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The Prime Directive/Primärdirektivet
Online work, in two parts + intro. Main themes: science fiction, nature. First published in 2006 by danish website Afsnit P. In the intro two books are slowly rotating, when clicking on them they each lead to one of the main parts of the piece: The Path of the Fragment and The Prime Directive. The images and texts in these are of a dark sci-fi nature, the soundtrack ambient and droney.
Patricia Tomaszek - 16.09.2010 - 17:35
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Carving in Possibilities
Carving in Possibilities is a short Flash piece. By moving the mouse, the user carves the face of Michelangelo's David out of speculations about David, the crowd watching David and Goliath, the sculptor, and the crowds viewing the sculpture.
(Source: author's description in ELC 1.)Eric Dean Rasmussen - 18.04.2011 - 13:28
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Mondriaan
This interactive installation permits participants to simply sketch out and edit compositions in the style of the great abstractionist Piet Mondrian.
The developers describe it as follows: "Using our new patented infrared sensing technology on a rear-projected screen (in the same spirit as the Calder piece), this work permits participants to simply sketch out and edit compositions in the style of the great abstractionist Piet Mondrian. Create your own composition in 10 seconds!"
Scott Rettberg - 23.05.2011 - 12:51
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ISEA2012 Albuquerque: Machine Wilderness
The Eighteenth International Symposium on Electronic Art, ISEA2012 Albuquerque: Machine Wilderness is a symposium and series of events exploring the discourse of global proportions on the subject of art, technology and nature. The ISEA symposium is held every year in a different location around the world, and has a 30-year history of significant acclaim. Albuquerque is the first host city in the U.S. in six years. The ISEA2012 symposium will consist of a conference September 19 – 24, 2012 based in Albuquerque with outreach days along the state’s “Cultural Corridor” in Santa Fe and Taos, and an expansive, regional collaboration throughout the fall of 2012, including art exhibitions, public events, performances and educational activities. This project will bring together a wealth of leading creative minds from around the globe, and engage the local community through in-depth partnerships.
Eric Dean Rasmussen - 22.08.2011 - 10:20
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The Future of Literature in an Age of Digital Media
Michael Joyce, author and professor at Vassar College, Steve Tomasula, author and professor at University of Notre Dame, and Jay David Bolter, Ian Bogost, and Maria Engberg from Digital Media/LCC spoke about how the literary arts respond and relate to an age of digital media culture. Some of the issues included:
- What is the function of literature in a digital culture?
- How does our immersion in digital practices affect our reading and appreciation of literary texts?
- Has literature changed in response to a new digital aesthetic?
Maria Engberg - 13.10.2011 - 20:56
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Cultures in Webs: Working in Hypermedia with the Documentary Image
This CD-ROM explores how hypertextual writing and image-making merge in creating projects with nonfiction materials such as photographs, video clips, audio recordings and observational notes. The work includes two hypertextual field projects, one concerning a wine harvest in Burgundy, France, and the other concerning a series of performances in Ghana. The project uses an html-based format to weave among differing modes of writing and image-presentation. The section "The Harvest" was selected for exhibition in the 2001 ELO "State Of The Arts" symposium gallery. Based on two months of participant observation working the harvest at a small vineyard in France, the project combines diaristic writing, visual notes, dialog, exposition, and other forms of writing alongside a fifty-four image sequence. The work also includes videos and slide shows. "Concealed Narratives" offers two routes, interactive paths by which users travel to a series of public events in Ghana. The work explores how cultural battles are imagined and how stories get expressed through performances, visual tropes, and metaphors.
Scott Rettberg - 16.06.2012 - 22:15
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Trujillo poeem
'Trujillo' spreekt voor zich en is pas geslaagd wanneer het spontaan tot meerdere lezingen/ herhaaldelijk bekijken aanzet! Het stelt tevens de romantische kunstenaarsopvatting aan de orde (met de roos als leidmotief): een beetje kunstenaar moet groots kunnen afzien. Anders gezegd een beetje schrikbewind legt de kunst geen windeieren: doe er vooral uw maal mee!
Marije Koens - 25.07.2012 - 11:42
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Sonne Ordklip
"Netudstillingen SONNE ORDKLIP er delt op i 14 serier, hvoraf nogle er tematiske eftevanlige egensindigt encyklopædiske principper, mens andre mere direkte flugter langs et enkelt, gennemgående klip-ord, følgende står fast: DK-KULTUR-SOC, EGO-PSYK, GA, LITT, ZOO, ORD, BØ, BØRN, LIG, UD, SPROG, KUNST, MAD, LYRISK NATUR Det er tekster - eller hvad man nu skal kaldet det - der i deres insisterende overstadige leg med sprogets betydning og visualitet ikke kender deres lige i nyere dansk poesi. Vi skal helt tilbage til de gode, gamle dadaisters collager og montager - Kurt Schwitters’ f.eks. - for at finde konkurrencedygtige paralleller." - http://www.afsnitp.dk/aktuelt/10/sonneordklip.html
Melissa Lucas - 28.09.2012 - 13:33
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Spring Day Notation
How does one attempt to capture the experience of being out in nature, surrounded by hills, trees, flowers, grass, sky? About a century before this poem, Imagist poets took on the same challenge, using compressed language to recreate sensory experiences, usually from nature or art. William Carlos Williams’ masterful final book, Pictures from Brueghel (1962), modernized ekphrastic poetry by evoking even saccadic eye movements as one looked at a Brueghel painting in his free verse. Judy Malloy uses humble Web 1.0 tools, such as frames, font colors and sizes, background colors, and the meta refresh tag, along with tactical placement of poetic lines and precise scheduling, to insert us into a space and create a vivid landscape one image at a time.
(Source: Leonardo Flores)
Helene Helgeland - 12.11.2012 - 15:09
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Paris Réseau/ Paris Network
CD-Rom bilingue (français/anglais) pour Macintosh et Windows par Karen O’Rourke Paris Réseau restitue par la photographie, le son et l'animation interactive une image composite de la ville, où des traces de lieux sont confrontées aux souvenirs de personnes qui les ont connus. Il s’ouvre sur un plan de la ville. A mesure que l’on s’approche, l’image se pixellise, le sujet se dissout. Dans chacune des quatre zones, on parcourt les lieux différemment. Quatre regards, quatre temps, quatre dispositifs structurels. On aura toujours, même lorsque l’on se déplace, une vue fragmentaire, évoquant un hors champ plus vaste, plus complet, toujours hors de portée. On entre comme par effraction. Chacune des quatre parties a son propre système de navigation. 1. Six parcours. 2. Jogging au square de la Roquette. 3. Voyage autour de ma cour. 4. L’affiche blessée. L’une met l’accent sur les effets perceptifs, une autre nous incite à imaginer des gens et des événements que nous ne voyons pas, la troisième nous permet d’explorer et la quatrième autorise le bricolage des objets sur l’écran.
Karen O'Rourke - 02.02.2013 - 20:05
