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1. Building Community through a Digital Literature Archive: The Case of Ciberia Project

   Ciberia Project has emerged around the creation of Ciberia, a digital archive dedicated to digital literature in Spanish, with the purpose of making its contents more widely shared and fostering community building around digital literature. This project in-tends to function as a platform for a community interested and/or specialized in new creative forms of literary publishing, using the Ciberia database as the confluence point and origin of collective interaction, creation and reflection on digital literature and its ramifications in the field of literary publishing. This paper provides a descrip-tion of the digital library Ciberia, and its spin-off, the web platform Ciberia Project, offering a detailed account of their structure and potentialities.

   (Abstract article)

   Hannah Ackermans - 19.11.2018 - 10:03

2. Poesia Experimental Portuguesa: Contextos, Ensaios, Entrevistas, Metodologias

   Livro com alguns dos resultados do projecto «PO.EX’70-80 – Arquivo Digital da Literatura Experimental Portuguesa», financiado pela Fundação para a Ciência e a Tecnologia com fundos da União Europeia. Edição de Rui Torres, com textos sobre a maioria dos autores representados neste arquivo digital.

    

   Hannah Ackermans - 27.11.2018 - 11:24

3. Justificação Metodológica da Taxonomia do Arquivo Digital da Literatura Experimental Portuguesa

   A criação de uma taxonomia para organização e classificação de um conjunto de materiais tão diversificado como os que constituem o Arquivo Digital da Literatura Experimental Portuguesa (com poesia visual, sonora, espacial, performativa, digital, concreta e vídeo) é um desafio para o investigador. Neste texto, Rui Torres, Manuel Portela e Maria do Carmo Castelo Branco de Sequeira apresentam algum enquadramento que tenta servir de justificação às opções escolhidas.

   (Source: PO.EX)

   Hannah Ackermans - 27.11.2018 - 11:34

4. Source Code: Linguistic, Literary, and Cultural Meaning-Making in Generative Literature

   I consider the role of the source code of generative literature in the process of meaning making. The significance of code in the cultural meaning of generative works means the source code becomes a key factor to explore in literary studies. I use Critical Code Studies (Marino) which rejects the practice of only analyzing the output of electronic literature and instead proposes to look at code from a humanities perspective as an integral part of coded literature. To specify this emerging field specifically for generative literature, I propose a distinction between three levels on which the code is involved in the meaning-making process of generative literature: the linguistic level, the literary level. and the cultural level. On the linguistic level, I draw from structuralism, using Jakobson's notions of selection and combination as outlined in "Two aspects of language and two types of aphasic disturbances". Generative literature shows the meaning of language explicitly via selection and combination of linguistic units, and adds to this process a literary meaning employing the process of chiasm and overwriting.

   Hannah Ackermans - 28.11.2018 - 11:33

5. Third Generation Electronic Literature

   We are witnessing the emergence of a third generation of electronic literature, one that breaks with the publishing paradigms and e-literatury traditions of the past and present.

   N. Katherine Hayles first historicized electronic literature by establishing 1995 as the break point between a text heavy and link driven first generation and a multimodal second generation “with a wide variety of navigation schemes and interface metaphors” (“Electronic Literature: What Is It?”). Even though Hayles has since rebranded the first wave of electronic literature as “classical,” generational demarcations are still useful, especially when enriching the first generation with pre-Web genres described by Christopher Funkhouser in ​Prehistoric Digital Poetry​ and others. My paper redefines the second generation as one aligned with Modernist poetics of innovation by creating interfaces and multimodal works in which form is invented to fit content.

   Hannah Ackermans - 04.12.2018 - 13:40

6. Reconfiguração do conhecimento no espaço hipermediático. Análise e avaliação de cinco arquivos digitais

   Esta dissertação é um dos resultados da participação como bolseiro de investigação no projecto "PO.EX'70-80 – Arquivo Digital da Literatura Experimental Portuguesa" e tem como pano de fundo a problemática dos arquivos digitais para conteúdos variáveis e multimodais. A partilha é hoje em dia uma palavra contestada por muitas causas, e é esse mesmo facto que está na base desta dissertação. Isto é, através da distribuição de informação e obras de arte em diversos arquivos digitais. Com essa partilha pretende-se dar a conhecer autores e formas artísticas distintas, tornando-os presentes num mundo onde a integração multimodal e a diversidade cultural parecem andar juntos, mas também caracterizado pela efemeridade das suas produções. Partindo do princípio de que os arquivos digitais são fundamentais para a preservação e divulgação de conteúdos artísticos e literários, será objectivo desta dissertação dar a conhecer esse mundo da cultura participativa, multimediático e hipertextualizado, acabando com uma visão geral sobre as formas de arquivamento que hoje em dia o meio digital torna possíveis.

   Hannah Ackermans - 07.12.2018 - 10:29

7. Multimodal Editing and Archival Performance: A Diagrammatic Essay on Transcoding Experimental Literature

   The aim of PO.EX: A Digital Archive of Portuguese Experimental Literature (http://po-ex.net/) is to represent the intermedia and performative textuality of a large corpus of experimental works and practices in an electronic database, including some early instances of digital literature. This article describes the multimodal editing of experimental works in terms of a hypertext rationale, and then demonstrates the performative nature of the remediation, emulation, and recreation involved in digital transcoding and archiving. Preservation, classification, and networked distribution of artifacts are discussed as representational problems within the current algorithmic and database aesthetics in knowledge production.

   (source: abstract DHQ)

   Hannah Ackermans - 07.12.2018 - 10:51

8. Topologia digital da página impressa no Arquivo Digital da PO.EX

   Este artigo categoriza as estratégias de recodificação digital presentes no "Arquivo Digital da PO.EX" e analisa a reflexividade intermedial da escrita, da imagem e do código em textos visuais de Ana Hatherly, E. M. de Melo e Castro e José-Alberto Marques. A recodificação digital permite apreender a complexa topologia da página impressa como articuladora dos sinais escritos na produção de sentido.

   (abstract repository)

   Hannah Ackermans - 07.12.2018 - 10:56

9. Curating Digital Archives: Interoperability and Appropriation @ PO-EX.NET

   The inherent complexity of multimodal databases constitutes a challenge in terms of structuring and interoperability. However, it also stimulates the translation of organized data into enhanced and adaptable interfaces. Using the Digital Archive of Portuguese Experimental Literature (www.po-ex.net) as a framework, I will describe possible strategies for curating digital archives, through appropriation and remixing of database assets, allowing artistic and creative re-interpretations of experimental and electronic literature.

   (source: abstract repository)

   Hannah Ackermans - 07.12.2018 - 11:03

10. Networks without a cause: A critique of social media

    Networks without a cause: A critique of social media

    Hannah Ackermans - 06.08.2019 - 10:36

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