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Deseo - Desejo - Desire: 3 Erotic Anipoems
Three short animated poems about desire, made in Flash.
Hannelen Leirvåg - 28.02.2013 - 19:41
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Internal Damage Data
“Internal Damage Data” uses the structure of a multiple choice questionnaire for self assessment of internal damage to shape the first part of the poem. For each question, Mez uses option C (maybe, unsure, other…) to develop her poem, seeking to transcend the traditional yes/no binaries in such questionnaires. In the part depicted above, she uses algorithms to structure her poem: using the logic and language of programming to guide the reader’s experience of the poem. (Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 12.03.2013 - 23:56
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Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives
Electronic literature and E-Poetry is updated, interactive, subjective and well networked. But how durable is it? How long do texts published on web pages remain readable? It seems ironic that the transient character of the internet is attached to a medium that seems to be very suitable for documentation and archiving. All information is automatically digitally recorded and processed. This enables digital storage and retrieval as well as mirroring on different servers. There already exist a number of (often private) archive platforms that should be systematically supplemented by extensive archiving by national libraries. And still each website only remains available on the internet at its original address for less than 100 days on average. Afterwards it moves or is erased completely. This is of course also the case for Net literature. Projects can furthermore no longer be playable because their contents required plugins that are outdated; or they are only optimized for certain, old browser versions and no longer work on newer browsers.
Audun Andreassen - 03.04.2013 - 10:28
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Memory
This cleverly conceptualized poem engages the social media meme as an canvas, cultural construct, and writing constraint. Using a meme generating service to write the texts on the memes and publish them as images, arranging them in the page. As co-author of the webcomic The World According to Geek, Valle Javier could’ve easily arranged the images as panels on a horizontal comic strip, but instead chose to do so vertically. This reinforces a poetic reading of this work as a whole, using each meme as a unit of meaning that is part of a textual flow.
(Source: Leonardo Flores, I ♥ E-Poetry)
Hannelen Leirvåg - 07.05.2013 - 16:03
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mooon
mooon (2015) is the fourth video made by Norwegian poet and artist Ottar Ormstad since 2009. Here again viewers encounter letter-carpets and a yellow y Ormstad identifies with and which he is known for. Different from the other videos, letter-carpets are not projected on still images, but for the first time on live video footage Ormstad shot on his Samsung S4 during travels in Denmark, Sweden, Norway, Iceland, Vilnius and Berlin in 2014. The video may be seen as a research for documenting water on the mooon. Like in his video natyr (2011) he's using a strong sound in the very start for creating a period of silence in the beginning of the work. Other references to his earlier works can also be found: The 'eau-poem' in the first part is closely related to his web-poem svevedikt (2006), and his first video LYMS (2009). Ormstad also continues his multi-lingual project using words from different languages intentionally without translation. It invites viewers for an individual experience of the video and visual poetry that is based upon the viewer's language background.
Ottar Ormstad - 25.06.2015 - 12:26
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'Algorritmos: Infopoemas' by E. M. de Melo e Castro
Since 1986, besides videopoetry, E. M. de Melo e Castro worked on a series of experiments with other computer media (suportes informáticos), coined by the author as “infopoesia” [infopoetry], in which he used image editor software. Once more – and this is a fact the analysis by Jorge Luiz Antonio (2001) does not highlight – the prevailing choice of image editors at the expense of word processors reveals the visual affiliation of Castrian poetics. The infopoems’ visual animations acknowledge pixel as the primary unit of meaning, in the perspective of an infopoetic language.
(Source: Author's text)
Alvaro Seica - 03.09.2015 - 22:50
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'Computer Poetry' by Silvestre Pestana
In the 1980s, the world saw the introduction of personal computers (PCs). While the first creative stage of electronic literature took advantage of mainframe computers, only accessible in institutional environments, the context in which Silvestre Pestana created his first computer poems was totally different – a new wave Pedro Barbosa sarcastically calls “poesia doméstica” [domestic poetry] (1996: 147). With personal computers, Silvestre Pestana programmed in BASIC, first for a Sinclair ZX81, and then, already with chromatic lighting, for a Sinclair ZX Spectrum, three poems respectively dedicated to Henri Chopin, E. M. de Melo e Castro and Julian Beck, which resulted in the Computer Poetry (1981-83) series. Pestana, a visual artist, writer and performer – who had returned from the exile in Sweden after Portugal’s Carnation Revolution of April 25, 1974 – brought diverse influences put forward with photography, video, performance, and computer media.
Alvaro Seica - 04.09.2015 - 02:00
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A Revolution of Words
An interactive e-poem. Try our useful online tool to find new meaning in your life. Give it a spin and see which dictum, watchword, slogan, epigram, mantra, motto, pitch, patter or spiel fortune favours for you! A Revolution of Words invites the speculative reader to Spin the Revolution and thus a play on words becomes a game of chance where meaning is at stake. Concept and words by runran, UI design and codework by crissxross, graphics curated by runran. The last collaboration for R3M1XW0RX between its founder Randy Adams (aka runran) and Christine Wilks (aka crissxross). In memory of Randy Adams (1951-2014).
Christine Wilks - 17.06.2016 - 16:55
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Objects
poema digital que cria combinações aleatórias com os 27 nomes das mulheres assassinadas em Portugal em contexto de violência doméstica, durante 2015.
feito em Processing a partir do código Silly Poet de Abe Prazos.
(Source: http://cargocollective.com/lilianavasques/e-poetry)
Alvaro Seica - 04.05.2017 - 11:56
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PONTOS: uma recombinação textual intermedial e transpoética
"PONTOS” parte de uma tentativa (im)possível de aproximação entre margens por meio de visões que se entrecruzam. Um processo de alteridade entre perspectivas simetricamente opostas, numa tentativa gradual de (auto)reflexão, que dará lugar a uma transmutação contínua por parte de um público. De um lado, uma margem A, sempre mais bela vista de uma margem B; de outro lado, uma margem B, local privilegiado para contemplação do seu antípoda. Numa tentativa de construção de pontes, que não é mais do que uma ligação entre pontos, procura-se por meio da palavra ser-se um outro, na (im)possibilidade de sê-lo por completo.
"Que visão tem neste momento a pessoa que não vejo, mas que sei estar do outro lado?"
"Com que olhos descreveria eu a minha margem, de um lado que sinto não ser possível alcançar?"
Diogo Marques - 26.07.2017 - 17:34
