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  1. ELO 2015 Workshops

    A one-day workshop series which was part of the ELO 2015 conference in Bergen, Norway.

    Alvaro Seica - 04.09.2015 - 19:03

  2. Multimedia Authoring in Scalar

    This workshop invites participants to consider the possibilities for their work of emerging forms of digital scholarship. Participants will consider how digital platforms permit them to create media-rich and interactive publications that bring scholarly analysis and visual media together in lively and engaging ways. At the heart of the workshop is a hands-on introduction to the digital authoring platform, Scalar (http://scalar.usc.edu), a project funded by the Mellon Foundation as part of the Alliance for Networking Visual Culture.

    (source: ELO 2015 catalog)

    Hannah Ackermans - 29.10.2015 - 15:13

  3. Documenting Events and Works in the ELMCIP Electronic Literature Knowledge Base

    This half-day workshop will be focused on the preservation and archiving of Electronic Literature Organization events and conferences. Scott Rettberg has been asked by the ELO board to establish a standing committee of ELO members that will be focused on documenting and archiving current and past ELO events. This workshop will be focused both on the future scope and projects of that committee and on the hands-on documentation of ELO conferences in the ELMCIP Electronic Literature Knowledge Base. We will consider questions including:

    What are the best practices related to archiving for ELO conference organizers?
    Should relationships be established with one or more libraries or archives to preserve data and ephemera from ELO conferences?
    How should we best go about gathering ELO archives materials and preserving them?
    How can we archive events using the platform of the ELMCIP Electronic Literature Knowledge Base?

    Hannah Ackermans - 29.10.2015 - 15:25

  4. Live Writing

    Learn a cutting-edge method of performative creative writing based on human-computer interaction.

    You will learn to “write with your voices” (as opposed to typing on a keyboard) by using speech recognition software. We will take turns saying impromptu lines out loud into a microphone. The computer will recognize the lines with varying accuracy and turn the speech into text on the computer screen. We will develop a set of improvisational tools to enhance dramatic writing by utilizing the computer’s errors (misrecognitions) in collaboration with other participants. You will be confronted with situations requiring quick decision-making, because the computer does not reproduce your speech with hundred-percent accuracy – a fact that will challenge you to deal with technological dysfunction in the here-and-now of a performative writing situation. Also, you will be challenged to listen and respond to your human writing partners and their texts. Through guided practice, you will learn to take the writing process in unexpected directions, further into an improvisational realm.

    Hannah Ackermans - 29.10.2015 - 15:35

  5. Digital Scherenschnitte / Video Compositing with Cut-ups and Collage

    Mixed-media artists Joellyn Rock and Alison Aune offer a hands-on visual art workshop on collage, paper-cutting, silhouettes and digital compositing. What does this have to do with electronic literature you ask? Well... In Rock and Aune's multimedia installation, Fish Net Stockings, which will be exhibited at the Hybridity Exhibition at ELO 2015, the little mermaid story unfolds with multivalent versions echoing folk art patterns and digital iterations. Bifurcating imagery, like that made by folding and cutting, plays a role in the aesthetics of the work. Hans Christian Andersen was known for his live scissor writing. His version of scherenschnitte was an improvised performance art with paper cut imagery, integrating the haptic visual experience into his storytelling. Andersen’s cut paper collages anticipate the collage art of dadaism and surrealism, and some e-lit experiments can trace their roots back to these very methods of assemblage. Join us for a playful workshop generating mixed-media collages, paper cuts, silhouettes, and testing their use in digital compositing for video projection.

    Hannah Ackermans - 29.10.2015 - 15:39

  6. PIKSEL 14

    Piksel is an annual event for artists and developers working with free and open source software, hardware and art. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free and open source software.

    The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the open source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.

    Hannah Ackermans - 31.12.2015 - 13:48

  7. Secrets, a pedagogic tool for e-lit practices

    Memories of «Cuéntanos un secreto» (Tell me a secret)
 understanding textualities in the Network and programmable media. Paper focuses on the electronic exploration collection. 

    At first glance, secrets are experiences that are kept hidden from the outside world. They are hidden because of particular social circumstances. Those circumstances relate to the personal and social ethics in its historical context. 

    Jana Jankovska - 26.09.2018 - 12:02

  8. Share to Heal / Comparte para sanar -- Creative Digital Practices: Community Platform for Healing and Visualisation

    The global coronavirus pandemic has brought up a series of challenges which have made us change our lifestyle by balancing work and family life, education and recreation. It has brought up feelings of uncertainty, isolation, hopelessness, fear, anxiety, depression, stress; impacting on our mental health and well-being as well as our economic situation. This global disaster has hitted harder those people from disadvantaged backgrounds, such as socioeconomic status, physical and health issues, living in violent and abusive relationships and has brought up to light the imbalance in society. For some of us, online platforms have served to make this situation more bearable. We are learning to do what we did before, at a distance. Based on this and previous creative projects where we were already dealing with a community-based goal, the aim of this workshop is to make visible (through sharing) social, personal or collective issues/challenges which have become more apparent during the pandemic. We will be using digital methodologies of collaboration and visualisation to highlight the main concerns of the community taking part in this discussion.

    Milosz Waskiewicz - 26.05.2021 - 14:57

  9. WORKSHOP: INFINITE NARRATIVES WITH THE NIS SYSTEM

    The I Ching can tell you possibles futures. Depending on how 3 coins land in a series of tosses, you'll get a different fortune - stories of how you should or could procede. And in the classic Arabic nights, every night the sultan hears a different story. These are examples of multilinear texts. In this workshop you will create multilinear story that have so many different possibilities as to seem nearly infinite. We'll do this using Non Infinite Stories, a dynamic electronic publishing system that gives each reader their own unique story. For the reader, this means a captivating experience and for the writer, this opens possibilities of new storytelling with the combinations of specific fragments. The workshop is open to everyone without writing or technological skills. Technology is creating the opportunity to explore our creative ideas in ways previously unimaginable. In this workshop, you'll learn about the creative possibilties of Quantum Narratives and what it means not only for you as a writer, but also for the future of narrative storytelling.

    Milosz Waskiewicz - 26.05.2021 - 15:25

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