Search
The search found 15 results in 0.01 seconds.
Search results
-
New Media Poetics: Contexts, Technotexts, and Theories
New media poetry—poetry composed, disseminated, and read on computers—exists in various configurations, from electronic documents that can be navigated and/or rearranged by their "users" to kinetic, visual, and sound materials through online journals and archives like UbuWeb, PennSound, and the Electronic Poetry Center. Unlike mainstream print poetry, which assumes a bounded, coherent, and self-conscious speaker, new media poetry assumes a synergy between human beings and intelligent machines. The essays and artist statements in this volume explore this synergy's continuities and breaks with past poetic practices, and its profound implications for the future. By adding new media poetry to the study of hypertext narrative, interactive fiction, computer games, and other digital art forms, New Media Poetics extends our understanding of the computer as an expressive medium, showcases works that are visually arresting, aurally charged, and dynamic, and traces the lineage of new media poetry through print and sound poetics, procedural writing, gestural abstraction and conceptual art, and activist communities formed by emergent poetics.
(Source: Publisher's description)
Patricia Tomaszek - 21.09.2010 - 11:24
-
Digital Poetics: The Making of E-Poetries
In this revolutionary and highly original work, poet-scholar Glazier investigates the ways in which computer technology has influenced and transformed the writing and dissemination of poetry. In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avant-garde poetics and its relationship to the on-line age, the relationship between web "pages" and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself.
Eric Dean Rasmussen - 16.03.2011 - 12:55
-
Digital Poetry Beyond the Metaphysics of 'Projective Saying'
Digital Poetry Beyond the Metaphysics of 'Projective Saying'
Eric Dean Rasmussen - 23.03.2011 - 14:01
-
In Search of Novel Poetic Territories: On Media Poetry: An International Anthology
In Search of Novel Poetic Territories: On Media Poetry: An International Anthology
Eric Dean Rasmussen - 07.04.2011 - 12:14
-
Screening the Page/Paging the Screen: Digital Poetics and the Differential Text
Screening the Page/Paging the Screen: Digital Poetics and the Differential Text
Eric Dean Rasmussen - 30.05.2011 - 14:33
-
Vniverse
The authors of Vniverse present the work Vniverse and explore the concepts of interactive reading and social reading spaces.
Eric Dean Rasmussen - 30.05.2011 - 21:23
-
Poetry Confronting Digital Media
Poetry Confronting Digital Media
Eric Dean Rasmussen - 30.08.2011 - 12:52
-
electropoetics
Initiated on March 15, 1997, ebr's electropoetics "thread" is devoted to discussions and debates about digital poetics and writing in electronic environments. Most, but not all, of the articles published in ebr about electronic literature and digital literary art appear in this thread. The first editor of electropoetics was Joel Felix, who edited a special issue by that title. David Ciccoricco (2002-2005) and Lori Emerson later served as electropoetics thread editors.
Eric Dean Rasmussen - 01.09.2011 - 12:47
-
Digital poetry: Comparative textual performances in trans-medial spaces
This study extends work on notions of space and performance developed by media and poetry theorists. I particularly analyze how contemporary technologies re-define the writing space of digital poetry making by investigating the configuration and the function of this space in the writing of the digital poem. Thus, I employ David Jay Bolter's concept of "topographic" digital writing and propose the term "trans-medial" space to describe the computer space in which the digital poem exists, emerges, and is experienced. With origins in Italian Futurism, the literary avant-garde of the first half of twentieth century, digital poetry extends the creative repertoire of this experimental poetry tradition using computers in the composition, generation, or presentation of texts. Because these poems convey a perception of space as changeable and multiple (made of computer screen and code spaces), this "trans-medial" space is both self-transformative (forms itself as it self-transforms) and transforming (transforms what it contains).
Jill Walker Rettberg - 05.12.2011 - 13:22
-
Primal Affective Ground and Digital Poetry
Since the first symbolic scripts emerged, language has always been visual. My own work explores how language's visual can be read both as art and as poetry; how affect is amplified by sound; how generative and combinatorial layouts of text-video-sound open art from linear readings into infinite variations perspectives.
For ELO, I am interested in creating an artist talk that utilizes content derived from two essays on digital poetry written for my comprehensive exams in the summer of 2009. The original essays are entitled: "Affecting Language: interdisciplinary explorations of emotion (new media, neuroscience, phenomenology and poetry)" and "Defining Creative Conduits: mediations on writing in digital media". Since both essays (as take-home exams) were each written over a brief 72 hour span, I look fwd to the opportunity of synthesizing and refining their argument into a presentation format.
(Source: Author proposal)Eric Dean Rasmussen - 20.03.2012 - 12:42
