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1. Writing Space: The Computer, Hypertext, and the History of Writing

   From the publisher:

   This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.

   Original publication date: 1991, published by Laurence Erlbaum Associates, Hillsdale, New Jersey.

   Patricia Tomaszek - 28.02.2011 - 11:48

2. Scholarly Publishing of Hypertext, the Case of "The Victorian Web"

   George Landow discussed the development of The Victorian Web, an online resource hosted by Brown University, for the study of Victorian literature, and its relation to his scholarship on hypertext.

   Eric Dean Rasmussen - 16.03.2011 - 11:50

3. The Institution of the Book: Why Shelley Jackson Doesn't Write Hypertext

   After all these years, Cayley is still troubled by the question of whether writing in other media, such as hypertext, can be a 'book.' Do writers need to write books in order to be writers?

   Eric Dean Rasmussen - 18.08.2011 - 16:58

4. Possiplex: Ted Nelson ’59 and the Literary Machine

   Possiplex: Ted Nelson ’59 and the Literary Machine

   Eric Dean Rasmussen - 06.10.2011 - 17:38

5. New Narratives: Stories and Storytelling in the Digital Age

   Just as the explosive growth of digital media has led to ever-expanding narrative possibilities and practices, so these new electronic modes of storytelling have, in their own turn, demanded a rapid and radical rethinking of narrative theory. This timely volume takes up the challenge, deeply and broadly considering the relationship between digital technology and narrative theory in the face of the changing landscape of computer-mediated communication.

   New Narratives reflects the diversity of its subject by bringing together some of the foremost practitioners and theorists of digital narratives. It extends the range of digital subgenres examined by narrative theorists to include forms that have become increasingly prominent, new examples of experimental hypertext, and contemporary video games. The collection also explicitly draws connections between the development of narrative theory, technological innovation, and the use of narratives in particular social and cultural contexts.

   Scott Rettberg - 14.10.2011 - 12:52

6. All Together Now: Hypertext, Collective Narrative, and Online Collective Knowledge Communities

   Revision of essay previously titled "All Together Now: Collective Knowledge, Collective. Narratives, and Architectures of Participation."

   This essay explores the history and methodologies of collective narrative projects, and their relationship to collective knowledge projects and methodologies. By examining different forms of conscious, contributory, and unwitting participation, the essay develops a richer understanding of successful large-scale collaborative projects. The essay then examines large-scale architectures of participation in Wikipedia and Flickr to extrapolate from those observations potential methodologies for the creation of collective narratives.

   Scott Rettberg - 14.10.2011 - 13:01

7. The History of Hypertext Authoring and Beyond: Interview with Stuart Moulthrop

   Malloy's interview with Moulthrop focuses on his early work, his entrée into writing hypertext and his hypertext novel Victory Garden, the "mostly mythical" artists' collective TINAC, and one of his later works, Under Language. The interview appears on the Authoring Software project.

   Scott Rettberg - 20.10.2011 - 09:42

8. Hypertext Revisited: The Issue of Non-Sequentiality in Print and Digital Literature

   In this keynote, Baetens argues that the difference between print and digital literature is shrinking, because print literature has embraced the digital revolution. He proceeds to compare installment narrative to hypertext literature, looking at five aspects, where he finds that hypertext literature fails in relation to installment narrative. 

   Jill Walker Rettberg - 09.12.2011 - 10:14

9. An Interview with Talan Memmott

   Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia. In June 2011 I met with Talan to discuss the history of beehive Hypertext Hypermedia Literary Journal, which he founded and edited.

   David Prater - 20.01.2012 - 11:10

10. Fuzzy Coherence: Making Sense of Continuity in Hypertext Narratives

    Hypertexts are digital texts characterized by interactive hyperlinking and a fragmented textual organization. Increasingly prominent since the early 1990s, hypertexts have become a common text type both on the Internet and in a variety of other digital contexts. Although studied widely in disciplines like hypertext theory and media studies, formal linguistic approaches to hypertext continue to be relatively rare. 

    Patricia Tomaszek - 25.03.2012 - 13:25

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