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Anna Gibbs
Anna Gibbs supervises postgraduate students in the School of Communication Arts and the Writing and Society Research Group at the University of Western Sydney, Australia. She is currently working on an Australian Research Council funded project with Maria Angel and Joseph Tabbi, which aims to construct an annotated Directory of Australian New Media Writers and Writing. With Maria Angel, she is working on a book about corporeality in writing for digital media. Her previous work has focused on affect theory and mimesis across the fields of textual, media and cultural studies, and, as an experimental writer, she has also published a number of cut up works, collaborated with visual artists on interactive installations, and has contributed to theorizing the practice of fictocriticism.
Eric Dean Rasmussen - 12.04.2011 - 09:48
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Robert Coover Criticism Generator
This is a prose generator, made for the occassion of Robert Coover's retirement from teaching at Brown University and a celebration of his career as an aspect of the 2010 ELO_AI Conference. The generator is based on texts of reviews of Coover's novels and published interviews he has done over the years. The generator pulls from and mashes up these texts, along with images of the novelist found on the Web, to create an almost-plausible critical text that refreshes itself frequently.
12.04.2011 - 17:04
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Unicode
“unicode” shows all displayable characters in the unicode range 0 – 65536 (49571 characters). one character per frame. The result is a 33 minute video. The sound is Piringer reciting the alphabet (in German), one letter per frame.
(Source: Adapted from the author's description at Netpoetic)
Scott Rettberg - 13.04.2011 - 09:38
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UbuWeb
UbuWeb
Scott Rettberg - 13.04.2011 - 19:30
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Grand Text Auto
A group blog about computer narrative, games, poetry and art. From 2003-2009 operated as a collective effort on a single blog, now pulls conent from individual and institutional blogs of the contributors. Grand Text Auto also had two collective gallery shows of electronic literature and digital art, at the Beall Center for Arts and Technolgoy at UC Irvine (2007) and the Krannert Center at the University of Illnois (2009).
Scott Rettberg - 14.04.2011 - 00:27
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Introduction to Electronic Literature: A Freeware Guide
Introduction to Electronic Literature: A Freeware Guide
Scott Rettberg - 14.04.2011 - 12:27
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Amor de Clarice
Following Genette's forms of paratextuality, the process of quoting or re-writing in this poem involves a hypotext - the antecedent literary text (Clarice Lispector's "Amor") - and a hypertext, that which imitates the hypotext (the poem "Amor de Clarice"). Both hypotext and hypertext were performed and recorded by Nuno M. Cardoso, and later transcribed within Flash, where the author completed the integration of sound, animation, and interactivity. Following the hypotext/hypertext ontology, there are two different types of poems. In half of them (available from the main menu, on the left), the main poem (the hypertext) appears as animated text that can be clicked and dragged by the reader, with sounds assigned to the words. In these poems, the original text (the hypotext) is also present, as a multilayered, visually appealing, but static background. The sound for these movies was created by Carlos Morgado using recordings with readings of the poem.
Scott Rettberg - 15.04.2011 - 12:04
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Chroma
Chroma is an interactive serial that examines issues of racial identity in virtual environments through a tightly choreographed combination of graphics, voice and music. Three digital explorers are tasked by their mentor with the creation of avatars that will enable exploration of a newly rediscovered "natural cyberspace" humans long ago lost the ability to access. Conflict arises when one character pauses to question the wisdom of blindly forging ahead with human representation in the digital world. Interactive real-time animations are used to represent the thoughts and feelings of the main characters, and respond to the user in intimate ways that help to illuminate the unfolding story while building emotional connections with its central players.
(Source: Author's description from Electronic Literature Collection, Volume Two)
Scott Rettberg - 15.04.2011 - 13:45
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_cross.ova.ing 4rm.blog.2.log 07/08 XXtracts_
_cross.ova.ing ][4rm.blog.2.log][_ is a "netwurk repository" that's been in operation since 2003. these "wurks" r inscribed using the infamous polysemic language system termed _mezangelle_. this language evolved/s from multifarious computer code>social_networked>imageboard>gamer>augmented reality flavoured language/x/changes. 2 _mezangelle_ means 2 take words>wordstrings>sentences + alter them in such a way as 2 /x/tend + /n/hance meaning beyond the predicted +/or /x/pected. _mezangelling_ @tempts 2 /x/pand traditional text parameters thru layered/alternative/code based meanings /m/bedded in2 meta-phonetic renderings of language. _cross.ova.ing ][4rm.blog.2.log][ /m/ploys a base standard of code>txt in order 2 evoke imaginative renderings rather than motion-based>flashy graphics.
(Author description from Electronic Literature Collection, volume 2)
Scott Rettberg - 15.04.2011 - 13:53
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Endemic Battle Collage
Endemic Battle Collage is a set of decades-old digital poems originally written in Apple Basic and incorporating both movement and sound within their bounds.
(Source: Author's description at Electronic Literature Collection, Volume Two)
Scott Rettberg - 15.04.2011 - 14:01
