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R3/\/\1X\/\/0RX - selected works
R3/\/\1X\/\/0RX (remixworx) - selected works:
an online journal of digital art and writing - 2006 to 2012
R3/\/\1X\/\/0RX (remixworx) is a space for the remixing of digital media, including visual poetry (vispo), electronic poetry (flashpo), playable media, animation, music, spoken word, texts and more. It began as a blog in November 2006 and has grown to number over 500 individual works of media. The source material is made available and all media is freely given to be remixed. Each new work is remixed, literally or conceptually, from other works on the blog. Then, the new work is linked to the blog post(s) that contain the component parts, thus the blog 'talks to itself' - "I link therefore I am" (Mark Amerika). The project promotes no single 'author', and we keep dogma chained outside the gate. It is not a tame place, though, and artful innuendo is evident.
Christine Wilks - 19.01.2012 - 16:08
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Re:Mix
This piece is a remix of the performance program presented at Remediating the Social Conference in Edinburgh November 1st 2012.
Elisabeth Nesheim - 27.08.2012 - 11:24
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A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx
A crissxross trail < R3/\/\1X\/\/0RX is a meta-remix of the artist's personal creative journey through remixworx, a collaborative online remixing project. Conceived as a poetic interactive infographic with lots of multimedia animated content, this 'scenic route' presents a sample trail of 33 out of the 100 remixes that Christine Wilks (aka crissxross) has created since joining remixworx in January 2007. The trail includes a text commentary about her experience of remixing and co-creating over the past six years. A crissxross trail < R3/\/\1X\/\/0RX: one remix player's scenic route through remixworx formed the core of Christine Wilks's presentation for the ELMCIP Conference on Remediating the Social in November 2012.
Christine Wilks - 09.11.2012 - 16:55
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MUPS
MUPS (MashUPs) is an online sonic mashup engine
built in 2012 in Flash (sorry iOS users) by Jhave
for the sheer pleasure of simultaneity.MUPS has been seeded with the following content:
PennSound MUPS
1260 audio poems
from the PennSound archives.These audio files are used with permission.
I gratefully acknowledge the generosity of Charles Bernstein
and the encouragement of Christopher Funkhouser.How does it work: MUPS can play multiple audio files (up to 32 streams) simultaneously. It can also WEAVE those files: by playing short segments of each voice until it encounters silence, then playing the next voice. MUPS offers users control over how the WEAVE occurs.
Issues: after extended use, MUPS can get confused.
Refresh your browser. Enjoy.Scott Rettberg - 01.01.2013 - 18:01
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Tacoma Grunge
Based on Scott Rettbergs remix of "Toroko Gorge" by Nick Montfort, called Tokyo Garage.
Hannelen Leirvåg - 28.02.2013 - 10:06
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The Dark Side of the Wall
This generative poem creates a mashup of lyrics from two famous Pink Floyd albums: The Wall and The Dark Side of the Moon. The poem is organized into tercets followed by a single line in which Waters or Gilmour “takes over,” signaling shifts in leading roles in the band, which has a history of turbulent power struggles. Each tercet is assembled from lines from each album, lending both coherence at the line level, and intriguing juxtapositions that reveal some of Pink Floyd’s poetics.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:12
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Scholars Contemplate the Irish Beer
This generative poem transports its readers to Ireland, and all the water, sunshine, green fields, agriculture, and magic that goes into brewing its world-famous beers. This work is populated by poets, scholars, musicians, the pooka— a mischievous, dark, shape-shifting fairy creature— fields, blue lakes, valleys, forests, and other shapes taken by the land. All the people, faerie, and personified landscapes consider, contemplate, and dream of how they all are a part of the real and mystical brew that flows from St. James Gate.
A peek into the source code reveals a key question by Malloy: “How would a poet drinking Guinness rewrite this work?” The work referred to is Nick Montfort’s “Taroko Gorge” which also produces an endless meditation of the components of a Chinese river gorge of the same name.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:17
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Tournedo Gorge
This generative poem folds in two distinctly different activities— cooking and coding— to create a mélange that harmoniously foregrounds their similarities. For example, declaring variables and establishing a data set in a program is conceptually equivalent to listing ingredients and measurements in a recipe. Both recipes and code are executed sequentially: one by a cook, and another by the computer to produce output. From this perspective, the food produced from a recipe is much like the poem generated by the execution of its source code.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:23
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Camel Tail
This generative work produces a 4 line stanza out of lines from Metallica albums every 5.5 seconds. It uses a single variable (“hair”) and a data set consisting of choice Metallica lines to produce what seems like endless Metallica lyrics.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:39
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Snowball
This generative poem about snow, slipping, and falling is aggressively scheduled to produce a sensation of motion and slippage. One cannot keep up for very long as a reader of this poem, but this is not a big problem because reading a sampling of any of its verses will give you an idea of what the poem is about. Like narrative comic strips and soap operas, there is plenty of redundance built into its structure, so you can join in, leave it, and rejoin at any time.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 28.02.2013 - 10:54
