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Bone: The Great Cow Race
Bone: The Great Cow Race is the third video game endeavor by Telltale Games, and the second episode of the Bone adventure game series. It was released in April 2006 after approximately seven months of production. It is based on the second volume of the Bone comic series by Jeff Smith and follows the adventures of cousins Fone Bone, Phoney Bone, and Smiley Bone.
Daniel Venge Bagge - 06.11.2019 - 17:33
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Sam & Max Save the World
Sam & Max Save the World is a graphic adventure video game developed by Telltale Games. The game was originally released as Sam & Max: Season One before being renamed in early 2009. Save the World was developed in episodic fashion, comprising six episodes that were released for Microsoft Windows over the course of late 2006 and early 2007. The episodes were initially distributed online by GameTap and Telltale Games themselves, although the later retail releases of the game were published by The Adventure Company and JoWooD Productions in North America and Europe respectively. A Wii port of the game was published in late 2008, and an Xbox Live Arcade version was released in mid-2009.
Daniel Venge Bagge - 06.11.2019 - 19:59
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meme.garden
[meme.garden] is an Internet service that blends software art and search tool to visualize participants' interests in prevalent streams of information, encouraging browsing and interaction between users in real time, through time. Utilizing the WordNet lexical reference system from Princeton University, [meme.garden] introduces concepts of temporality, space, and empathy into a network-oriented search tool. Participants search for words which expand contextually through the use of a lexical database. English nouns, verbs, adjectives and adverbs are organized into floating synonym "seeds," each representing one underlying lexical concept. When participants "plant" their interests, each becomes a tree that "grows" over time. Each organism's leaves are linked to related streaming RSS feeds, and by interacting with their own and other participants' trees, participants create a contextual timescape in which interests can be seen growing and changing within an environment that endures.
Cassie Spiral - 03.04.2020 - 19:22
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Poemas Lanzados (v2)
Poemas Lanzados (v2)
Alvaro Seica - 27.05.2021 - 22:47
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The Prime Directive/Primärdirektivet
Online work, in two parts + intro. Main themes: science fiction, nature. First published in 2006 by danish website Afsnit P. In the intro two books are slowly rotating, when clicking on them they each lead to one of the main parts of the piece: The Path of the Fragment and The Prime Directive. The images and texts in these are of a dark sci-fi nature, the soundtrack ambient and droney.
Patricia Tomaszek - 16.09.2010 - 17:35
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TLT vs. LL
The z dimension in this work is important to the conceptual as well
as the physical operation of the work. Normally, I am not so much
concerned beyond the xy. My work is first graphic, then literary,
interactive, and whatever else, so a concern beyond 2D is not high
priority – until now, and with thanks in part to Rita Raley’s z
queries.
The idea of 'versus' (as opposition) demands at the
least two sides, so, it could be represented visually with just xy.
Previous 'dual' examples (and these are xy representations):
warnell.com/pbn_io/dialog04.htm. Subject: dialog
Email from John Cayley (/w Rita Raley), 2004
warnell.com/real/dialog.htm. Dialog
Email exchange with visual poet Jim Andrews, 1997
So, thinking along that z line... the opposition
comes not from the left or right, but from back to front ( 1 white from
9 x white moves to top )Rita Raley - 05.05.2011 - 14:56
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lens
lens began as a study piece relating to work-in-progress for the four-wall VR Cave at Brown University. It demonstrates how literal materiality - the surfaces of letters composing the texts of 'lens' itself - can, in a simple illusory 3D space, subvert our familiar experiences and assumptions concerning surfaces of inscription. For example, by making a letter large enough within the programmatic structures of lens, the region of colour defining the letter-shape becomes an entirely different type of surface - it becomes a surface of inscription for other texts that had been perceived 'underlying' it. In doing so, literal surfaces subvert our experience of space and relative distance. Surfaces that were 'in front' now form surfaces for other texts. They may even become other 'spaces' within which writing drifts. Letters both delineate and redefine spatial relationships.
Scott Rettberg - 23.05.2011 - 13:53
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CSI: 3 Dimensions of Murder
CSI: 3 Dimensions of Murder is a computer game based on the CSI: Crime Scene Investigation television series. Unlike the previous CSI games, this game was developed by Telltale Games, rather than 369 Interactive. It was published by Ubisoft, and was released for Microsoft Windows in March 2006.
The game uses a new 3D engine, which changes the gameplay and graphical look of the game, in comparison to 369 Interactive's CSI games.
This game, like the previous CSI games CSI: Crime Scene Investigation and CSI: Miami, follows a distinct pattern of five cases, with the fifth case tying together the previous four.
A PlayStation 2 version of this game was released on the September 25, 2007 in the United States. This version was made by Ubisoft's studio in Sofia, Bulgaria. The PlayStation 2 version is not the same as the Microsoft Windows version. The player has free movement and control of the view, which was required by Sony America. This change created extraordinary difficulties for the developer.
(Source: Wikipedia)
Daniel Venge Bagge - 06.11.2019 - 17:21
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Escríbe tu propio Quijote
"Este poema de los Wordtoys permite a cualquier usuario reescribir el Quijote a través de su interfaz. Tal como haría el famoso Pierrre Menard de Borges, aquí, independientemente de lo que una usuaria introduzca en el procesador de texto que se nos ofrece como interfaz del poema, el programa le devuelve el texto de Cervantes. Las pulsaciones que una lleve a cabo en el teclado dejan de corresponderse al output que se muestra en la pantalla, estando este totalmente fuera de control del ahora escritor-creador."
-Alex Saum-Pascual
Andrés Pardo Rodriguez - 23.10.2020 - 12:31
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Código de barras. (The Only Bush I Trust is My Own)
"Código de barras" forma parte de una exposición colectiva titulada "The Only Bush I Trust is My Own). La persona visitando la galería donde fue expuesta esta serie de trabajos revelaba mensajes políticos y poéticos mediante un lector de códigos de barras. El trabajo se presenta contra las "barras" del imperialismo, del consumismo, y del control informático, así como denuncia la violencia de género.
Tina Escaja - 12.03.2021 - 02:38
