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1. Speeches and poemas

   Speeches and Poemas (Félix Remírez, 2006) is a digital bilingual poetry digital book divided into five parts. In the first one, Versos en la arena –Verses in the Sand- the multimedia digital possibilities are used to combine a series of sonnets and poems with the sound and vision of waves dying in the and. In the second, Raining Thoughts, the reader has to interact with a storm to extract its clouds-phrases and thoughts, all between the ambient sound of a storm. The third part, From my lips, is a review of a digital automatic writing that creates grammatically correct texts which do not make real sense. The fourth part, Image and Works, combines images in motion with verses inspired from each of the images. In English and Spanish the reader interacts with the images trying to choose the one that can be more interesting. In the end, La luz de la palabra –The Light of the Word-obliges the reader to find each poem little by little, as if he/she were reading with a candle. The work uses Javascript resources and there is music in each part of it.

   Maya Zalbidea - 31.07.2014 - 14:43

2. Voies de fait

   « Voies de fait » de Jean-Marie Dutey se sert de la sensation de déprise chez le lecteur pour exprimer un fort message politique. Le lecteur a un rôle physique et direct dans le poème. Comme dans les jeux vidéos le lecteur se déplace à travers le poème avec les flèches directionnelle sur le clavier. L’avatar qui représente le lecteur court entre ou sur les strophes, qui sont arrangées en bloques. Au début il semble que les strophes continuent jusqu’à l’infini. Il n’y a qu’une strophe en bleu—les autres sont en gris—pour donner des indices. Il y a cinq colonnes et cinq rangs de strophes. À chaque direction elles se répètent, alors si on commence à la strophe bleue et qu’on part vers la droite, on verra quatre strophes de plus et puis encore la strophe bleue avec les strophes suivantes. Voilà le texte complet (en commençant avec la strophe bleue) : VIVRE HEROS C’EST GRAND ARMEE OBEIR TIEDE IDIOT FRERE VERTE A CET QUE L‘ JE NE IBM QUE L’ ORDRE ENFER BANDE FERME ECHEC ENFIN CACHE PLUS ! L’ŒIL GAGNE C’EST CIVIL CRANE HEIGE BOIRE GRAVE CIBLE FENDU BLEUE L’AIR QUAND OTAGE PAR L’ SUR L’ QUAND TU ES D’UNE ACIER ECRAN L’EAU MORT ?

   Alexandra Martin - 17.11.2014 - 03:08

3. #! [Shebang]

   The title of this book, pronounced “shebang,” consists of the first two characters of most files containing scripts or interpreted programs. The “shebang” tells the system to use whatever follows to run the file — that the file is a Perl, or Python, or Ruby, or other program. “Shebang” also means “the entire universe of things that is under consideration,” as in “the whole shebang.” The book is a contribution to conceptual writing, published by a small press, most known to readers by word of mouth or via independent bookstores. It is an essentially subversive offering; having no words, letters, or even numbers in the title is, thus, appropriate.

   (Source: Nick Montfort at http://http://nomnym.com/successes.html)

   Alvaro Seica - 02.02.2015 - 16:28

4. Scriptpoemas

   Scriptpoemas (2005-) is a collection of poems or “poemas” which is still being written by Antero de Alda. He was described by Rui Torres as an explorer of “new paths for computer-animated poetry” (Torres, 2008). These short and (apparently) ready-to-consume poems were created using Flash, Javascript and ActionScript and they often enact the activity or attribute described in their title. Each poem seems to convey the literal meaning of the words used to describe them: the “poem in prison” is presented behind bars, the “spherical poem” can be described as a round object. However, as soon as the poems are activated by the reader, new details begin to surface. Antero de Alda makes use of the digital environment to uncover the many faces of a poem and the evasiveness of language. The arbitrariness of signs is, after all, widely explored by Alda in each poem. Nothing is what it seems and icons, concepts or famous photographs are defamiliarized and turned into traps designed to betray the reader’s senses.

   Daniela Côrtes Maduro - 06.02.2015 - 23:57

5. as valas abertas ++ des fossés ouverts ++ open ditches

   as valas abertas is a 40-line/80-characters poem, which stems from Borges's "The Library of Babel" (1941), and has been written as a challenge to an ongoing multilingual collaborative project with Claire Donato & Luc Dall'Armellina.

   (Source: Author's Webpage)

   Alvaro Seica - 10.02.2015 - 19:41

6. Two Roads Diverged

   "Two Roads Diverged" is a story of family loss and its aftermath. Using Robert Frost's famous poem "The Road Not Taken" as its metaphorical model, this interactive narrative offers brief glimpses into the paths three children take after the accidental death of their parents. The narrative also offers a view--through archetypal imagery and remote voices--of the darker side of the family's tragic past.

   (Source: Author's Description)

   Alvaro Seica - 16.04.2015 - 11:15

7. Poema de Computador

   "Computer Poem" appears in print in Barbosa's theoretical-practical collection A Literatura Cibernética 1 (1977).

   Daniele Giampà - 17.04.2015 - 10:06

8. Haiku Are Like Trolleys (There'll Be Another One Along in a Moment)

   Wrote a program to generate haiku which was embedded in the idle loop of a campus CDC6400 and became the most prolific poet up till that date, selection published in an anthology of computer poetry edited by Richard W. Bailey (Computer Poems, 1973). [pp. 16-19]

   (Source: http://www.robertgaskins.com/#resume)

   Alvaro Seica - 23.04.2015 - 19:30

9. The Sunflower Suite

   The Sunflower Suite

   Alvaro Seica - 28.04.2015 - 21:04

10. Luisances pour une Gisberce

    Luisances pour une Gisberce

    Alvaro Seica - 28.04.2015 - 21:48

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