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1. Elektronisk litteratur i Norden

   Artiklen giver en oversigt over elektronisk litteratur i Norden ved at identificere dens vigtigste karaktertræk og se på, hvorledes disse afspejler udviklingen i den internationale elektroniske litteratur. Man får tillige karakteristikker og analyser af værker, som har haft markant betydning for denne litterære tradition i Norden, for eksempel Karl Erik Tallmo’s Iakttagarens förmåga att ingripa, Anne Bang-Steinsvik’s I mellom tiden og Sonja Thomsen’s Ingen elge på vejen den dag.

   Jill Walker Rettberg - 27.03.2011 - 14:19

2. Polyaesthetics in Digital Literary Arts: Steve Tomasula's TOC and Multimedia Fiction

   The paper discusses Tomasula's digital fiction TOC as part of a group of contemporary literary works that mirror ongoing cultural, aesthetic and technical transformations. As a part of what the author discusses as the condition of polyaesthetics in contemporary arts, TOC and similar works challenge readers to engage in multiple modes of reading practices. The works are characterized by tensions and creative production across media forms, conventions, and cultural contexts of digital and printed works.

   Maria Engberg - 28.03.2011 - 14:10

3. Cybertext Yearbook 2001

   The Cybertext Yearbook -julkaisusarja käynnistyi vuonna 2000. Vuodesta 2003 lähtien yksittäiset numerot ovat keskittyneet tiettyyn teemaan. Päätoimittajina toimivat Markku Eskelinen ja Raine Koskimaa. Teemanumeroilla on usein myös vieraileva toimittaja. Nimestään huolimatta julkaisuja ei välttämättä ilmesty vuosittain.

   Raine Koskimaa - 28.03.2011 - 16:14

4. Archivierung von digitaler Literatur: Probleme,Tendenzen, Perspektiven / Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives

   A special issue of the journal SPIEL.

   Electronic literature and E-Poetry is updated, interactive, subjective and well networked. But how durable is it? How long do texts published on web pages remain readable? What happens to the old issues if one visits a literature magazine “via the web”? How is a blog archived? Should texts that are deliberately published on the fleeting medium internet be conserved at all for the future?

   It seems ironic that the transient character of the internet is attached to a medium that seems to be very suitable for documentation and archiving. And still each website only remains available on the internet at its original address for less than 100 days on average. Afterwards it moves or is erased completely. This is of course also the case for Net literature.

   However, different genres turn the tables. These conceptions don’t even have the problems of archiving and musealization, but explicitly excluded them. The temporary and transience becomes the topic of literature.

   Beat Suter - 28.03.2011 - 16:16

5. Cybertext Yearbook 2000

   The first volume of the Cybertext Yearbook.Note: All articles published in the Cybertext Yearbook series are now also published on the Cybertext Yearbook Database.

   Raine Koskimaa - 28.03.2011 - 16:32

6. Digital Literature and the Modernist Problem

   What is the status of digital literature in contemporary culture? After more than 20 years of production, the audience for digital literature remains small in comparison with the audience for "serious" or popular fiction. Many scholars and practitioners assume that digital literature constitutes a contemporary avant-garde, which does its work of experimentation outside or in opposition to the mainstream. Recent comparisons of digital poetics and early modernist art practices (e.g. by Scott Rettberg and Jessica Pressman) indicate continued interest in this issue. The notion of the avant-garde might seem thoroughly out of date in a consideration of the digital future. Important theorists (e.g. Huyssen, Drucker) have argued that the avant-garde is no longer viable even for traditional media and art practices. On the other hand, the avant-gardes of twentieth-century modernism made claims about the function of art that remain surprisingly influential today, within the art community and within popular culture.

   Maria Engberg - 28.03.2011 - 16:47

7. Lectura crítica del "Diari d'una absència"

   Lectura crítica del "Diari d'una absència"

   Laura Borras - 28.03.2011 - 17:02

8. Remediation: Understanding New Media

   Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study, Jay David Bolter and Richard Grusin offer a theory of mediation for our digital age that challenges this assumption. They argue that new visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film, and television. They call this process of refashioning "remediation," and they note that earlier media have also refashioned one another: photography remediated painting, film remediated stage production and photography, and television remediated film, vaudeville, and radio.

   (Source: MIT Press)

   Maria Engberg - 28.03.2011 - 17:22

9. The Moving Word: Towards the Theory of Web Literary Objects

   The Moving Word: Towards the Theory of Web Literary Objects

   Raine Koskimaa - 28.03.2011 - 17:24

10. The Tradition of E-Lit Publishing in France

    The Tradition of E-Lit Publishing in France

    Eric Dean Rasmussen - 04.04.2011 - 12:01

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