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1. Twisters

   Twisters is a collection of thousands of short stories written for and posted to the social media platform Twitter by author and creator Arjun Basu, who describes the process of their creation as follows:

    

   In October of 2009, I heard about Twitter and being the curious sort, checked it out. And then for whatever reason, I wrote a “short story” – and that story came in at over 140 characters. And while editing it down, I realized something about the possibilities inherent in the limitations Twitter imposes on all of us. That first story came in at exactly 140 characters. I thought perhaps this was a new form and so I gave it a name: Twisters. And all of my stories since then, now numbering in the thousands, are 140 characters.

   I did this until some point in 2017.

   The works are no longer hosted on Twitter but have beel collated into a categorised and searchable archive on Basu's website.

   Caroline Tranberg - 03.10.2021 - 13:10

2. Glass Mountain

   A digital reprint of Donald Barthelme's Glass Mountain—as printed in City Life (1978), published by Pocket Books—hosted on librarian Jessamyn West's website as part of a larger personal repository dedicated to the author and his work. All creative works were collated and published with permission from Frederick Barthelme, Donald's brother.

   Official story blurb:

   A glass mountain sits in the middle of a city and at the top sits a 'beautiful, enchanted symbol'. Seeking to disenchant it, the narrator must climb the mountain. Confronted by the jeers of acquaintances, the bodies of previous climbers and the claws of a guarding eagle he, slowly, begins to ascend. In true postmodernist form, subject and purpose collide as Donald Barthelme uses one-hundred fragmented statements to destabilise a symbol of his own - literature's conventional forms and practices. With a quest, a princess and an array of knights, Barthelme subverts that most traditional of genres, the fairy-tale; irony, absurdity, and playful self-reflexivity are the champions of this short story.

   Tjerand Moe Jensen - 03.10.2021 - 20:02

3. Alarmingly These Are Not Lovesick Zombies

   alarmingly these are not lovesick zombies could be considered a near unplayable art-game. Each level is built to be both won and lost, where the player shoots strange enemy objects with increasingly absurd and broken guns, and wildly deviating scoring systems. Behind the experience are odd hand-made videos of toy play and between the levels are narrative clips told with old matchbooks from small towns of the prairie. With perhaps the best title ever given to a game or otherwise, ATANLZ is both disrupted art-game and experience in frenetic madness, an interactive collage engine born from the pixilated undead.

   (Source: Artist's Statement, The NEXT)

   Jonatha Patrick Oliveira de Sousa - 06.10.2021 - 21:04

4. Oral Tradition

   Oral Tradition is an open-access journal devoted to the study of the world’s oral traditions, past and present. Reaching a diverse and global audience, the journal publishes articles that explore the vitality of words spoken, sung, or performed, and the traditions of creative expression in which they thrive. 

   Jill Walker Rettberg - 24.10.2021 - 09:06

5. From the árran to the internet: Sami storytelling in digital environments

   This essay investigates the use of storytelling in the process of cultural and linguistic revitalization through specific contemporary examples drawn from the Internet. By examining instances of adaptation of Sami tales and legends to digital environments, I discuss new premises and challenges for the emergence of such narratives. In particular, within a contemporary context characterized by an increasing variety of media and channels, as well as by an improvement in minority politics, it is important to examine how expressive culture and traditional modes of expression are transposed and negotiated. The rich Sami storytelling tradition is a central form of cultural expression. Its role in the articulation of norms, values, and discourses within the community has been emphasized in previous research (Balto 1997; Cocq 2008; Fjellström 1986); it is a means for learning and communicating valuable knowledge—a shared understanding. Legends and tales convey information, educate, socialize, and entertain. Their role within contemporary inreach and outreach initiatives is explored in this essay from the perspective of adaptation and revitalization.

