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  1. The ABCDESTRUCTIONOPQRXYZÅÄÖ

    Heldén's usual sophisticated visual language has here been cast aside in preference for a strictly simple HTML construction where texts, photographs and the urging to keep moving forwards drive the reading of this short work (next, next...). The work shows how digital techniques can allow for relatively simple arrangements of text and images that still belong in a digital environment.

    (Source: Maria Engberg, for ELINOR)

    Jill Walker Rettberg - 02.02.2011 - 21:16

  2. oooxxxooo

    Cycle of interlinked poems, combining ascii art layout with concrete, hypertextual poetry.

    Jill Walker Rettberg - 02.02.2011 - 22:46

  3. Hegirascope

    Early web hypertext that combines links with text that automatically refreshes, sometimes faster than the reader can follow it.

    Note: The New River published Hegirascope Version 2 in October 1997.

    Author's description, from The New River:

    WHAT IF THE WORD STILL WON'T BE STILL?

    This is an extensive revision of a Web fiction originally released in 1995. The current text consists of about 175 pages traversed by more than 700 links. Most of these pages carry instructions that cause the browser to refresh the active window with a new page after 30 seconds. You can circumvent this by following a hypertext link, though in most cases this will just start a new half-minute timer on a fresh page.

    The best way to encounter this work is simply to dive in, though some may prefer a more stable reference point. For these readers, there is an index to particularly interesting places in the text. You may want to go to that page and bookmark it.

    The original "Hegirascope" was designed for Netscape Navigator 1.1 or Microsoft Internet Explorer 2.0. This version adds no new technical features and requires no plug-ins, Java, or JavaScript.

    Jill Walker Rettberg - 18.02.2011 - 15:22

  4. Écran Total

    Écran Total

    Eric Dean Rasmussen - 17.08.2011 - 16:06

  5. The Pines at Walden Pond

    This lyric hypertext poem is based on a speaker’s thoughts and observations centered upon the pines at Walden Pond, a space celebrated in American literature thanks to Henry David Thoreau’s book Walden, his experiment in self-reliance and Transcendental song.

    Larsen’s hypertext is mapped upon an image of a pine branch, in which several nodes are connected by spindly linear trails. Each trail of links can be interpreted as a line of thought, starting with four nodes that focus on the pines, the speaker’s perception of them, Thoreau, and the speaker herself. Following the link trails lead to nodes that hold together well, though there are both physical and conceptual branchings. Clicking on links as they appear within each text also creates thematic associations. Both ways navigating this poem lead to a powerfully associative coherence in a piece that engages the beauty of the place while questioning some of Thoreau’s politics.

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Scott Rettberg - 03.02.2012 - 15:45

  6. Going through the Signs

    This collaborative hypertext poem uses a “page space” designed by Zellen to create a sequence of pop-up windows that last 20 seconds before closing along with links that lead to new pop-up windows, simultaneously closing the previous one, and leading to a final page with three thin vertical frames. This produces a powerful sense of progression in which the reader must press on or have to start over while not providing any way to get back to an earlier page. Larsen uses this structure to build a trail of consciousness which includes the thoughts of a character seeking a path and sense of purpose in a world that seems to have the former, but not the latter. (Source: Leonardo Flores, I ♥ E-Poetry)

    Deena Larsen - 20.06.2012 - 19:37

  7. Into the Green Green Mud

    A story of love, and after-love. Eternity is a fickle thing, and the moments just keep coming. Clouds shift, the sun moves past, and squirrels are collecting nuts, so where does that leave us?

    Into the Green Green Mud is an ode to change & impermanence, both in content and medium. Starting from a simple text “script” we are creating a number of inter-related “performances” in various media. This version includes text, images, code, and animation, with a soundtrack that you can download and listen to. Future versions might include a printed book, a live multimedia performance, sky writing, or anything else we decide to explore.

    Miriam Suzanne - 20.06.2012 - 21:32

  8. Incarnation: Heart of the Maze

    This lyrically powerful hypertext poem is inspired and informed by a large number of sources, primarily on mythology (mostly Greek) and labyrinths (mandala shaped ones). Centered upon the Minotaur myth, the labyrinth Daedalus and Icarus built to contain it, Ariadne and the Minotaur himself, the poem gives a voice to some of these characters, representing them visually with an image of a portion of the mandala-shaped stone maze, and a body part (in the name given to the node. The hypertext is structured like a mandala, allowing readers to take direct paths in towards a center space with its own nodes. The interface also allows for lateral or circular movement across voices, placing them in conversation with one another and allowing readers to spiral in towards the center. (Source: Leonardo Flores, I ♥ E-Poetry)

    Carolyn Guertin - 20.06.2012 - 22:42

  9. konkret digital: Interview with Johannes Auer about Concrete Poetry and Net Literature

    Interview with Johannes Auer to be published in Concrete Poetry: An International Perspective. Edited by Claus Clüver and Marina Corrêa. (forthcoming)

    Patricia Tomaszek - 19.07.2012 - 13:59

  10. 24 hours with someone you know...

    24 hours with someone you know...

    Scott Rettberg - 25.08.2012 - 13:34

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