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1. Hypertext: An alternative route to short story theorising

   Hypertext: An alternative route to short story theorising

   Theodoros Chiotis - 15.04.2011 - 21:33

2. Literatures in the Digital Era: Theory and Praxis

   Literatures in the Digital Era: Theory and Praxis

   Theodoros Chiotis - 15.04.2011 - 21:34

3. Alan Sondheim

   Alan Sondheim works in the interstices between the real and the virtual; he has published, played, and performed internationally. His most recent release is Cauldron (FireMuseum), and he has a book on digital writing forthcoming from West Virginia University Press. He lives in Brooklyn with his partner Azure Carter, and performing cat Ossi Oswalda.

    (Source: ELO 2012 Media Art Show)

   Eric Dean Rasmussen - 21.04.2011 - 11:46

4. Ingrid Ankerson

   Ingrid Ankerson

   Scott Rettberg - 22.04.2011 - 13:39

5. Der digitale Autor. Autorschaft im Zeitalter des Internets

   Der digitale Autor. Autorschaft im Zeitalter des Internets

   Florian Hartling - 05.05.2011 - 11:07

6. Wo ist der Online-Ulysses? Kanonisierungsprozesse in der Netzliteratur

   "Net literature" is a relatively young phenomenon that has its roots as well in the experiments of visual and concrete poetics as in the application of hypertext. With the extensive use of computer- and network-technologies this new kind of literature has grown up and is now considered to be one of the most important influences of recent art. Not only does "net literature" connect sound, video and animation with interactivity and allows new forms of artistic expression. It also destroys the traditional functions in the literary system: The ‘death of the author’ gives birth to the writing reader.In this study a first attempt is made to apply the concept of "canon" to "net literature": Is there already a "canon" existing and if so, what are the techniques that are used to form this "canon"? Based on a theory of action and a modification of Karl Erik Rosengren’s "mention technique" a sample of German reviews on "net literature" was analyzed.

   Florian Hartling - 05.05.2011 - 11:28

7. mar puro

   Description from artist´s website: This piece is based on a collection of poems by the Spanish poet Carmen Conde (1907-1996). I created an ocean journey with Conde’s words
   as the white crests of waves crashing onto a new shore.

   Patricia Tomaszek - 05.05.2011 - 14:41

8. Heart Pole

   Description taken from N. Katherine Hayles, Electronic Literature: "David Knoebel's exquisitely choreographed 'Heart Pole,' from his collection 'Click Poetry,' features a circular globe of words, with two rings spinning at 90 degrees from one another, 'moment to moment' and 'mind absorbing.' A longer narrative sequence, imaged as a plane undulating in space, can be manipulated by clicking and dragging. The narrative, focalized through the memories of a third-person male persona, recalls the moment between waking and sleeping when the narrator's mother is singing him to sleep with a song composed of his day's activities. But like the slippery plane that shifts in and out of legibility as it twists and turns, this moment of intimacy is irrevocably lost to time, forming the 'heart pole' that registers both its evocation and the on-goingness that condemns even the most deeply seated experiences to loss" (11).

   Rita Raley - 05.05.2011 - 14:41

9. New Word Order

   New Word Order

   Rita Raley - 05.05.2011 - 15:19

10. Interferences: [Net.Writing] and the Practice of Codework

    Codework refers to the use of the contemporary idiolect of the computer and computing processes in digital media experimental writing, or [net.writing]. Some of the prominent practitioners include Alan Sondheim, who has given the practice and genre its name, Mez (Mary-Anne Breeze), Talan Memmott, Ted Warnell, Brian Lennon, and John Cayley. These writers also use different terms to refer to work: Mez composes in a neologistic "net.wurked" language that she has termed m[ez]ang.elle; Memmott uses the term "rich.lit"; Warnell names some of his JavaScript poems "codepoetry"; Lennon refers to "digital visual poetics"; and Cayley produces algorithmic, generative texts, or "programmable poetry." Writers and artists who have taken up the general practice of codework heed the mandate - "use the computer; it is not a television" - and strive to foreground and theorize the relations between interface and machine and so reflect on the networked environment that constitutes and is constituted by a digital text. The precise techniques vary, but the general result is a text-object or a text-event that emphasizes its own programming, mechanism, and materiality.

    Rita Raley - 05.05.2011 - 23:09

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