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1. Star Wars, One Letter at a Time

   A retelling of the classic story one letter at a time. If fans can't get into the mind of Star Wars creator George Lucas, why not get into his typewriter? Taking us back before the days of the 300 baud modem, Stefans's piece brings each character in the Star Wars cast steadily before the eyes of the viewer and asks that we read — or at least try to read — in a new, unusual way. The sound effect at the end of every line adds a touch of "bell" lettrism.
   (Source: Electronic Literature Collection, Vol. 1)

   Patricia Tomaszek - 24.02.2011 - 17:14

2. my Molly (departed)

   my Molly (departed), formerly titled Twittering, is a textual instrument designed as a performance application. The pieces remixes text, image, audio, and video triggered through keyboard interaction. The work has been performed at the OpenPort Performance Festival (Chicago), ePoetry 2007 (Paris), The Codework Workshop (West Virginia University), The Electronic Literature in Europe Conference (Bergen Norway), and the Interrupt Festival (Brown University).

   The piece coexists with a novel (Free Dogma Press) that was written simultaneous to the development of this work. Where the novel plays on aspects of time, and draws from sources such as Joyce, Strindberg, Beckett, Dante, among others; the hypermedia textual instrument combines these in a more immediate, collapsed manner.

   Eric Dean Rasmussen - 09.03.2011 - 14:52

3. Talking Cure

   Talking Cure is an installation that includes live video processing, speech recognition, and a dynamically composed sound environment. It is about seeing, writing, and speaking — about word pictures, the gaze, and cure. It works with the story of Anna O, the patient of Joseph Breuer's who gave to him and Freud the concept of the "talking cure" as well as the word pictures to substantiate it. The reader enters a space with a projection surface at one end and a high-backed chair, facing it, at another. In front of the chair are a video camera and microphone. The video camera's image of the person in the chair is displayed, as text, on the screen. This "word picture" display is formed by reducing the live image to three colors, and then using these colors to determine the mixture between three color-coded layers of text. One of these layers is from Joseph Breuer's case study of Anna O. Another layer of text consists of the words "to torment" repeated — one of the few direct quotations attributed to Anna in the case study.

   Eric Dean Rasmussen - 10.03.2011 - 10:20

4. Prosthesis

   Prosthesis is a set of live vocal performances addressing complicities inherent in the use of digital technology and emergent artificialities in cognition, language, and the physical body. It consists of nine main sections, including readings augmented by projections and recorded voice, and concludes with a song.

   (Source: Author's site)

   Scott Rettberg - 20.05.2011 - 23:47

5. Baby Work

   BABY WORK is the 3rd edition of Cheang's LOCKER BABY PROJECT which consist of:
   BABY PLAY (2001, NTT[ICC], Tokyo) and BABY LOVE (2005, Palais de Tokyo, Paris).
   The Locker Baby project conceived in 2001 reflects a time when bioscience is accused
   of out of control and scifi fantasia brings forward the future. Deriving from Ryu
   Murakami's noted novel Coin Locker Babies (1980) of post-war Japan , the Locker Baby
   Project further contests the mother’s heart beats that are so desired for clone babies
   born out of lockers. A fictional scenario set in 2030 - the transnational DPT (DollyPolly
   Transgency) produces and engages clone locker babies in negotiating human "Memory"
   and "Emotion”. The clone baby holds the key to retrieve the networked inter-sphere of
   ME-data embedded in a playfield of sonic imagery triggered only by human interaction.
   In BABY PLAY, an oversized baby football field with clone baby players; in BABY LOVE, a
   ride in 6 motorized fairground teacups with love song remixed by clone babies; in BABY

   Elisabeth Nesheim - 16.08.2012 - 16:09

6. abcdefghijklmnopqrstuvwxyz (iPhone app)

   abcdefghijklmnopqrstuvwxyz is a sound toy, a performance tool and an art work in its own right. You can play with the letter-creatures and watch and listen how they interact with each other or use them to produce soundscapes like you would with an electronic musical instrument. abcdefghijklmnopqrstuvwxyz blends art, biology, fun and physics to create a unique, dynamic and interactive sound ecology.

