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1. The 8 Rules of Fight Club - Kinetic Typography

   The 8 Rules of Fight Club - Kinetic Typography

   Meri Alexandra Raita - 11.02.2012 - 20:36

2. Trujillo poeem

   'Trujillo' spreekt voor zich en is pas geslaagd wanneer het spontaan tot meerdere lezingen/ herhaaldelijk bekijken aanzet! Het stelt tevens de romantische kunstenaarsopvatting aan de orde (met de roos als leidmotief): een beetje kunstenaar moet groots kunnen afzien. Anders gezegd een beetje schrikbewind legt de kunst geen windeieren: doe er vooral uw maal mee!

   Marije Koens - 25.07.2012 - 11:42

3. Winterscape

   "Winterscape" is an Ambient Video meditation on the changing faces of the Canadian Rockies in winter. The piece is a visual essay that takes the viewer deep into the mountain environment, and in the process expands the limits of cinematic time and space in the context of the recombinant moving image. 

   Ambient Video artworks are "video paintings" that hang on the walls of our homes and offices. They present a considerable aesthetic challenge for the artist. They must give visual pleasure in any given moment, but can not require our attention at any time. Since they live in our homes, they must also support repeated viewing, yet still offer fresh insights each time. Winterscape exemplifies the three techniques I rely on to meet these aesthetic challenges: striking visual composition, manipulation of cinematic time, and the use of visual layers and transitions. 

   Because ambient video works must be slow-paced, the pressure on the original composition is considerable. This piece is based on strong subject imagery with an emphasis on visual impact, simplicity of composition, and the subtle play of light, color and motion. 

   Scott Rettberg - 09.01.2013 - 21:24

4. Twitterwurking

   This guest performance in the New Media Scotland Twitter account during her residency in July 2008 featured a daily tweet for each day of the month— making a sequence of 31 silky lines mezangelle.

   _Twitterwurking_comprised of sequential “tweets” posted via a microblogging platform called Twitter. The work itself was written in my mezangelle language- a type of merging of programming languages/code with poetic elements. The Twitterwurk sought to incorporate specific users into the narrative by typing the “@” symbol before their name. The users were then made aware of this focused reply and thus deliberately enfolded into the tweetstream/project.

   Quoted from I ♥ E-Poetry and "_Twitterwurking_" documentation.

   Leonardo Flores - 13.03.2013 - 18:42