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  1. TLT vs. LL

    The z dimension in this work is important to the conceptual as well
    as the physical operation of the work. Normally, I am not so much
    concerned beyond the xy. My work is first graphic, then literary,
    interactive, and whatever else, so a concern beyond 2D is not high
    priority – until now, and with thanks in part to Rita Raley’s z
    queries.
    The idea of 'versus' (as opposition) demands at the
    least two sides, so, it could be represented visually with just xy.
    Previous 'dual' examples (and these are xy representations):
        warnell.com/pbn_io/dialog04.htm. Subject: dialog
        Email from John Cayley (/w Rita Raley), 2004
        warnell.com/real/dialog.htm. Dialog
        Email exchange with visual poet Jim Andrews, 1997
    So, thinking along that z line... the opposition
    comes not from the left or right, but from back to front ( 1 white from
    9 x white moves to top )

    Rita Raley - 05.05.2011 - 14:56

  2. Amor-mundo, ou a vida, esse sonho triste

    Amor-mundo, ou a vida, esse sonho triste [World-love, or life, that sad dream] is an animated text which proposes generative schemes of both visual and audio animation. Building on metaphors and images from the works of the Portuguese poet Florbela Espanca, and using as its starting point the Actionscript code of Jared Tarbel, this work includes five poems: Part 1 - Deixa-me ser a tua mais triste mágoa; Part 2 - Eu queria ser o mar alto; Part 3 - Passo no mundo a ler o misterioso livro;  Part 4 - Sou o vento que geme e quer entrar; Part 5 - Horas mortas. The reader can add to these poems random spatial layers that allow the creation of multiple constellations of meaning.

    Rui Torres - 25.11.2011 - 19:20

  3. Amor-mundo, ou a vida, esse sonho triste (cn)

    Amor-mundo, ou a vida, esse sonho triste [World-love, or life, that sad dream] is an animated text which proposes generative schemes of both visual and audio animation. Building on metaphors and images from the works of the Portuguese poet Florbela Espanca, and using as its starting point the Actionscript code of Jared Tarbel, this work includes five poems: Part 1 - Deixa-me ser a tua mais triste mágoa; Part 2 - Eu queria ser o mar alto; Part 3 - Passo no mundo a ler o misterioso livro;  Part 4 - Sou o vento que geme e quer entrar; Part 5 - Horas mortas. The reader can add to these poems random spatial layers that allow the creation of multiple constellations of meaning.

    Rui Torres - 25.11.2011 - 19:35

  4. Poemas encontrados

    Dynamic collage-poem based on newspapers RSS feeds.

    Rui Torres - 25.11.2011 - 22:12

  5. Into the Green Green Mud

    A story of love, and after-love. Eternity is a fickle thing, and the moments just keep coming. Clouds shift, the sun moves past, and squirrels are collecting nuts, so where does that leave us?

    Into the Green Green Mud is an ode to change & impermanence, both in content and medium. Starting from a simple text “script” we are creating a number of inter-related “performances” in various media. This version includes text, images, code, and animation, with a soundtrack that you can download and listen to. Future versions might include a printed book, a live multimedia performance, sky writing, or anything else we decide to explore.

    Miriam Suzanne - 20.06.2012 - 21:32