posted to the social media platform Twitter by author and creator Arjun Basu, who describes the process of their creation as follows:
In October of 2009, I heard about Twitter and being the curious sort, checked it out. And then for whatever reason, I wrote a “short story” – and that story came in at over 140 characters. And while editing it down, I realized something about the possibilities inherent in the limitations Twitter imposes on all of us. That first story came in at exactly 140 characters. I thought perhaps this was a new form and so I gave it a name: Twisters. And all of my stories since then, now numbering in the thousands, are 140 characters.
I did this until some point in 2017.
The works are no longer hosted on Twitter but have beel collated into a categorised and searchable archive on Basu's website.
Caroline Tranberg - 03.10.2021 - 13:10
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StorySprawl
Is a webpage with collegetions of different e-lit works by different authors made by Siffert. Siffert explains the webpage to be "It turned into a site where lots of authors write 'choose your own adventrue type stories' together"
Ragnhild Hølland - 03.10.2021 - 15:15
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The mystery of "lust"
ABSTRACT
Mark Bernstein has stated that there are no really good hypertext mysteries. This is a puzzling remark since reading hypertext often seems to require "detective work" on the part of the reader to first ferret out the clues/pieces of the work and then put them together in a reasonable order to form an understanding. While demonstrating a close reading of Mary Kim Arnold's hypertext story, "Lust," this essay explores how the concept of "mystery" applies to the act of reading hypertext and how that affects the role reader (now a "reader-detective") who must search both content nodes and pathways in order to bring cohesion and a sense of completeness to the reading experience. As a close reading, this essay looks at the characters and events described in "Lust" and finally stresses the need to consider the links and paths while reading the hypertext.
Jørund Dæhlen Bøhn - 03.10.2021 - 19:08
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The Breathing Wall
The Breathing Wall
Muhammad Shahid - 03.10.2021 - 19:11
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Flight to Canada
Flight to Canada
Muhammad Shahid - 03.10.2021 - 19:17
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Glass Mountain
A digital reprint of Donald Barthelme's Glass Mountain—as printed in City Life (1978), published by Pocket Books—hosted on librarian Jessamyn West's website as part of a larger personal repository dedicated to the author and his work. All creative works were collated and published with permission from Frederick Barthelme, Donald's brother.
Official story blurb:
A glass mountain sits in the middle of a city and at the top sits a 'beautiful, enchanted symbol'. Seeking to disenchant it, the narrator must climb the mountain. Confronted by the jeers of acquaintances, the bodies of previous climbers and the claws of a guarding eagle he, slowly, begins to ascend. In true postmodernist form, subject and purpose collide as Donald Barthelme uses one-hundred fragmented statements to destabilise a symbol of his own - literature's conventional forms and practices. With a quest, a princess and an array of knights, Barthelme subverts that most traditional of genres, the fairy-tale; irony, absurdity, and playful self-reflexivity are the champions of this short story.
Tjerand Moe Jensen - 03.10.2021 - 20:02
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Postmodernist Fiction
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues.
Tjerand Moe Jensen - 03.10.2021 - 20:51
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Guy Debord and the Situationist International
his volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.
Tjerand Moe Jensen - 03.10.2021 - 21:02
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Alarmingly These Are Not Lovesick Zombies
alarmingly these are not lovesick zombies could be considered a near unplayable art-game. Each level is built to be both won and lost, where the player shoots strange enemy objects with increasingly absurd and broken guns, and wildly deviating scoring systems. Behind the experience are odd hand-made videos of toy play and between the levels are narrative clips told with old matchbooks from small towns of the prairie. With perhaps the best title ever given to a game or otherwise, ATANLZ is both disrupted art-game and experience in frenetic madness, an interactive collage engine born from the pixilated undead.
(Source: Artist's Statement, The NEXT)
Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 21:04
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Elys, The Lacemaker: The Book of Hours of Madame de Lafayette
The story of Elys, the Lacemaker to the Princess of Cleves is a double-true fiction. First, a lacemaker is not mentioned in the text of Madame de Lafayette's Princess of Cleves. However, the Princess surely had both seamstresses and personal fitters for her couture. It was not uncommon for a proper trousseau to be many years in preparation. Elegant ladies were sewn into their gowns before setting off to the ball. Also, no record attests that the Viscount of Chartres had a natural child--or certainly not one named Elys. But it was customary to donate unwanted souls to the service of the many needs of the Court. As a fictional lacemaker, Elys would certainly have heard the folktale, "Little Red Riding Hood." Early, oral versions of the tale include the wolf asking Riding Hood if she planned to take the "path of pins" or the "path of needles." The Grandmother, too, is blind--attesting to the fate of the real lacemakers who worked from age four until their sight failed in adolescence. I have adapted the Cinderella story for Elys' mother, Elle.
Dene Grigar - 08.11.2021 - 20:25
