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I mellom tiden
I mellom tiden er et hypertekstuelt nettkunstverk bestående at statiske og dynamiske elementer, lyd, skrift, bilde, video og grafikk. Verket er sentrert rundt fire temaer; venner, alene, familie og elskere. Ved å traversere verket får leseren mulighet til å oppleve ulike hverdagslige aspekter i livet, på tvers av de fire temaene. Gjennom sampling og et samspill mellom temaer, stemninger, modaliteter, sjangrer og ulik grad av brukerstyring framstiller I mellom tiden en mangefasettert og kompleks estetikk, der ulike livsverdener interagerer med hverandre, der det virkelige møter det kunstige, det private møter det offentlige, og der det åpne møter det dunkle. [verkbeskrivelse av Hans-Kristian Rustad / ELINOR]
Scott Rettberg - 02.02.2011 - 16:10
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Amor de Clarice
Following Genette's forms of paratextuality, the process of quoting or re-writing in this poem involves a hypotext - the antecedent literary text (Clarice Lispector's "Amor") - and a hypertext, that which imitates the hypotext (the poem "Amor de Clarice"). Both hypotext and hypertext were performed and recorded by Nuno M. Cardoso, and later transcribed within Flash, where the author completed the integration of sound, animation, and interactivity. Following the hypotext/hypertext ontology, there are two different types of poems. In half of them (available from the main menu, on the left), the main poem (the hypertext) appears as animated text that can be clicked and dragged by the reader, with sounds assigned to the words. In these poems, the original text (the hypotext) is also present, as a multilayered, visually appealing, but static background. The sound for these movies was created by Carlos Morgado using recordings with readings of the poem.
Scott Rettberg - 15.04.2011 - 12:04
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Primal Affective Ground and Digital Poetry
Since the first symbolic scripts emerged, language has always been visual. My own work explores how language's visual can be read both as art and as poetry; how affect is amplified by sound; how generative and combinatorial layouts of text-video-sound open art from linear readings into infinite variations perspectives.
For ELO, I am interested in creating an artist talk that utilizes content derived from two essays on digital poetry written for my comprehensive exams in the summer of 2009. The original essays are entitled: "Affecting Language: interdisciplinary explorations of emotion (new media, neuroscience, phenomenology and poetry)" and "Defining Creative Conduits: mediations on writing in digital media". Since both essays (as take-home exams) were each written over a brief 72 hour span, I look fwd to the opportunity of synthesizing and refining their argument into a presentation format.
(Source: Author proposal)Eric Dean Rasmussen - 20.03.2012 - 12:42
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My Nervous Breakdown
This piece takes us inside the brain and mind of a speaker in the midst of a nervous breakdown. Bigelow roughly maps the initial four parts of the poem on a superior view of a human brain: “My Brain Is” on the frontal lobes, “What My Therapist Said” on the parietal lobes, “The Metaphor Room” on the temporal lobes, and “How to Dream a Suicide” on the occipital lobes. The final section (verse? movement?) focuses on different types of treatment: religion, medication, therapy, and exercise. Overall, the work is richly layered with video clips, language, sound, and minimalist interactivity to examine the speaker’s mindset as a biological, psychological, and social subject. The combination of fact, dream imagery, and creative exploration of suicide all showcase Bigelow’s expert hand in crafting blended metaphors and balancing the tone with delicately understated humor.
(Source: Leonardo Flores, I ♥ E-Poetry)
eabigelow - 28.06.2012 - 03:48
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(R)Evolutionary Communication: Defining and Refining Digital Literature, Art and Storytelling
As an educator as well as Director of Digital Media Studies at the University of Detroit Mercy, my pedagogical and personal interests lie in how to use media to incorporate inter-disciplinary studies; to use sound, images as well as visual and narrative compositions to communicate multi-dimensional ideas, passions and concepts. In relation to this inter-disciplinary approach, I incorporate the concept of "mixing" to weave together space, design, technology, story-telling and critical discourse. One of the concepts I try to reinforce is that 'space' includes the psychological as well as the physical. In addition, I teach digital media students that "design" is the intentional approach to choreograph the experiential and that digital technology is a tool for exploring these ideas. Accepting this, I challenge the students to consider: how does the user/viewer experience and process the interaction between digital media and the "narrative" of the everyday?