   This app is the result of joerg piringer's ongoing research of vocal sounds and their relation to dynamic typography in the form of performance, video and software art.

   (Source: Author's description)

   Scott Rettberg - 19.10.2012 - 13:58

7. (S)PACING

   (S)PACING is a poetic performance piece that reflects upon the nervous habit of pacing and ideas of internal dialogue while walking as a source of poetic inspiration and contemplation, if not procrastination. The application for performance can either be played on the keyboard, or use live video motion tracking to access and combine screen-based still image, video, text, and audio content. The title of the piece refers not only to the act of pacing but also to pacing as a measure of time. The addition of the (s) at the beginning of the title, rendering the title spacing, could be said to refer not only to the locative and defamiliarizing spatial variations in the piece but also to formal aspects of poetry such as meter, feet, line breaks and stanzas. Though the performance, the actions of the performer may be fundamentally pedestrian they are put in contrast with mental and poetic machination in terms of the poetic output generated by the movement. In effect, the performer develops a system of, and has live action control over the scansion of the generated poem while handing over control of the vocalizations, imagery, and textual display to the application.

   Talan Memmott - 22.10.2012 - 00:40

8. Contemplating Flight

   Framed by various folktales, "Contemplating Flight" explores established female representations and further tests the limitations of participation in a challenging narrative grammatology.

   Artist Statement:
   Like previous artworks on 6amhoover.com "Contemplating Flight" explores the interplay between digital narrative, image and interaction. It aims to question the paradigm of interaction equating to empowerment.

   Bettelheim like many ponders the importance of the forest "Since ancient times the near impenetrable forest in which we get lost has symbolized the dark, hidden, near-impenetrable world of our unconscious. If we have lost the framework which gave structure to our past life and must now find our way to become ourselves, and have entered this wilderness with an as yet undeveloped personality, when we succeed in finding our way out we shall emerge with a much more highly developed humanity." The Uses Of Enchantment: The Meaning And Importance of Fairy Tales 1976.

   Scott Rettberg - 12.01.2013 - 01:28

9. Disposable Language

   This performance is based on Memmott’s video poem “NONCE.EXECUTOR” a poem that juxtaposes words with phrases and images that somehow define or describe them. The dancers are positioned between the screen and a disheveled blonde doll sitting on the front of the stage with a spotlight shining on it. The dancers’ movements are very doll-like, making stiff movements that emphasize their joints and how they bend and rotate on dolls. Are the dancers an explanation or description of the doll?

   Choreography: Ashley Peters
   Poetry: Talan Memmott (“NONCE.EXECUTOR”)
   Dancers: Samantha Crosby, Danielle Delong, Julie Marazzo, Kristina Merrill, Shannon Moore, Megan Rutkowski, Holli Simme, Julia Tomanovich, Emily Wilhelm

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.04.2013 - 17:24

10. Expansive Mayhem

    The interpretive dance performance seeks to evoke the experience of a concussion and does so by clustering six dancers on a side of the stage using red lighting to suggest a sense of the inside of the speaker’s head. When the dancers are clustered, swaying semi-coherently, they evoke the sense of a brain function normally, but as the piece progresses it begins to unravel, as the dancers spiral out of control. Their disjointed movements as they each dance on their own, spread around the stage mimics the cognitive impact of a concussion, echoed by the language hovering over them. The dance performance concludes by returning to normal function, urgently, as one of the dancers runs around the reorganized collective, as if trying to hold them together by sheer force of will as the screen and stage fade to black, leading us to wonder. Has the brain been healed? Has normal language function returned?

    “Expansive Mayhem”
    Choreography: Julia Tedesco and Ellie Sanna
    Poetry: Loss Pequeño Glazier (“Io Sono At Swoons “)
    Music: Jai Uttal and Ben Leinbach
    Dancers: Melissa Hunt, Marika Matsuzak, Stephanie Ohman, Sammi Pfieffer, Samantha Will, Jessica Viglianco

    Hannelen Leirvåg - 28.04.2013 - 18:38

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