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Renée Turner
Renée Turner is an American artist and writer living in the Netherlands. In 2006 she was awarded a scholarship from the Institute of Creative Technology and received her MA in Creative Writing and New Media from De Montfort University. Since 1996 she has worked with Riek Sijbring and Femke Snelting under the collective name, De Geuzen: a foundation for multi-visual research. Their collaborative projects have showcased in Manifesta, Rhizome and Mute. Whether writing digital narratives or working collaboratively, Turner’s work often engages with feminist issues and online media ecologies. Currently she is teaching fine art and design at the Willem de Kooning Academy (Rotterdam) and St. Joost Art Academy (Breda).(Source: Author-submitted bio).
Eric Dean Rasmussen - 17.01.2011 - 14:32
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Chris Funkhouser
Chris Funkhouser is an Associate Professor and Director of the Communication and Media program in the Department of Humanities at New Jersey Institute of Technology, where he teaches Cybertext, Digital Poetry, Electronic Literature, and other courses. He has also taught courses at Naropa University (Creative Cannibalism, 2007) and University of Pennsylvania (Digital Poetry, 2010), where he is also a Senior Editor at PennSound. He is a digital poet and author of the documentary study Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, LambdaMOO_Sessions (Writer's Forum, 2006), and an e-book (CD-ROM), Selections 2.0, which was published by the Faculty of Creative Multimedia at Multimedia University (Malaysia), where he was a Visiting Fulbright Scholar in 2006.
Eric Dean Rasmussen - 17.01.2011 - 16:08
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Daniel Apollon
Daniel Apollon is an associate professor in digital culture at the University of Bergen. He has broad interests covering cultural and social perspectives on information technology, electronic text and edition, semantic web and the philosophy of networked knowledge society. Until 2008 Daniel Apollon headed the Research Group on Text Technologies at UNIFOB AKSIS AS, Bergen. Daniel has been involved as European coordinator in many EU projects on digital culture and electronic literature. He has also a long track record as academic expert for the European Commission, Agence Nationale de la Recherche, NFR, Unesco and the former European Rectors' Conference. He is also active in COST Actions on electronic edition and eContent projects. Daniel is also a film-maker with deep interest in ethnographic film-making and short film.
(Source: Author's Description)
Eric Dean Rasmussen - 17.01.2011 - 16:10
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Roderick Coover
Roderick Coover is Director of the MFA program in Film and Media Arts at Temple University. His works include museum installations, print publications, films and multimedia collaborations of fiction and non-fictional story. Examples of works include the interactive series, Unknown Territories (unknownterritories.org), which is a collection of interactive environments about how perceptions of the deserts of the American West are shaped through language and image, and the book, Switching Codes: Thinking Through Digital Technologies In The Humanities And Arts (Chicago), which brings together leading scholars, artists, authors, and computer scientists to discuss their changing practices. Some other recent works include From Verite To Virtual (Documentary Educational Resources), Outside/Inside (Museum of the American Philosophical Society), The Theory of Time Here (Video Data Bank), and Cultures In Webs (Eastgate). He is the recipient of Fulbright, LEF and PIFVA awards among others.
(Source: Author's bio)
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Eric Dean Rasmussen - 20.01.2011 - 15:20
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Jörg Piringer
born in 1974. currently living in vienna/austria. member of the institute for transacoustic research. member of the vegetable orchestra (das erste wiener gemüseorchester). student at the schule für dichtung in wien (curd duca, sainkho namtchylak, etc). master degree in computer science. sound poet.
(Source: Author)
Note: Jörg is sometimes spelled Joerg in English texts.
Eric Dean Rasmussen - 20.01.2011 - 16:43
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Kate Pullinger
"Kate Pullinger is a Canadian novelist living in England. Her books include the novels A Little Stranger, The Last Time I Saw Jane, Where Does Kissing End?, Weird Sister, and When the Monster Dies, as well as the short story collections, My Life as a Girl in a Men's Prison and Tiny Lies. She co-wrote the novel of the film The Piano with director Jane Campion. Her latest novel, The Mistress of Nothing, is currently shortlisted for a GG, a Governor General's Literary Award for Fiction, one of Canada's main annual literary prizes. Kate Pullinger also writes for digital media. Her current projects include 'Lifelines' - digital stories for secondary schools, 'Inanimate Alice' - a digital novel in episodes, and 'Flight Paths: a networked novel' - a project aimed at creating a novel on and through the internet. She is Lead Writer on a game for Facebook, to be launched in 2010. See http://www.katepullinger.com/blog for urls.
Eric Dean Rasmussen - 20.01.2011 - 16:52
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Panoramic Poems, Narratives and Travels
"Fragmentation and layering in time and language form the basis for a series of experimental cinematic works in video poetry, montage and panoramic animation."
Eric Dean Rasmussen - 20.01.2011 - 17:37
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Tributaries & Text-Fed Streams: A Feed-Reading of the Capilano Review
"Tributaries & Text-Fed Streams: A Feed-Reading of The Capliano Review is a work of electronic literature by J. R. Carpenter, curated by Kate Armstrong, commissioned by The Capliano Review. In February 2007 The Capilano Review published an issue dedicated to new writing and new technologies guest-edited by Andrew Klobucar. Tributaries & Text-Fed Streams: A Feed-Reading of The Capliano Review is a personal, experimental and playful rereading of and response to these essays by J. R. Carpenter. In this work, Carpenter explores the formal and functional properties of RSS, using blogging, tagging and other Web 2.0 tools to mark-up and interlink essays and to insert additional meta-layers of commentary in order to play with, expose, expand upon, and subvert formal structures of writing, literature, and literary criticism. Over a four-month period Carpenter read and re-read the essays, parsing them into fragments, which she then annotated, marked-up, tagged and posted.
Eric Dean Rasmussen - 20.01.2011 - 17:47
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"Where you will have been I am..." [not yet found]
"A short, live performance work, the words for which will have been written with and against their Google-indexed networked corpus. The words may ask, 'Where were you, after we heard about the accident but as yet we did not know?' I will ask the audience to make simple gestures in order to hear the language of the piece."
(Source: author-submitted abstract.)
Eric Dean Rasmussen - 20.01.2011 - 18:51
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Utter
"Utter is a new interactive performance work that employs computer speech recognition, motion sensing and digital memory to create an adaptive linguistic palimpsest. The system records speech and the location, movement and orientation of the speaker, using this data to create a dynamic display of texts that can interact with one another" (author-submitted abstract). Older utterances appear darker, smaller and further away whilst recent utterances appear larger, brighter and closer. The actions of the speaker determine the behaviour of the texts. Recorded utterances can recombine with one another, employing structural grammars to create new texts. Grammatical elements can migrate through the emergent 3D ecology of texts and thus through time. Utter engages the performative through the transformative power of language and suggests a system of Chinese-whispers constituted as textual recombinance and migration" (author-submitted abstract).
Eric Dean Rasmussen - 20.01.2011 - 19:12