Scott Rettberg - 09.01.2013 - 14:35
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The Wave
The Wave Electronic Illuminated Hypertext is a multisensory etext derived from a series of new media performances. The work explores and articulates a collection of meditations on myth, metaphor, and digital embodiment.
An interactive assemblage of images, videodance, sound, animation, iconography, and text, The Wave creates an electronic architecture of hyper-dimensional poetic language. This electronic architecture expands and redefines the dramatic text as a fluid, animated, interactive infrastructure that exists in a liminal hyperspace between text and performance. The work expands and redefines the dance as dynamic, sensate, experiential process of inner transformation integrating the mind, body, and senses in metaphorical movement.
Scott Rettberg - 29.01.2013 - 05:50
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wide and wildly branded
Compass inspired digital poem exploring the pretty and pain of living in the southern hemisphere.
Source: Jason Nelson
Patricia Tomaszek - 01.02.2013 - 17:38
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SeeVeniceandDie
Le poème au coeur de SeeVeniceAndDie a été écrit en 2005 pour "L'isola dei Poeti" - événement initié à l'occasion de la 51ème biennale de Venise - par Marco Nereo Rotelli sous le commissariat d'exposition d'Achille Bonito Oliva et Caterina Davinio pour Virtual Island. Ce poème est un genre de sabir ou autrement dit, un pérégrinisme. Mélange de plusieurs langues dans le même discours, SeeVeniceandDie met en scène, en médias, en programmes, ces actes de langages, à travers un automate de synthèse vocale qui lit dans sa langue naturelle, l'anglais et se risque aussi en français et en italien, deux langues qui me sont devenues - à moi - culturellement naturelles. Il a fallu "plier" quelque peu l'orthographe des mots pour faciliter l'interprétation de Vicky, voix synthétique féminine du système OSX, afin de parfaire sa prononciation. S'il a ici [ pour Internet ] la forme d'une vidéo de 8 minutes et 30 secondes, il est en fait un poème variable composé d'un prologue et trois actes, se joue au clavier et souris et répond aux sollicitations des lettres formant le mot "Venise" dans ses trois langues.
Luc Dall'Armellina - 10.10.2014 - 16:03
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TRACES
Traces is a collage of text, spoken word, sound, and digital projection. The text forms durational video and audio composed into 17 sections (excerpts included), which are triggered over the course of an hour in a continuous fashion. The video was designed to be incomplete and unfold over time--drawing attention to the chance encounter each person may have with it. It does not reveal the totality of its content, part of which falls outside of the frame. I worked with archival materials as I built this project (oral histories and personal collections). I was interested in these sorts of personal collections being displayed and open for perusal. As private spaces become redefined by digital possibilities, information is readily transferred from one form into another and meaning is subtracted and added along the way. Traces is my own collection. Photographs become data, which initiate recordings that are transcribed and then re-recorded. These then become projected text, and finally transform into granulated rhythmic pulsations and fragments of words, which becomes a vastly layered resonant soundscape felt as vibration through the body.
Eivind Farestveit - 11.02.2015 - 07:01
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BACTERIËN
In het filmpje BACTERIËN van dichter Paul Bogaert en beeldend kunstenaar Jan Peeters worden twee gedichten gecombineerd met beelden uit een Amerikaanse film over hoe men het best toiletten schoonmaakt. De schoonmaker neemt enthousiast de kleinste hoekjes onder handen terwijl bacteriën en dienstmededelingen zich verspreiden en vermenigvuldigen.
De Engelse versie van het filmpje (BACTERIA) werd geselecteerd voor de competitie van het ZEBRA Poetry Film Festival 2014 in Berlijn. De jury selecteerde 29 films uit 770 inzendingen uit 70 landen. Het ZEBRA Festival, dat plaatsvond van 16 tot 19 oktober 2014, is het belangrijkste internationale platform voor poëziefilms.
Hannah Ackermans - 17.11.2016 - 09:40
