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Art and Electronic Media Online
The Art and Electronic Media Online Companion emerged as a project of an intensive one-week MA seminar at the compArt Center for Excellence in Digital Art at the University of Bremen. Seventeen students worked together to develop the web interface and initial content based on the 2009 print publication Art and Electronic Media. Indeed, content creation and website design mutually informed each other, so the site has emerged - and will continue to emerge - from a highly collaborative process. The lead Drupal developers were Walter Jenner and Tim Mundt. Cristina Botta, Marten Müller, Ryan Scoville, Jan Smeddinck
(Source: Art and Electronic Media Online website)
Elisabeth Nesheim - 07.03.2013 - 15:19
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konkretpoesi.se
konkretpoesi.se er faktisk meget mere end en udstilling. Foruden at være en digital antologi over konkret poesi rummer netprojektet nemlig både interviews, portrætter og artikler, samt oversættelser af digternes egne tekster om deres arbejde og perioden. Både artikler, interviews og værker præsenteres i en levende og interaktiv form med brug af et samspil af ord, billeder, lyd og bevægelse. Som en tråd op til i dag rummer konkretpoesi.se desuden en præsentation af den nye generation af svenske "konkrete" digtere, "Generation OEI".
De konkrete poeter opfattede sproget som et konkret, fysisk materiale, der skulle "æltes" og "masseres på plads" på den trykte side eller i lyd- og billedmontager. Visuelle og auditive eksperimenter kom i centrum, mens grammatik og de enkelte ords betydning spillede en mindre rolle. I Sverige fik den konkrete poesi sit helt eget udtryk - mere legende, improviserende og mere i dialog med andre kunstarter end lignende bevægelser i Tyskland, Østrig og Brasilien.
Sissel Hegvik - 23.04.2013 - 13:06
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ON/OFF
ON OFF v. 3.0 is the final update to the exhibition project featuring new international net art online and in print, organized by Afsnit P and the print magazine Hvedekorn. ON OFF v. 1.0 was released in December 2000, featuring projects by Mark Napier and Entropy8Zuper, and texts about net art by leading curators artists, and art historians. For v. 2.0 web artist Isabel Chang created the project CUT2Version 3.0 features a new project by Jonah Brucker-Cohen.
Sissel Hegvik - 23.04.2013 - 13:43
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E-critures
The online device called e-critures consists of a mailing list (discussion list) and of a website. The discussion list, created in November 1999, came first (it has at present around 160 members and more than 5000 messages have been posted since its creation). Here is the presentation text for this list:
"Liste de diffusion dédiée à la littérature informatique. Elle regroupe des auteurs., des universitaires et de simples lecteurs." ('Discussion list dedicated to digital literature. It groups together authors, scholars and simple readers').
Nobody can join without being accepted by the moderator (whose role afterwards is however restricted since messages are freely posted). The diffusion of messages is always one-sided: from one to all the members of the list. The feeling of being a member of the list is directly related to the feeling of belonging to a group of trailblazers who choose to fight or not to fight for its own visibility.
(Source: Serge Bouchardon, "Digital Literature in France")
Scott Rettberg - 27.06.2013 - 11:20
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Scott Rettberg - 27.06.2013 - 11:56
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Hyperizons
One of the most extensive lists of hypertext fiction, scholarship and events in the 1990s. Was an important hub of information on the web at the time, and remains a documentation of the past, broken links and all.
Jill Walker Rettberg - 28.06.2013 - 23:39
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Voice of the Shuttle
Alan Liu's Voice of the Shuttle launched in 1994 was one of the first and most important indexes of web content related to the humanities -- before Google, before Yahoo or any other all-encompassing web portal or search engine. The site moved to a database format in 2001 and is sitll in operation in 2013.
Scott Rettberg - 30.06.2013 - 22:11
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Stephanie Strickland Papers
Stephanie Strickland is a poet and born-digital writer whose works range from paper to interactive websites. She also teaches and serves on the board of the Electronic Literature Organization.
The accessions include journals and anthologies featuring Strickland's poetry; TechnoPoetry Festival materials; schoolwork, college, and graduate papers; posters and programs from events; proofs and drafts of her writings; and audio recordings. A data CD-ROM has been separated from the collection for migration to Duke's electronic server.
(Source: "Preliminary Inventory of the Stephanie Strickland Papers, 1955-2012", Rubenstein Library)
Scott Rettberg - 30.07.2013 - 23:20
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Pathfinders: Documenting the Experience of Early Electronic Literature
What happens to literary works meant to be experienced on a computing device when the software and computer systems with and for which they are created update, change or become obsolete? Do we allow these works also to become obsolete, or do we find ways to preserve them since they are important literary and cultural artifacts?
“Pathfinders: Documenting the Experience of Early Digital Literature,” led by Dene Grigar (Washington State University Vancouver) and Stuart Moulthrop (University of Wisconsin––Milwaukee), is a digital preservation project that captures an important moment in literary history: the development of early digital literature. As such, it aims to enrich our understanding of key texts from that moment and pioneer methods that can be used to preserve and explore other examples of participatory media. It is funded by a Digital Humanities Start Up Grant from the National Endowment for the Humanities.
Scott Rettberg - 08.08.2013 - 23:42
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The Typographic Archives
he Typographic Archives have been launched to put back in evidence on the web, forgotten sites dedicated to typography and history of printing and writing.
The Typographic Archives is a digital library which extracts the content from the Internet Archive Project (WayBackMachine) and modifies the layout to improve the readability.
It provides an internal search engine to allow reasearch (not possible on the IAP) and propose information on the authors of the content.
This service is provided free access to researchers, historians, scholars, and the general public.Natalia Fedorova - 19.08.2013 - 00:50