   Jill Walker Rettberg - 24.10.2021 - 09:09

6. Elys, The Lacemaker: The Book of Hours of Madame de Lafayette

   The story of Elys, the Lacemaker to the Princess of Cleves is a double-true fiction. First, a lacemaker is not mentioned in the text of Madame de Lafayette's Princess of Cleves. However, the Princess surely had both seamstresses and personal fitters for her couture. It was not uncommon for a proper trousseau to be many years in preparation. Elegant ladies were sewn into their gowns before setting off to the ball. Also, no record attests that the Viscount of Chartres had a natural child--or certainly not one named Elys. But it was customary to donate unwanted souls to the service of the many needs of the Court. As a fictional lacemaker, Elys would certainly have heard the folktale, "Little Red Riding Hood." Early, oral versions of the tale include the wolf asking Riding Hood if she planned to take the "path of pins" or the "path of needles." The Grandmother, too, is blind--attesting to the fate of the real lacemakers who worked from age four until their sight failed in adolescence. I have adapted the Cinderella story for Elys' mother, Elle.

   Dene Grigar - 08.11.2021 - 20:25

7. I Forced a Bot to Read over 1,000 Papers from Open Access Journals and Then Asked It to Write a Paper of Its Own. Here Is the Result. Or, a Quasi-Materialist Approach to Bot-Mimicry

   The article develops an approach for close reading of auto-generative writing agents (i.e. bots). It introduces the concept of bot-mimicry (a practice of writing in a bot-esque style), and argues that bot-mimicry inherently entails that reader and writer alike imagine a conceptual (fictional) bot which could have written the text. As such, it investigates the concept as a fruitful way of engaging with cultural, aesthetic and political conceptions and imaginaries surrounding bots. Furthermore, and through an example reading of the “Olive Garden tweet”, the paper develops, introduces and applies a quasi-materialist approach, where seemingly immaterial elements such as implicit conceptual bots are considered through a framework inspired by materialist media theory from the fields of software studies, media archaeology, and electronic
   literature.

   Malthe Stavning Erslev - 12.11.2021 - 10:06

8. Data-Realism: Reading and Writing Datafied Text

   Pold and Erslev explore third-wave electronic literature -- a practice situated in ¨social media networks, apps, mobile and touchscreen devices, and Web API services” (Flores). At the next conceptual level, however, literary practices of this kind unavoidably take part in representing and reconstructing the metainterface - a space of data collection, standardization, commodification and redistribution that, for better or worse, is our context for a contemporary data realism.

   Malthe Stavning Erslev - 12.11.2021 - 10:32

9. Exhibiting, Disseminating, Teaching: Digital Literature in Danish Public Libraries

   Danish public libraries have since 2010 exhibited, disseminated, and taught digital literature. This paper lays out the general trajectory of their work, and introduces the notion of a post-digital literacy: a theoretical lens through which to conceptualize and articulate the importance of teaching digital literature in K-12.

   In fruitful dialogue with a variety of other parties and institutions, including Aarhus University and the ELO, a handful of public libraries have developed considerable and impressive expertise, grounded in practice-based experimentation. Their efforts, which have taken place in the course of six projects, are the case into which this paper inquires. The case represents an astute continuity in terms of exhibiting and communicating digital literature to the general public, yet the decade of work has hitherto not been presented or analyzed collectively. In doing so, this paper not only collects the efforts made by multiple librarians in multiple libraries and documented in a variety of places and formats, it also considers the general trajectory of the work carried out as an ample case for charting areas for future work.

   Malthe Stavning Erslev - 12.11.2021 - 10:38

10. Contemporary Posterity: A Helpful Oxymoron

    In his essay, Malthe Stavning Erslev approaches the notion of post-digital from the perspective of a broader cultural phenomenon of posterioriy, emphasizing the fact that the prefix post- still allows for discussion of multidirectional and complex changes that our world is currently undergoing. In order to better grasp all the complexities and interrogate somewhat linear periodization implied by the prefix, Erslev employs the oxymoronic concept of contemporary posterity. At the same time, he ties his theoretical proposition with the extensive analysis of an online community engaging in bot-mimicry.

    Malthe Stavning Erslev - 12.11.2021 - 10:51

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