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  1. oooxxxooo

    Cycle of interlinked poems, combining ascii art layout with concrete, hypertextual poetry.

    Jill Walker Rettberg - 02.02.2011 - 22:46

  2. For Thee: A Response to Alice Bell

    In an essay that responds to Alice Bell's book The Possible Worlds of Hypertext Fiction (Palgrave Macmillan, 2010), Stuart Moulthrop uses the lessons of hypertext as both an analogy and an explanation for why hypertext and its criticism will stay in a "niche" - and why, despite Bell's concern, that's not such a bad thing. As the response of an author to his critic, addressed to "thee," "implicitly dragging her into the niche with me," this review also dramatizes the very productivity of such specialized, nodal encounters.

    Eric Dean Rasmussen - 03.02.2011 - 11:01

  3. Jan Baetens

    Jan Baetens is professor of cultural studies at the University of Leuven. He has
    widely published (most often in French) on word and image studies, particularly
    in the field of the so-called minor genres (graphic novel, photonovel,
    novelization) and contemporary French writing and poetry, more specifically in
    the field of constrained writing.

    Eric Dean Rasmussen - 04.02.2011 - 12:25

  4. Leonardo Reviews

    Leonardo Reviews is the work of an international panel of scholars and professionals invited from a wide range of disciplines to review books, exhibitions, CD-ROMs, Web sites, and conferences. Collectively they represent an intellectual commitment to engaging with the emergent debates and manifestations that are the consequences of the convergence of the arts, science and technology.

    Publishers and authors interested in having their print or electronic publications considered for review by the panel should contact;

    Michael Punt, Editor-In-Chief, Leonardo Reviews
    B321 Portland Square, University of Plymouth
    Drake Circus, PL4 8AA UK

    Eric Dean Rasmussen - 04.02.2011 - 12:35

  5. Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres

    Rev. of Beyond the Screen. Transformations of Literary Structures, Interfaces and Genres

    Eric Dean Rasmussen - 04.02.2011 - 12:43

  6. Uncle Buddy's Phantom Funhouse

    Art "Buddy" Newkirk has disappeared and left you his literary estate. By the looks of it, he and his friends were a very odd bunch.

    You might have enjoyed knowing them. But you don't: why does "Uncle" Buddy think you do? Where is he, anyway? And what does this have to do with Meister Eckhart and the New York City subway?

    To find out, you'll have to pop the floppies into your Mac, drop the tapes into your boombox, and get ready to meet Buddy's friends, read his email, listen to his band, and sort out his (very strange) Tarot deck.

    (Source: Eastgate catalog description)

    Hypercard on computer discs with two casettes, a letter, and photocopied article.

    Eric Dean Rasmussen - 07.02.2011 - 12:42

  7. John McDaid

    John McDaid, author of Uncle Buddy's Phantom Funhouse, is an award-winning science fiction writer, folk/filk singer-songwriter, freelance journalist, and media ecologist from Brooklyn, NY.

    He attended the Clarion Science Fiction Workshop in 1993, and sold his first short story, the Sturgeon Award-winning "Jigoku no mokushiroku"to Asimov's in 1995. His 1993 digital novel, Uncle Buddy’s Phantom Funhouse, included two audio tapes, which Robert Coover's New York Times review called the work of “A mischievous guitarist and vocalist with a gift for the inimitable phrase."

    With Michael Joyce, Nancy Kaplan, and Stuart Moulthrop, he is a co-founder of the TINAC collective, a group of writers and theorists of hypertext. He helped create one of the first hypertext writing programs (within Expository Writing) at New York University in 1988 where he served as Coordinator of Computer Composition.

    Eric Dean Rasmussen - 07.02.2011 - 12:46

  8. Susanne Berkenheger

    Susanne Berkenheger

    Eric Dean Rasmussen - 07.02.2011 - 12:52

  9. Zeit für die Bombe

    "Zeit für die Bombe" ist eine multilineare Erzählung, die ich 1997 fürs World Wide Web schrieb. Schon damals träumte ich davon, sie einmal in einem digitalen Buch zu lesen. Als die Erzählung beim Internet-Literaturpreis "Pegasus" der Wochenzeitschrift "DIE ZEIT" den 1. Preis gewann, rieten mir viele Leute dazu, die Quatschidee mit dem digitalen Buch schnell wieder aufzugeben und stattdessen ein vernünftiges, also gedrucktes Buch zu schreiben. Grund: Der Hypertext sei tot, und das schon länger. Ob ich denn das noch nicht bemerkt hätte? Womöglich aus purer Sturheit schrieb und programmierte ich trotzdem weiter Hypertexte ( "Hilfe!" und "Die Schwimmmeisterin"), bis das Nachrichtenmagazin "Der Spiegel" mir 2002 den zweifelhaften Ehrentitel "Veteranin der schwindsüchtigen Szene" verlieh. Immerhin erkannte ich, dass das Magazin damit so falsch nicht lag. Denn multilineare Erzählungen im Internet zu veröffentlichen, hatte unübersehbare Nachteile. Der größte davon war, dass die Leser diese gar nicht lasen, sondern vor allem darin herumklickten, und zwar so schnell, dass sie gar nichts lesen konnten.

    Eric Dean Rasmussen - 07.02.2011 - 13:50

  10. Mark H. Hansen

    Statistician and artist working at the intersection of art, data and technology. Professor at Columbia Journalism School since 2012.

    Eric Dean Rasmussen - 07.02.2011 - 15:42

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