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lala
Extracts from Artist's Statement:
In this piece, I use my childhood doll as an interface for engaging with text projected on a screen. The text is inspired by the types of behaviors a child attributes to her doll or imaginary friend, such as "It wasn't me! Lala was the one who broke the vase." The doll has a sensor inside of her that can detect position, which I use to control the speed of text filling up the screen.
I used open-source code from Jared Tarbell's site as the basis for the text display. After I figured out how to read values from an accelerometer into Flash, I found a way to control the speed of the text based on the position of the sensor. Simple up-down motion wasn't so exciting, and I hit upon the idea of shaking the doll to "shake" the words out onto the screen - so I needed to capture the rate of change of the sensor's position (thanks Daniel Howe!). mouse-triggered demo page:
Patricia Tomaszek - 06.03.2011 - 00:30
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my Molly (departed)
my Molly (departed), formerly titled Twittering, is a textual instrument designed as a performance application. The pieces remixes text, image, audio, and video triggered through keyboard interaction. The work has been performed at the OpenPort Performance Festival (Chicago), ePoetry 2007 (Paris), The Codework Workshop (West Virginia University), The Electronic Literature in Europe Conference (Bergen Norway), and the Interrupt Festival (Brown University).
The piece coexists with a novel (Free Dogma Press) that was written simultaneous to the development of this work. Where the novel plays on aspects of time, and draws from sources such as Joyce, Strindberg, Beckett, Dante, among others; the hypermedia textual instrument combines these in a more immediate, collapsed manner.
Eric Dean Rasmussen - 09.03.2011 - 14:52
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The Wave
The Wave Electronic Illuminated Hypertext is a multisensory etext derived from a series of new media performances. The work explores and articulates a collection of meditations on myth, metaphor, and digital embodiment.
An interactive assemblage of images, videodance, sound, animation, iconography, and text, The Wave creates an electronic architecture of hyper-dimensional poetic language. This electronic architecture expands and redefines the dramatic text as a fluid, animated, interactive infrastructure that exists in a liminal hyperspace between text and performance. The work expands and redefines the dance as dynamic, sensate, experiential process of inner transformation integrating the mind, body, and senses in metaphorical movement.
Scott Rettberg - 29.01.2013 - 05:50
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Enquête Infolipo
Enquête Infolipo
Scott Rettberg - 30.01.2013 - 12:00
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Peurs / Fears
Peurs / Fears
Scott Rettberg - 30.01.2013 - 12:19
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Chyphertext Performance
Chyphertext Performance
Scott Rettberg - 30.01.2013 - 14:32
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Grande Enquête
This webpage has been realised for the festival e-poetry 2007 in collaboration with Delphine Riss. During the festival, the participants were invited to vote at the following question:
Selon vous, les travaux présentés lors du festival e-poetry 2007 (performances, installations, oeuvres) sont ils des oeuvres de poésie numérique?
According to you, are the works presented at the e-poetry 2007 festival (performances, installations, piece of works) digital art works of poetry?
Participants were also invited to add precisions in creating their own buttons where their comments were written on them. Other users could then add weights to these buttons by clicking on them.
The goal of this project was to materialise the difficulty of defining what is digital art poetry and how it is received. While presenting the problem of the definition, the task was too not be closed up in only one: The different requests, potentially infinite, allowed to visualise a state of the reception of the digital poetry, skewed by our intervention.
(Source: http://cecilebucher.net/e-poetry/)
Marthin Frugaard - 11.04.2013 - 11:23
