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1. Is There a Message in the Medium? The Materiality of Language

   The initial argument of this essay is absurdly simple, obvious, literal: language must be embodied and thus its particular medium is—literally, ontologically—the matter, the flesh, the materiality of any message that it articulates. Marshall McLuhan urged us to recognize that media signify, that the matter in which the message is embodied also traces differences that were already what we have come to call ‘writing’ in a poststructuralist, Derridean sense: grammatological practices. However, McLuhan’s copula was not ontological. It expressed a concern that these other, parallel messages were more significant than any linguistic message they embodied. This same anxiety has reached a kind of apotheosis in recent criticism of digital literature—from Christopher Funkhouser and Roberto Simanowski—revenant as no less than our ancient fear of cannibalism. The message of the medium literally consumes the materiality of language: its own body, flesh of its flesh. But this cannibalism would only be literal—and thus taboo, thus truly terrifying—if McLuhan’s copula were ontological.

   Eric Dean Rasmussen - 30.08.2011 - 12:34

2. From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation

   From ‘words, words, words’ to ‘birds, birds, birds’: Literature between the representation and the presentation

   Eric Dean Rasmussen - 01.09.2011 - 10:57

3. Primal Affective Ground and Digital Poetry

   Since the first symbolic scripts emerged, language has always been visual. My own work explores how language's visual can be read both as art and as poetry; how affect is amplified by sound; how generative and combinatorial layouts of text-video-sound open art from linear readings into infinite variations perspectives.
   For ELO, I am interested in creating an artist talk that utilizes content derived from two essays on digital poetry written for my comprehensive exams in the summer of 2009. The original essays are entitled: "Affecting Language: interdisciplinary explorations of emotion (new media, neuroscience, phenomenology and poetry)" and "Defining Creative Conduits: mediations on writing in digital media". Since both essays (as take-home exams) were each written over a brief 72 hour span, I look fwd to the opportunity of synthesizing and refining their argument into a presentation format.
   (Source: Author proposal)

   Eric Dean Rasmussen - 20.03.2012 - 12:42

4. Sound Rites: Relationships Between Words and Sound in New Media Writing

   While discussion of the relationship of image and word has been prominent in the discourses
   surrounding new media writing, the role of sound is rarely addressed in this context, even
   though words are sounds and sounds are a major component of multimedia. This paper
   explores possibilities for new theoretical frameworks in this area, drawing on musico-literary
   discourse, intermedia theory and inter-cultural theory, and using ideas about semiotic and cultural exchange as a basis.

   Eric Dean Rasmussen - 14.06.2012 - 15:17

5. Eduardo: a Multimedia Story by a Swiss Army Knife Journalist

   One thing that cannot be denied is that whereas there have been countless online publications before the world wide web, it has been the late development of the web that transformed communication patterns and, particularly information textuality and the journalistic arena. Among profound and unceasing changes, one can stand out the online versions of traditional media outlets, but obviously the originally online stories, created to be experienced as multimedia journalistic pieces. It is within this field that Eduardo’s story belongs, in the piece “O que é isso de vida independente” [What is that of an independent life?] by the Portuguese multimedia journalist Vera Moutinho. In this paper, I will explore Eduardo’s story, which elects the visual and sound plasticity as drivers of the reading experience, to examine how significance is built across multiple media and unfolds undertones throughout each moment.

   (source: Author's Abstract at ICDMT 2016)

   Hannah Ackermans - 12.12.2016 - 14:29

6. music/sound/noise

   music/sound/noise is an ebr thread.

   Thread editor from 2006-07: Trace Reddell. MusicSoundNoise was initiated in the winter of 2000/01 by Cary Wolfe and Mark Amerika. msn logo and animation created by Cynthia Jacquette.

   (Source: ebr)

   Pål Alvsaker - 12.09.2017 - 14:48

7. Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird

   Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird

   Patricia Tomaszek - 23.07.2018 - 16:30

8. Salon Jan 11, 2022: Figurski on the Radio!

   Radio made the hypertext star! and Richard Holeton and John Barber will introduce the radio adaptation of the Famous Figurski at Findhorn on Acid!

   Join us as we merge technologies and adapt to radio and sound in a favorite work.

   About this work:
   What began as a pioneering work of electronic literature is now a radio theatre performance. But it took more than twenty years for this to happen.

   Richard Holeton first published Figurski at Findhorn on Acid in 2001 using Storyspace software. This novel length, comedic hypertext featured thousands of links, three main characters, three significant locations, one (perhaps two) mechanical pigs, and yes, THAT acid. Wild acclaim followed initial publication.

   Hannah Ackermans - 15.02.2022 - 13:21