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1. The Sweet Old Etcetera

   Author description: The Sweet Old Etcetera is an interactive web project based on the poetry of e.e. cummings. e.e. cummings' poetry is highly visual, playful and experimental. "The Sweet Old Etcetera" interprets selected poems for a new media context and introduces additional layers of meaning through the use of motion, graphics, sound and programming. The project hopes to offer a fresh response to the print poetry, aiming to release it from the confines of the physical page and bring it into a digital environment in a playful way.

   Eric Dean Rasmussen - 22.02.2011 - 15:20

2. Amor-mundo, ou a vida, esse sonho triste

   Amor-mundo, ou a vida, esse sonho triste [World-love, or life, that sad dream] is an animated text which proposes generative schemes of both visual and audio animation. Building on metaphors and images from the works of the Portuguese poet Florbela Espanca, and using as its starting point the Actionscript code of Jared Tarbel, this work includes five poems: Part 1 - Deixa-me ser a tua mais triste mágoa; Part 2 - Eu queria ser o mar alto; Part 3 - Passo no mundo a ler o misterioso livro;  Part 4 - Sou o vento que geme e quer entrar; Part 5 - Horas mortas. The reader can add to these poems random spatial layers that allow the creation of multiple constellations of meaning.

   Rui Torres - 25.11.2011 - 19:20

3. Amor-mundo, ou a vida, esse sonho triste (cn)

   Amor-mundo, ou a vida, esse sonho triste [World-love, or life, that sad dream] is an animated text which proposes generative schemes of both visual and audio animation. Building on metaphors and images from the works of the Portuguese poet Florbela Espanca, and using as its starting point the Actionscript code of Jared Tarbel, this work includes five poems: Part 1 - Deixa-me ser a tua mais triste mágoa; Part 2 - Eu queria ser o mar alto; Part 3 - Passo no mundo a ler o misterioso livro;  Part 4 - Sou o vento que geme e quer entrar; Part 5 - Horas mortas. The reader can add to these poems random spatial layers that allow the creation of multiple constellations of meaning.

   Rui Torres - 25.11.2011 - 19:35

4. Like Stars in a Clear Night Sky

   Like Stars in a Clear Night Sky takes advantage of an elegant interface to present the type of lore often passed from parents to children. A voice, speaking Arabic, is paired with text in English, asking readers if they would like to hear a series of stories. Clicking blue stars in the night sky gives access to sparse stories. The reader is able to access these stories by clicking on certain stars in the night sky that appear to be brighter than the rest. These stories, which read more like poems, have to do with personal experiences with Ezzat's life and most have an open ending suggesting that it is up to the subject of the poem to decide how it will end. The use of the night sky works to make a connection with the audience in that just as we share the stars we look up at every night, Ezzat wishes to share his stories and experiences.  

   (Description from Electronic Literature Collection, Vol. 1)

   Meri Alexandra Raita - 05.12.2011 - 09:46

5. Inanimate Alice, Episode 3: Russia

   This is a work of fiction told in verse, cinematically, and with video games about the coming of age of a girl named Alice. This novel— self-consciously labelled as such to evoke the original meaning of the term: a new genre— reinvents the genre in digital media for a generation portrayed through Alice.

   Even though Alice’s circumstances are atypical (living around the world with her oil industry employed father and being home-schooled by her artist mother), she is emblematic of a generation whose experience of the world is deeply interconnected with digital media. Her developing literacy includes programming her animated creation and imaginary friend Brad on a portable device that allows her to take photographs and videos, play games, search information, and symbolically be a part of her, containing some of her memory and identity. This device is the 21st century version of the journal or diary, in which an Alice from previous centuries would have developed her voice and identity through writing, drawing, painting, scrapbooking, and other multimodal forms of writing compatible with paper-based technologies. Curiouser and curiouser.

   Hannelen Leirvåg - 10.02.2013 - 15:03

6. Noiselines

   This collaborative poem is composed on a “page space” created by Valdeomillos to explore the signal-to-noise-ratio by placing interface, image, and text in a relation by which they create noise for each other.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 13:54

7. Dibagan

   In this collaborative poem Geniwate takes a relatively simple interface and page space designed by Stefans and makes it powerfully political. The audio recording of a reporter telling the story of surviving an RPG attack in Iraq, along with a photograph with a large drop of blood on the lens, make for a chilling backdrop for the poem. With this frame of reference set, the poem is presented as a stack of words at the base of five columns, which the reader can position by placing the mouse on the base of a column until it reaches the desired height on the screen. It takes some time to place and read the words on each column (which are readable both vertically and horizontally), which allows the looping audio clip and changing hues on the image clip to sink in for a visceral experience.

   (Source: Leonardo Flores, I ♥ E-Poetry)

   Hannelen Leirvåg - 28.02.2013 - 14:04