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Poemas no Meio do Caminho: Poesia Combinatória Animada por Computador
Poemas combinatórios e generativos, programados de modo a permitir ao leitor alterar dinamicamente, em tempo de execução, os paradigmas que alimentam a sintaxe original; Som gerado aleatoriamente a partir de bases de dados previamente gravadas, com vozes e texturas sonoras; Além de alterar o poema, o leitor pode guardar as suas versões/leituras num weblog disponível na Internet. Duas versões disponíveis (versão horizontal e versão vertical) dão aos leitores a possibilidade de navegar entre distintas tipologias de página: em modo de panorama ou em modo de página html: A versão horizontal (panorama) inclui video, permite ao leitor alterar as palavras e enviar para weblog; A versão vertical (html) permite ao leitor alterar as palavras, alterar as listas e enviar para weblog.
(Source: http://edicoes.ufp.pt/product/humanidades/poemas-no-meio-do-caminho-poes...)
Alvaro Seica - 14.10.2013 - 13:09
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SeeVeniceandDie
Le poème au coeur de SeeVeniceAndDie a été écrit en 2005 pour "L'isola dei Poeti" - événement initié à l'occasion de la 51ème biennale de Venise - par Marco Nereo Rotelli sous le commissariat d'exposition d'Achille Bonito Oliva et Caterina Davinio pour Virtual Island. Ce poème est un genre de sabir ou autrement dit, un pérégrinisme. Mélange de plusieurs langues dans le même discours, SeeVeniceandDie met en scène, en médias, en programmes, ces actes de langages, à travers un automate de synthèse vocale qui lit dans sa langue naturelle, l'anglais et se risque aussi en français et en italien, deux langues qui me sont devenues - à moi - culturellement naturelles. Il a fallu "plier" quelque peu l'orthographe des mots pour faciliter l'interprétation de Vicky, voix synthétique féminine du système OSX, afin de parfaire sa prononciation. S'il a ici [ pour Internet ] la forme d'une vidéo de 8 minutes et 30 secondes, il est en fait un poème variable composé d'un prologue et trois actes, se joue au clavier et souris et répond aux sollicitations des lettres formant le mot "Venise" dans ses trois langues.
Luc Dall'Armellina - 10.10.2014 - 16:03
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Grita
It is a digital poem that can only be read by screaming to the screen. Once the user screams the verses of the poem appear and when the user stops, the words are not longer seen. It is an interactive sound poem. It can be related to Loss of Grasp by Serge Bouchardon and Vincent Volckaert and Zang Tumb Tumb by Filippo Tommaso Marinetti. Aburto is a Peruvian poet and professor at the PUCP. Having worked in Communicative Arts has permitted him use different formats for his poetry: oral, written and digital. His Peruvian origin can be seen in the way his work relates to other 2000s writers from Peru: vindication of publication of poetry and interest for combining conceptual, textual and visual aspects. In this work, the use of the screen, the microphone and the appearing and disappearing letters permit a communicative situation between poet and reader, the reader becomes a creator of the poem because his participation is essential for watching the words. The effort of crying out loud that the work demands to the reader increases the effects of the messages of desperation and vindication
(Source: Maya Zalbidea)
Maya Zalbidea - 08.01.2016 - 20:28
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BACTERIËN
In het filmpje BACTERIËN van dichter Paul Bogaert en beeldend kunstenaar Jan Peeters worden twee gedichten gecombineerd met beelden uit een Amerikaanse film over hoe men het best toiletten schoonmaakt. De schoonmaker neemt enthousiast de kleinste hoekjes onder handen terwijl bacteriën en dienstmededelingen zich verspreiden en vermenigvuldigen.
De Engelse versie van het filmpje (BACTERIA) werd geselecteerd voor de competitie van het ZEBRA Poetry Film Festival 2014 in Berlijn. De jury selecteerde 29 films uit 770 inzendingen uit 70 landen. Het ZEBRA Festival, dat plaatsvond van 16 tot 19 oktober 2014, is het belangrijkste internationale platform voor poëziefilms.
Hannah Ackermans - 17.11.2016 - 09:40
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BACTERIA
BACTERIA
Hannah Ackermans - 17.11.2016 - 09:43
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Eduardo: a Multimedia Story by a Swiss Army Knife Journalist
One thing that cannot be denied is that whereas there have been countless online publications before the world wide web, it has been the late development of the web that transformed communication patterns and, particularly information textuality and the journalistic arena. Among profound and unceasing changes, one can stand out the online versions of traditional media outlets, but obviously the originally online stories, created to be experienced as multimedia journalistic pieces. It is within this field that Eduardo’s story belongs, in the piece “O que é isso de vida independente” [What is that of an independent life?] by the Portuguese multimedia journalist Vera Moutinho. In this paper, I will explore Eduardo’s story, which elects the visual and sound plasticity as drivers of the reading experience, to examine how significance is built across multiple media and unfolds undertones throughout each moment.
(source: Author's Abstract at ICDMT 2016)
Hannah Ackermans - 12.12.2016 - 14:29
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Come Together Now
Come Together Now uses recorded sound and technology as an invitation rather than a mediation of entertainment. The aim of this work is to bring people together with a pre-recorded sound composition, remove the recorded sounds as they sit down, leaving them with their own space to create a musical experience.
As a participant approaches the space they can hear a track being played that is composed of the instruments that they see in the installation. Pressure sensors placed between tree stump seats and cushions detect when a person has sat in front of an instrument. A computer program will then turn the volume down on the track being played, corresponding to the instrument that has been taken up by the participant, and a vocal track is proportionally turned up into the mix. As all seats are taken by the participants all pre-recorded sound of the instruments will have been replaced with the live performances and will now be accompanied by a pre-recorded vocal chant.
Mona Pihlamäe - 31.08.2017 - 12:16
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music/sound/noise
music/sound/noise is an ebr thread.
Thread editor from 2006-07: Trace Reddell. MusicSoundNoise was initiated in the winter of 2000/01 by Cary Wolfe and Mark Amerika. msn logo and animation created by Cynthia Jacquette.
(Source: ebr)
Pål Alvsaker - 12.09.2017 - 14:48
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Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird
Urs Schreibers "Das Epos der Maschine": Wenn konkrete Poesie digital wird
Patricia Tomaszek - 23.07.2018 - 16:30
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Salon Jan 11, 2022: Figurski on the Radio!
Radio made the hypertext star! and Richard Holeton and John Barber will introduce the radio adaptation of the Famous Figurski at Findhorn on Acid!
Join us as we merge technologies and adapt to radio and sound in a favorite work.
About this work:
What began as a pioneering work of electronic literature is now a radio theatre performance. But it took more than twenty years for this to happen.Richard Holeton first published Figurski at Findhorn on Acid in 2001 using Storyspace software. This novel length, comedic hypertext featured thousands of links, three main characters, three significant locations, one (perhaps two) mechanical pigs, and yes, THAT acid. Wild acclaim followed initial publication.
Hannah Ackermans - 15.02.2022 - 13:21
