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1. Out of Touch

   In our world of perpetual connectivity, touching interfaces that keep us out of reach, we form attachments whilst remaining detached, by turns kindling and dampening emotions. Conceived as the first in a series of musings on the paradoxical and sometimes poignant nature of human relationships amid networked life, Out of Touch was created in Flash and incorporates text sequences, randomness, intensively filtered video, sound and cut-up voices.

   This Out of Touch episode was commissioned by the San Francisco Museum of Modern Art for the Third Hand Plays series curated by Brian Stefans, who wrote:

   Christine Wilks - 07.10.2011 - 15:29

2. TRANS.MISSION [A.DIALOGUE]

   TRANS.MISSION [A.DIALOGUE] is a computer-generated dialogue, a literary narrative of generations of transatlantic migration, a performance in the form of a conversation, an encoded discourse propagating across, beyond, and through long-distance communications networks. One JavaScript file sits in one directory on one server attached to a vast network of hubs, routers, switches, and submarine cables through which this one file may be accessed many times from many places by many devices. The mission of this JavaScript is to generate another sort of script. The call “function produce_stories()” produces a response in the browser, a dialogue to be read aloud in three voices: Call, Response, and Interference; or: Strophe, Antistrophe, and Chorus; or Here, There, and Somewhere in Between.

   J. R. Carpenter - 27.03.2012 - 10:43

3. Performance and the Digital Text

   Introductory remarks to the ELMCIP Seminar on Digital Text with/in Performance, hosted by University College Falmouth at the Arnolfini, Bristol.

   Eric Dean Rasmussen - 30.04.2012 - 11:12

4. Machinic Performance

   Machinic Performance

   Eric Dean Rasmussen - 30.04.2012 - 11:18

5. Performance of Code: Jörg Piringer in Conversation with J. R. Carpenter

   Performance of Code: Jörg Piringer in Conversation with J. R. Carpenter

   Eric Dean Rasmussen - 02.05.2012 - 10:24

6. make-shift

   make-shift is a house party, performance, and networked salon. Each live event telematically connects participants in two ordinary houses and an online performance space, using the cyberformance platform UpStage (www.upstage.org.nz) in conjunction with audio-visual streams from the two houses. The theme of the work centers around consumption and disposal in late capitalism. Crutchlow and Jamieson describe themselves as "brokers" of the event, combining scripted performance with improvisation and activities in which everyone participates in various ways, becoming co-authors in a collaborative process. 

   Eric Dean Rasmussen - 02.05.2012 - 11:00

7. Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Eric Dean Rasmussen - 02.05.2012 - 12:04

8. Touch and Gesture as Aesthetic Experience: Performing 5 Apps

   Touch and Gesture as Aesthetic Experience: Performing 5 Apps

   Eric Dean Rasmussen - 02.05.2012 - 12:08

9. Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance

   Jesurun's Digitalist Firefall: Staging the Analogical Relation as Cognitive Performance

   Eric Dean Rasmussen - 02.05.2012 - 15:26

10. 'Reading' Performance: Eugenio Tisselli's Wen

    'Reading' Performance: Eugenio Tisselli's Wen

    Eric Dean Rasmussen - 02.05.2012 - 15:48

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