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1. AlletSator

   “Alletsator” is a hypermedia work that is best defined as a quantum opera, or perhaps in the final analysis a game – interactive, three-dimensional – where the present and the virtual intersect and mix. A hybrid hypermedia, therefore, in which the “spectactor” (immersed in an environment that is intended to be cosmic, magical, fantastic, dreamlike ...) is challenged to traverse the surface of a sequence of drawings. The work is a journey without ending. “Alletsator” is a computer generated narrative that allows an infinite potential of combinations. It is also an object of the new media art. It is a product and agent of the cyber culture that promises to revolutionize the world as we know it. The dramaturgy it needs is already anticipated in the metaphor that better explains the work itself: a spacecraft of dispersed paths, of multilinear unexpected pathways.

   Scott Rettberg - 30.01.2011 - 18:22

2. Ré veille d’artiste

   Ré veille d’artiste

   Scott Rettberg - 02.02.2011 - 14:48

3. Détournement / Diversion

   Détournement / Diversion

   Eric Dean Rasmussen - 09.02.2011 - 15:53

4. The Raw Shark Texts

   The Raw Shark Texts

   Eric Dean Rasmussen - 17.02.2011 - 16:37

5. Planting Trees Out of the Grief: In Memoriam Robert Creeley

   "Planting Trees out of the Grief" is a lyrical essay, or work of creative non-fiction about mourning. "Planting Trees out of the Grief. In Memoriam Robert Creeley" is a ficticious story that mirrors the psychological processes of coping with mourning described in the essay.

   The hypertext will lead you through both texts as same as one goes through the process of mourning. You will go further and sometimes you realize you just stepped backwards finding yourself at the same point you were once before.

   Being at the same point (textpassage) you were once before you'll have the choice to follow new paths - or you have to go through the same until a new path (link) reveals. Sometimes people forget they were in grief and then, suddenly, they face their loss again. Therefore, I am dealing with intendend moments of recurrence. By this, you are forced to find new paths and follow other links.

   Mark Marino - 27.03.2011 - 17:52

6. Into the Night

   The work was published on Young-Hae Chang Heavy Industries' web page in 2007 according to the Internet Archive's Wayback Machine.

   Meri Alexandra Raita - 05.10.2011 - 14:31

7. Das Erwachen der Mongoliden

   The work was published on Young-Hae Chang Heavy Industries' web page in 2007 according to the Internet Archive's Wayback Machine.

   Meri Alexandra Raita - 05.10.2011 - 14:34

8. The Mood of the Moment

   The work was published on Young-Hae Chang Heavy Industries' web page in 2007 according to the Internet Archive's Wayback Machine.

   Meri Alexandra Raita - 05.10.2011 - 14:38

9. Under Language

   "Under Language" is the latest in my series of textual instruments, a term I borrowed from John Cayley many years ago to describe things that might look like literature, but also like structures for play, though not necessarily what we would call games.

   In fact, this one lies pretty close to game space, having rules, a scoring system (albeit invisible), and even a simple agon in which you compete against the perversity of the puzzle-maker, and constraints of the clock.

   The phrase "under-language" was invented by the comics artist, Alan Moore, in an interview he gave in the early 1980s. He used it to describe the essence of comics art, which is neither verbal nor visual, but something that underlies and infuses both modes. The term gets at the essence behind Moore's great genius for irony and verbal-visual puns. It also provides a convenient reminder that everything, these days, tends to mean more than it seems.

   Scott Rettberg - 20.10.2011 - 09:41

10. En million historier

    En million historier

    Jill Walker Rettberg - 14.11.2011 - 17:09

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