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1. Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995

   In this book, the author, Chris Funkhouser provides a comprehensive historical, descriptive, and technical account of early works of computer-assisted poetry composition. Focusing on examples of digital poetry before the world wide web rather than on literary precursors to web experiments. Funkhouser demonstrates how technological constraints that would seemingly limit the aesthetics of poetry have instead extended and enriched poetic discourse. As a history of early digital poetry and a record of an era that has passed, this study aspires both to influence poets working today and to highlight what the future of digital poetry may hold. The book is divided into five different sections: origination, visual and kinetic design poems, hypertext and hypermedia, alternative arrangements and techniques enabled.

   Patricia Tomaszek - 24.02.2011 - 11:32

2. Image and Text in Hypermedia Literature: The Ballad of Sand and Harry Soot

   A detailed reading of the relations between image, text, and linkage in Strickland's hypermedia ballad.

   Scott Rettberg - 24.02.2011 - 11:39

3. Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report

   Computer Lib: You can and must understand computers now / Dream Machines: New freedoms through computer screens—a minority report

   Scott Rettberg - 25.03.2011 - 12:19

4. Reading Time: For a Poetics of Hypermedia Writing

   Reading Time: For a Poetics of Hypermedia Writing

   Eric Dean Rasmussen - 11.05.2011 - 12:05

5. The NT2 Hypermedia Art and Literature Directory: A New Knowledge Environment Devoted to the Valorization of Screen Culture

   Moving from a book culture to a screen culture requires a paradigm shift in the manner of producing culture and in ensuring its transmission, notably literary and artistic manifestations. Already in both the arts and literature, artists have appropriated the Web, radically changing its practices and language. As a result, the works produced, forged even, with new technologies are designed to be read or experienced using the Internet. Given these new formats, the usual strategies in literary theory, cinema studies and art history no longer suffice. The institutionalization of these works is not yet guaranteed either, so no bibliography or substantial listing exists. In response to this void, the NT2 Laboratory started its Hypermedia Art and Literature Directory project. ( http://www.labo-nt2.uqam.ca/observatoire/repertoire)

   Eric Dean Rasmussen - 18.10.2011 - 14:30

6. Cibertextualidades 1

   Cibertextualidades 1

   Rui Torres - 25.11.2011 - 23:39

7. Cibertextualidades 3

   Cibertextualidades 3

   Rui Torres - 25.11.2011 - 23:43

8. Cibertextualidades: Introdução

   Cibertextualidades: Introdução

   Rui Torres - 02.12.2011 - 15:02

9. Poesia luso-brasileira contemporânea: do verbo ao pixel

   This article intends to reflect upon the place of poetry in the teaching of literature and the formation of the reader, considering the recurrent metaphors and images in the interfaces of the
   discourse of the hypermedia, among the languages provided by the Technology of Information and Communication (TIC) in contemporary society. It aims to demonstrate the possible experiences of reading and aesthetic appreciation which offers to the user/reader for the exercise of creativity and autonomy in the construction of collective intelligence. In order to do so, it focuses on the production of the Luso-Brazilian literature in hypermedia with emphasis on the remarkable presence of the Portuguese experimental poetry in the construction of digital poetry and the Brazilian cyberliterature in present time.

   (Source: Author's Abstract)

   Rui Torres - 04.12.2011 - 17:52

10. Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness)

    Michael Joyce's paper, "Hypertextual Rhythms (The Momentary Advantage of Our Awkwardness)," addresses the historical moment of recent hypertext fiction. He will suggest that the common perception of hypertext as an awkward and opaque mode of discourse may actually make it easier to grasp its historical significance. Before the novelty of the electronic medium fades, and electronic text assumes the transparency that printed text now has, we may better understand it as a distinct representational form.

    Joyce presented this paper as part of a special session, "Hypertext, Hypermedia: Defining a Fictional Form," at the 1992 MLA Convention. The panel was chaired by Terence Harpold. Other panelists included pioneering hypertext authors: Carolyn Guyer, Judy Malloy, and Stuart Moultrhop.

    (Source: Humanist Archives Vol. 6 : 6.0338 Hypertext at MLA)

    Eric Dean Rasmussen - 01.01.2012 - 13:30

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