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  1. Le Dernier Volcan

    This video project explores Norwegian folk histories that return as fragments in light of ongoing volcanic eruptions. The project was recorded in Bergen following the disruptions caused by the activities of the Eyjafjallajökull volcano in Iceland. A folk history of disaster is set against slowly revolving images set in a contemporary landscape. This is the first of a series of works recorded in Norway that juxtapose folk histories and contemporary events to explore narrative and associative characteristics of cultural anxieties and collective memory. The project was researched and filmed by Roderick Coover in 2010 thanks to a distinguished-scholar-in-residence award from the University of Bergen.

    Alvaro Seica - 13.11.2014 - 23:32

  2. War Poems: Critical race theory and database narrative in digital public histories

    This public research/community project explores the use of database narrative in the process of “counter-storytelling” using oral history and Critical Race Theory (CRT) in a public history touch-table project. The research is based on a case study of an ongoing digital humanities project at the historic Kimball African American War Memorial Building, built by black veterans of WWI in 1928 in the southern coalfields of West Virginia. The Kimball Project’s aim has been to further develop the significance of the renovated Kimball African American Memorial, which was once a vibrant center of local community life for all ethnicities and races. A central goal of the project is to create an identity as a national treasure and unique destination for historical tourism through the innovative use of digital information technology. One of the objectives of the project has been to involve the community in telling their own historical narratives using iPhone and iPod-based mobile journalism tools for incorporation into the Memorial’s exhibits, digital content, and to upload these stories to the Memorial website.

    Magnus Lindstrøm - 05.02.2015 - 15:14

  3. ION 1

    ION 1 is a crowd-sourced series of 111 sound poems-in-progress by mic mac (Michael MacKenzie) in collaboration with the Post Art Poets spanning Gertrude Stein's ‘Tender Buttons’ (which can be freely read here: www.bartleby.com/140/). The work layers 7 (and in later instances as many as 32) readings of the ‘Tender Buttons’ poems into single clips. To participate, unaltered found or original human voice recordings may be submitted and will appear in subsequent installments of the poem. Send submissions to my email (below). An award system (called Copycoins) provides funds for more in-depth interaction with the poems. Statistics particular to each reading will appear in the sound-files’ [Youtube] descriptions. Each of the poems here are in their seventh installment. The playlists will grow and be modified as time passes; the poem is expected to run indefinitely - until I or the community lose(s) interest in it. Thank you. (Source: Elo conference: First encounters 2014)

    Eivind Farestveit - 12.02.2015 - 14:08

  4. Bridle Your Tongue

    Poetry, and the imagery found therein, has long been one of the foundations of literature across the globe. Our ability to decipher the imagery and symbols in poetic verse has long been a daunting and rewarding task for those individuals who enjoy reading and hearing verse. Bridle Your Tongue is an animated poem with a concentration on the power and longevity of destructive language. (Source: ELO Conference 2014)

    Thor Baukhol Madsen - 12.02.2015 - 14:08

  5. POETuitéame

    This work creates an interactive drag-and-drop interface to perform keyword searches in Twitter and produce a manipulable visual mapping of the results. The hashtag/keywords used by Villegas are related to poetry, music, and suffering, which when selected produce a snapshot of recent tweets on the subject. Combining keywords narrows the search, offering more thematically focused results. Part of the fun of this work is in how it arranges the results into moveable lines, so readers can experience them in different sequences, placing the tweets in conversation as they form a kind of line constellation. The limits placed on the search, along with the juxtaposition of lines, and a design that responds to the reader’s clicking and dragging motions, results in a focused authorial poetic experience, though drawn from the endlessly vast and ever-changing Twitter stream. (Source: http://collection.eliterature.org/3/work.html?work=poetuiteame)

    Susanne Dahl - 08.09.2016 - 10:03

  6. Station 51000

    This bot draws from a NOAA (National Oceanic and Atmospheric Administration) buoy which gathers oceanic and atmospheric data and mashes it up with text from Moby Dick. The buoy became unmoored on March 10, 2013 and was set adrift—still transmitting data—in the Pacific Ocean until found on November 4, 2015. The result of combining snippets of live data from this floating bot with text from Moby Dick grounds its maritime language in a real and changing yet geographically distant and indeterminate present. Surf this bot’s poetic wanderings to explore real and imagined seas. (Source: Editorial Statement from the works collection site)

    Sebastian Cortes - 18.10.2016 - 14:49

  7. TinyCrossword

    Tiny Crossword is a daily game played publicly on Twitter. The bot posts a procedurally-generated three-word puzzle at noon PST. Players (any Twitter user) can @-reply with their proposed answer. After two hours, the bot posts the solution & credits the first player to have solved it. Twitter's constraints were designed for succinct handwritten messages, but bots explore what else can be expressed within those limits. The goal of this bot was to make a game that could fit into a tweet (117 characters with an image). Crediting the winner publicly also fits Twitter's form, where @-mentions can be a sign of admiration & prestige. Most bots generate content by taking a random walk through a large corpus. For Tiny Crossword, the corpus is Simple English Wikipedia; its brevity & plain language afford short puzzle clues. New puzzles are generated using up-to-date terms & concepts with no additional designer input.

    Eirik Tveit - 18.10.2016 - 15:44

  8. Tiny Star Fields

    Every three hours, this bot tweets a generated text field composed of blank spaces and unicode characters that can be interpreted as stars or other celestial bodies, particularly when conceptually framed by the account’s title. Its artistic output has become very popular, rapidly attracting over 70,000 followers and with each tweet being favorited and shared over 300 times. While this project would seem to be more of a visual art than literary bot, consider that it is not generating images, but sequences of characters, spaces, and carriage returns. It is using the materials of writing in the tradition of ascii art and its results are so evocative that it has even inspired a spinoff bot @tiny_astro_naut. Follow this bot to become to explore its tiny endless expanses. (Source: Editorial Statement from the works collection site)

    Sebastian Cortes - 18.10.2016 - 15:58