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  1. Code Kandy

    Code Kandy

    Scott Rettberg - 29.09.2013 - 09:43

  2. The Obsolete Book in a Post-Obsolete World as Represented by a Post-Obsolete Book About Dance

    The Obsolete Book in a Post-Obsolete World as Represented by a Post-Obsolete Book About Dance is a multimedia archival rhizome ecology in ten parts, and a reflection on the obsolescence of obsolescence, documented on the cloud, and open-sourced as a defense against post-post-obsolescence. It is a performable website, a pseudo-academic lecture, and a dance about architecture, in the spirit of Michelle Ellsworth. It exists as a website, and/or an installation, and/or a 10-minute performance. The book is dead. Long live the book. (Source: ELO Conference website)

    Elias Mikkelsen - 05.02.2015 - 15:09

  3. RIMA

    RIMA (twitter stream http://twitter.com/squidsilo) is a performance installation and digital media work that conceptually addresses strategies for survival by way of poetically re-framing the facts behind the effects of solitary confinement and isolation into a fictional present/future. Notions around stimulus and memory are played out through the performers movement within the physical space (proximity, sound, touch) and the data collection of distinct environmental changes (cold, hot, light, dark), which trigger strategically placed sensors collated by a computer program. This in turn dispatches a relational virtual text stream delivered to a live webpage and/or twitter feed (twitter fiction). The overall effect is a mimic of real-time thoughts, responses and actions, which over time slowly build into a fictional narrative somewhere between an indistinct present and a sci-fi future. (source: ELO 2015 catalog)

    Hannah Ackermans - 08.09.2015 - 10:59

  4. POETuitéame

    This work creates an interactive drag-and-drop interface to perform keyword searches in Twitter and produce a manipulable visual mapping of the results. The hashtag/keywords used by Villegas are related to poetry, music, and suffering, which when selected produce a snapshot of recent tweets on the subject. Combining keywords narrows the search, offering more thematically focused results. Part of the fun of this work is in how it arranges the results into moveable lines, so readers can experience them in different sequences, placing the tweets in conversation as they form a kind of line constellation. The limits placed on the search, along with the juxtaposition of lines, and a design that responds to the reader’s clicking and dragging motions, results in a focused authorial poetic experience, though drawn from the endlessly vast and ever-changing Twitter stream. (Source: http://collection.eliterature.org/3/work.html?work=poetuiteame)

    Susanne Dahl - 08.09.2016 - 10:03

  5. Kimchi Poetry Machine

    The Kimchi Poetry Machine is powered by open-source tangible computing. When the jar is opened, poetry audibly flows from it, and readers and listeners are immersed in the meditative experience of poetry. Small “kimchi twitter” paper poems are housed inside the jar, with each poem is printed an invitation to tweet a poem to the machine handle. Eight original feminist “kimchi twitter” poems were written for the machine by invited women and transgender poets. The Kimchi Poetry Machine prototype was created through my 2014 summer fellowship from the CITRIS (Center for Information Technology Research in the Interest of Society) Invention Lab at the University of California, Berkeley. As a response to “bookless” libraries, The Kimchi Poetry Machine reimagines how tangible computing can be utilized for a feminist participatory engagement with poetry. (Source: ELC 3)

    Eirik Tveit - 08.09.2016 - 10:11